Null EDGAR BRANDT (1880-1960) 1920s table lamp, wrought iron, base with 2 leaf-s…

Description

EDGAR BRANDT (1880-1960) 1920s table lamp, wrought iron, base with 2 leaf-shaped arms on a square, stepped stand, ornamental shaft with diamond and volute decoration, 2-light electrified, signed "E. Brandt" and marked "MODEL E" on the stand, old fabric-covered cable, patina of age, function/electrification untested and without guarantee

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EDGAR BRANDT (1880-1960) 1920s table lamp, wrought iron, base with 2 leaf-shaped arms on a square, stepped stand, ornamental shaft with diamond and volute decoration, 2-light electrified, signed "E. Brandt" and marked "MODEL E" on the stand, old fabric-covered cable, patina of age, function/electrification untested and without guarantee

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Estim. 300 - 600 EUR

Large table lamp, Hutschenreuther, Department of Art, 1920s, porcelain base in the form of afully sculpted putto with a cornucopia, gold decoration, 2 burners, electrics not checked, orig. Umbrella, H. approx. 76cm

Estim. 250 - 300 EUR

Edgar BRANDT (1880-1960) Mistletoe, the model created in 1921 PRESS-PAPER. Proof in hammered iron, stamped by the artist on the base. Height: 9.5 cm (Minor oxidation)

Starting price 8 EUR

Clamps circa 1920, wrought iron with joint, dimensions: 30 and 33 cm

Estim. 5 000 - 5 500 EUR

Attributed to EDGAR BRANDT (Paris, 1880-Collonge-Bellerive, Switzerland, 1960). France, ca. 1925. Ashtray in the form of a real gruya. Wrought iron. Siena marble base. Measurements: 100 x 35 x 14,5 cm. Hammered wrought iron hall ashtray decorated with a stylized bird with long legs on a yellow marble base. French forger, Edgar Brandt was one of the most important iron craftsmen of the French Art Deco period, making the international leap and extending his fame worldwide. He made trellises and lamps for numerous private homes and hotels; he also received public commissions, such as the monument to the First World War. Brandt exhibited at the annual Salons, where he presented a wide variety of non-architectural metal objects, including grilles, radiator covers, lamps or consoles. The 1925 Exposition provided Brandt with numerous opportunities to showcase his work, starting with the imposing entrance to the Exposition, the Gate of Honor. He always had a great facility for combining materials: generally wrought iron and bronze, but also gilded copper and, later, steel, aluminum or the alloy "Studal" Raymond Subes was a follower of his.

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