Null Geisselmann, Ägidius, 1935 Altusried - 1999 Munich, color silkscreen, "Beke…

Description

Geisselmann, Ägidius, 1935 Altusried - 1999 Munich, color silkscreen, "Bekenntnis zur Farbe", signed and monogrammed in the print, with print stamp, strict composition in which the contrast of the colors is in the foreground, despite deliberate confrontation there is harmony in the color language, landscape format, 50.5 cm x 70.5 cm, after a painting by Ägidius Geisselmann from 1979, with exhibition catalog of Galerie J. Ostler on Ägidius Geisselmann, behind glass in frame

5026

Geisselmann, Ägidius, 1935 Altusried - 1999 Munich, color silkscreen, "Bekenntnis zur Farbe", signed and monogrammed in the print, with print stamp, strict composition in which the contrast of the colors is in the foreground, despite deliberate confrontation there is harmony in the color language, landscape format, 50.5 cm x 70.5 cm, after a painting by Ägidius Geisselmann from 1979, with exhibition catalog of Galerie J. Ostler on Ägidius Geisselmann, behind glass in frame

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Hans Otto Kraus, "Wetterstein bei Garmisch" summer view from the direction of Garmisch-Partenkirchen to the Wetterstein mountains with Alpspitze and Waxenstein, impasto landscape painting in palette knife technique, oil on canvas, around 1950, signed lower right "Hans O. Kraus", on the reverse of the canvas work number "807" and old partly handwritten label "Motiv: Wetterstein bei Garmisch, Gemälde Nr.: 807 [getilgte Nr.: 356] 80/100", partial colour shrinkage cracks, in need of cleaning, originally framed, rebate dimensions approx. 80 x 100 cm. Artist information: German landscape painter (1907 Nuremberg - 1995 Inning am Ammersee), studied in Berlin, Hamburg and Nuremberg, pupil of prof. Fürst and Blocherer in Munich, exhibited in Barcelona and Mallorca in 1935, participated in exhibitions in Munich from 1935-37 and in the Great German Art Exhibitions in the House of German Art in Munich from 1939-44, lived in Munich from 1948-58, travelled to Switzerland, Austria, France, Italy, Russia and Poland, member of the Munich Professional Association of Fine Artists and the Association of Franconian Artists Nuremberg-Munich, source: Bütow "Europäisches Künstlerlexikon - Deutschland" from 1995/96 and Internet.

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Lothar Rudolf Meilinger, Seelandschaft Evening view over a quiet lake with autumnal, colourful trees on the shore and a distant view of a mountain backdrop, Bruckmann comments: "... He worked primarily as a landscape painter, with the Dachauer Moos, the Isar Valley and the Chiemgau in particular providing the motifs for his paintings. ...", contemplative glazed impressionist landscape painting, oil on canvas, signed and dated lower right "Loth. Rud. Meilinger 1922", stretcher somewhat worn through, closed defect in the canvas, somewhat restored, framed in a magnificent, approx. 15 cm wide gilt stucco frame with etched corners (somewhat rest.bed.), rebate dimensions approx. 90 x 130 cm. Artist information: German landscape painter (1887 Munich to 1935 Munich), pupil of Maximilian Dasio, Robert Schleich, August Seidel, Adolf Heinrich Lier and Robert Engels, worked at the Munich Glaspalast and exhibitions at the Neue Pinakothek, member of the Reichsverband bildender Künstler Deutschlands and the Münchner Künstlergenossenschaft, active in Munich, source: Thieme-Becker, Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", Bruckmann "Münchner Maler des 19./20th century", Glaspalast catalogues and Dressler.

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Otto Scheinhammer, Sommerliche Deichlandschaft View along a dyke with trees and a guard's cottage, glazed, partially slightly impasto landscape painting, oil on canvas, c. 1930, signed "Otto Scheinhammer" lower left, in need of cleaning, framed, folded dimensions approx. 64.5 x 74 cm. Artist information: German painter and sculptor (1897 Munich - 1982 Augsburg), initially trained as a carpenter from 1912 and worked in the profession until 1922, 1916-18 military service as an aerial radio operator in WW1, from 1922 self-taught. He studied at the Munich Academy under Karl Johann Becker-Gundahl and Franz Klemmer from 1923-26, travelled to Italy in 1924 with private sponsorship and to Dalmatia in 1925, to Holland in 1926, travelled to Ceylon and Egypt from 1927-29, special exhibition at the International Glass Palace Exhibition in Munich in 1931 and lost 35 works as a result of the Glass Palace fire, after making the acquaintance of a Ceylonese plantation owner, 1927-30 stays in Ceylon and 1932-35 in Egypt with special exhibitions in Colombo and Cairo, 1935 return to Germany, participated in numerous exhibitions in Munich, Cologne, Berlin and Düsseldorf, active in Munich, 1938-44 the Great German Art Exhibition in the House of German Art in Munich, 1940-45 military service in the Second World War, 1944 destruction of the Munich Art Gallery, 1944 destruction of the Munich Art Gallery. World War II, 1944 destruction of the Munich studio in World War 2. World War II, moved to Ammersee in 1946, moved to Augsburg in 1948, travelled to Italy, Spain, Greece and Morocco, member of the Reichsverband Bildender Künstler Deutschlands, the Münchner Künstlergenossenschaft and the Neue Münchner Künstler-Genossenschaft, sources: Thieme-Becker, Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", Dressler, Munich Academy register, Bruckmann "Münchner Maler des 19./20. Jh." and Internet.

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