Null Geiss, Otto, 1939 Augsburg - 2005 ibid., print technique on wood, "Hexenrit…

Description

Geiss, Otto, 1939 Augsburg - 2005 ibid., print technique on wood, "Hexenritt", signed and dated top right in the print, on the reverse with adhesive label on the artist, themes such as women, eroticism and spiritual life are defining elements of his pictures and are reflected in ever new ways, landscape format, 32.5 cm x 40 cm, in shadow gap frame

5067

Geiss, Otto, 1939 Augsburg - 2005 ibid., print technique on wood, "Hexenritt", signed and dated top right in the print, on the reverse with adhesive label on the artist, themes such as women, eroticism and spiritual life are defining elements of his pictures and are reflected in ever new ways, landscape format, 32.5 cm x 40 cm, in shadow gap frame

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Otto Herbert Hajek, Zwei Graphiken geometric composition in red, blue and yellow, colour screenprint on aluminium-coated cardboard, signed and dated "(19)76/6" by hand below the image on the right and numbered "68/200" on the left, framed in wooden frame without glass, rebate dimensions approx. 36 x 40 cm; polychrome composition, colour offset on card, signed and dated by hand "Hajek (19)81/7", matted and framed behind glass, dimensions approx. 23 x 18.5 cm, varying condition. Artist information: German painter, graphic artist and sculptor (1927 Kaltenbach/Czechoslovakia - 2005 Stuttgart), 1947-54 studied sculpture at the State Academy of Fine Arts in Stuttgart, 1978 appointed professor, 1980-91 head of the sculpture class at the State Academy of Fine Arts in Karlsruhe, 1959 and 1964 participation in the documenta in Kassel, source: Wikipedia.

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Liesel Fischer, motif from the Soviet Union summery sunny river landscape with rocky cliffs, impasto landscape painting with broad brushstrokes in pastel colours, oil on hardboard, c. 1970, signed "L. Fischer" lower left, corners with pinholes, unframed, dimensions approx. 32 x 62 cm. Artist info: German painter and graphic artist. Painter and graphic artist (1919 Dresden - 2000 Plauen), studied 1936-39 at the Kunstgewerbeakademie Dresden, among others under Arno Drescher and 1939-44 with her own studio at the Dresdner Kunstakademie under Ernst Richard Dietze, 1945-46 worked as a decorative painter in Bad Elster, studied 1946-50 at the Dresden Academy of Fine Arts (HBK) under Wilhelm Rudolph and Otto Winkler, then moved to Plauen and worked as an art teacher from 1951-54, freelance from 1954, member of the Association of Visual Artists (VBK) of the GDR, undertook numerous study trips, including to the Soviet Union and Israel, source: Vollmer, Eisold "Künstler in der DDR" and Frank Weiß "Malerei im Vogtland".

Estim. 80 - 120 EUR

Otto Scheinhammer, Sommerliche Deichlandschaft View along a dyke with trees and a guard's cottage, glazed, partially slightly impasto landscape painting, oil on canvas, c. 1930, signed "Otto Scheinhammer" lower left, in need of cleaning, framed, folded dimensions approx. 64.5 x 74 cm. Artist information: German painter and sculptor (1897 Munich - 1982 Augsburg), initially trained as a carpenter from 1912 and worked in the profession until 1922, 1916-18 military service as an aerial radio operator in WW1, from 1922 self-taught. He studied at the Munich Academy under Karl Johann Becker-Gundahl and Franz Klemmer from 1923-26, travelled to Italy in 1924 with private sponsorship and to Dalmatia in 1925, to Holland in 1926, travelled to Ceylon and Egypt from 1927-29, special exhibition at the International Glass Palace Exhibition in Munich in 1931 and lost 35 works as a result of the Glass Palace fire, after making the acquaintance of a Ceylonese plantation owner, 1927-30 stays in Ceylon and 1932-35 in Egypt with special exhibitions in Colombo and Cairo, 1935 return to Germany, participated in numerous exhibitions in Munich, Cologne, Berlin and Düsseldorf, active in Munich, 1938-44 the Great German Art Exhibition in the House of German Art in Munich, 1940-45 military service in the Second World War, 1944 destruction of the Munich Art Gallery, 1944 destruction of the Munich Art Gallery. World War II, 1944 destruction of the Munich studio in World War 2. World War II, moved to Ammersee in 1946, moved to Augsburg in 1948, travelled to Italy, Spain, Greece and Morocco, member of the Reichsverband Bildender Künstler Deutschlands, the Münchner Künstlergenossenschaft and the Neue Münchner Künstler-Genossenschaft, sources: Thieme-Becker, Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", Dressler, Munich Academy register, Bruckmann "Münchner Maler des 19./20. Jh." and Internet.

Starting price 80 EUR

J. HAID (1704) after SEUTTER (1677), Silver tree plant, around 1737, Copper engraving Johann Jakob Haid (1704 Kleineislingen - 1767 Augsburg) after Bartholomäus Seutter (around 1677 Augsburg - around 1754 ): Scolymocephalus Africanus foliis longis cono variegato B, N 895, Silberbaumgewächs, c. 1737, Copper engraving Technique: Copper engraving on Paper Inscription: At the lower part inscribed in the printing plate: "Scolymocephalus Africanus foliis longis cono variegato. B.". Upper right numbered in the printing plate: "N. 895". Date: c. 1737 Description: Johann Wilhelm Weinmann (1683-1741): Editor, Bartholomäus Seuter (1678- 1754): Painter; Johann Jakob Haid (1704- 1767)Johann Elias Ridinger ( 1698-1767): Engraver, 1737/1745, hand-coloured copperplate engraving depicting a silver tree plant after a design by Seuter, printed between 1737-1745. publisher: H. Lentz and H.G. Neubauer, Regensburg. The editor of the "Phytanthoza Iconographia" Johann Wilhelm Weinmann was a pharmacist based in Regensburg and dealt with plants and their effects on a daily basis. His interest in research went so far that he ran his own botanical garden. This resulted in a comprehensive four-volume work that was published in Regensburg between 1737 and 1745. In this "Pictorial Description of Plants and Flowers", countless European and non-European plants are depicted in large format and in great detail. This sheet comes from a series of four sheets and shows silver tree plants and their seeds. In addition to the printing technique of copperplate engraving, a new (colour) printing process was used here for the first time in the context of botanical books. Seuter had further developed the "mezzotint", which goes back to the Dutchman Johan Tyler. This made it possible to colour the plates evenly. Source: Johann Wilhelm Weinmann (1683 -1741 ) Phytanthoza Iconographia, 1737-45, No. 895 | Book, Plants Keywords: Plants, Botany, Flower, Silver tree family, 18th century, Baroque, Botany, Germany, Size: Paper: 37,0 cm x 24,8 cm (14,6 x 9,8 in) Condition: Good condition. Brownish discolouration on the front side and heavy discolouration at the edges, traces of storage at the lower right, slight creases at the edges. Verso: slight brownish discolouration, abrasion at the edges.

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