Null Porcelain figurine, bisque porcelain, Capo di Monte, nursing mother with sm…

Description

Porcelain figurine, bisque porcelain, Capo di Monte, nursing mother with small dog, painted, on wooden base, with base mark, h. 36 cm

7236

Porcelain figurine, bisque porcelain, Capo di Monte, nursing mother with small dog, painted, on wooden base, with base mark, h. 36 cm

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Estim. 5 000 EUR

Italian coins VENICE Alvise II Mocenigo (1700-1709) Quarter gold ducat of 2 zecchini initials G B - Mont. 2237 AU (g 6.94) RRR A minimal tap at the edge but beautiful specimen - qSPL-SPL

Character medals Venetian Consortium of Armament and Navigation Medal struck 1919 Launching of the Steamship Monte Grappa, at Palermo in August 19' - Unsigned edition medal of Stabilimenti Stefano Johnson of Milan - AE ( Ø 62 mm) Rare artistic medal. In slab NGC MS 66 BN cod. 6635546-002 - MS 66 BN

Estim. 2 000 - 3 000 EUR

TOMMASO DE VIVO (Orto di Atella 1790 - Naples 1884) Allegories of the fleeting joys of life Pair of oil paintings on oval canvas, 129 x 100 cm. One painting signed at right, on the blue globe of the candlestick One painting signed at left, on the stencil depicting the saint adoring the cross ORIGIN Emilian family This pair of unpublished works by the painter, intends to interpret the vanity of childhood promises toward a life path strewn with comforts and joys. In the painting with the child reaching out from his mother's arms toward precious and colorful objects, the epilogue can be glimpsed in the woman's hairstyle, pierced and fixed by a small sword, referable to a Neapolitan culture linked to the iconography of the Madonna of the Seven Sorrows. De Vivo's closeness to the painters of the French Academy and especially to Léopold Robert is reflected stylistically in this work and also in the dramatic character of the subject, which is very common in Robert. The accentuated colorism typical of De Vivo's works is here characterized by an interesting color play set in three tones, with an intensity that adds great pathos to the two scenes Condition report First canvas. A patched tear in the upper center in the painting of the mother with the outstretched child, scattered color falls in the second painting Frames Molded oval arched frames with pearl border and flat-sectioned cornerpieces, 19th century (missing and dropped gilding)

Estim. 600 - 800 EUR

Lazzaro Efisio Cabras (attr.) Cagliari 1833 - Pisa 1813 Portrait of Antonia Irene Risos as a child Oil on canvas, 120x60 cm. (slight falls in color) Coming from a cosmopolitan family, Antonia Irene Risos was born in Florence on November 21, 1876. Orphaned by her father, she moved to Pisa and grew up with her mother Wilhelmina Augusta Walker, a companion of Lazzaro Efisio Cabras, a painter and watercolorist. She was formed in a very stimulating cultural climate. In 1903 she was among the first women to graduate in medicine from the University of Pisa where, in 2010, an exhibition and a book entitled "Stories of Uncommon Women" was dedicated to her.

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