Null ANDY WARHOL (1922 Pittsburgh - 1987 Manhattan) - Multiple with canceled 13 …
Description

ANDY WARHOL (1922 Pittsburgh - 1987 Manhattan) - Multiple with canceled 13 cent stamp (USA), ¨Two Dollars (Thomas Jefferson)¨ (1976), signed in felt-tip pen ¨Andy Warhol¨ and stamped on the reverse, certificate number B14861469A, with certificate of Galerie 32 (Nice/France), in acrylic box (ca. 15x20cm)

1753 

ANDY WARHOL (1922 Pittsburgh - 1987 Manhattan) - Multiple with canceled 13 cent stamp (USA), ¨Two Dollars (Thomas Jefferson)¨ (1976), signed in felt-tip pen ¨Andy Warhol¨ and stamped on the reverse, certificate number B14861469A, with certificate of Galerie 32 (Nice/France), in acrylic box (ca. 15x20cm)

Auction is over for this lot. See the results

You may also like

ANDY WARHOL (Pittsburgh, USA,1928-New York, USA,1987). "Lana Turner," 1985. Polaroid photograph. Unique copy. Attached certificate of provenance, indicating that the work comes from "Estate of Andy Warhol", and the "Andy Warhol Foundation for the Visual Arts". Measurements: 10,8 x 8,6 cm. Lana Turner was an American actress. Throughout her nearly 50-year career, she achieved fame as a pin-up model and film actress, as well as for her highly publicized personal life. By the mid-1940s, she was one of the highest-paid actresses in the United States and one of Metro-Goldwyn-Mayer's (MGM) biggest stars. Turner is considered a popular culture icon of Hollywood glamour and a screen legend of classic Hollywood cinema. Andrew Warhola, commonly known as Andy Warhol, was an American visual artist, filmmaker and music producer who played a crucial role in the birth and development of pop art. Considered in his time a guru of modernity, Warhol has been one of the most influential artists of the 20th century. The son of Slovakian immigrants, he began his art studies at the Carnegie Institute of Technology between 1945 and 1949. In the latter year, already established in New York, he began his career as an advertising cartoonist for various magazines such as Vogue, Harper's Bazaar, Seventeen and The New Yorker. At the same time he painted canvases whose subject matter was based on some element or image from the everyday environment, advertising or comics. Soon he began to exhibit in various galleries. He progressively eliminated from his works any expressionist trait until he reduced the work to a serial repetition of a popular element from mass culture, the world of consumerism or the media. This evolution reached its maximum level of depersonalization in 1962, when he began to use a mechanical silkscreen printing process as a working method, by means of which he systematically reproduced myths of contemporary society, the most representative examples of which are the series dedicated to Marilyn Monroe, Elvis Presley, Elizabeth Taylor or Mao Tse-tung, as well as his famous treatment of Campbell's soup cans, all works produced during the fruitful decade of the 1960s. This appropriationism, a constant in the works of the proponents of pop art, extended to works of art of a universal nature. By means of mass reproduction, he managed to strip the media fetishes he used of their usual referents and turn them into stereotyped icons with a merely decorative purpose. In 1963 he created the Factory, a workshop in which numerous figures from New York's underground culture gathered around him. The frivolity and extravagance that marked his way of life eventually established a coherent line between his work and his life's trajectory. He is currently represented in the most important contemporary art museums in the world, such as the MoMA, the Metropolitan and the Guggenheim in New York, the Fukoka Museum in Japan, the Kunstmuseum in Basel, the National Art Museum of the 21st century in Rome, the MUMOK in Vienna, the SMAK in Ghent and the Tate Gallery in London, as well as in the museums that bear his name in Pittsburgh and Medzilaborce (Slovakia).

KEITH HARING (Pennsylvania, 1958- New York, 1990) for New York City Skateboards, Inc. Silkscreen on wood, 1986. Skateboard. Original Pop Shop. Very exclusive specimen. It presents marks of use. Measurements: 76 x 26 cm. This is an original piece authorized by Keith Haring in 1986, not a later reproduction, as attested by the New York City Skateboards, Inc. logo. The Pop Shop opened its doors in 1986 at 292 Lafayette Street in the Soho neighborhood of Manhattan, New York. Haring saw the Pop Shop as an extension of his work, a fun boutique where his art could be available to everyone. The store sold T-shirts and novelty items with images of Keith and some of his contemporaries, such as Kenny Scharf and Jean Michel Basquiat. Later, in 1987, Haring opened a Pop Shop in Tokyo. Haring painted the interior walls of both stores, creating an immersive experience in his aesthetic. The Tokyo Pop Shop closed in 1988 and the New York Pop Shop closed in September 2005. In 2006, the exhibition Keith Haring: Art and Commerce examined the context and history of the Pop Shop, and in 2009, as part of the group exhibition Pop Life, the Tate Modern reconstructed aspects of the New York Pop Shop to recreate the feel of the original. The original Pop Shop ceiling was donated to the New-York Historical Society and is installed at its entrance. Considered the figurehead of 1980s street art, Haring's unstoppable professional career, which led him to become a Warhol colleague and media superstar, began with his work in the New York subway. The enormous popularity of Haring's urban work among the people of New York immediately caught the attention of the art establishment. Consequently, Andy Warhol adopted him into his circle, and the then emerging gallerist Tony Shafrazi organized a resounding solo exhibition for him in 1982 that was to be the launching pad for his unstoppable success. He soon exhibited his work at the gallery of the influential Leo Castelli and established himself as a professional art star. Keith Haring was an American artist whose pop art and graffiti emerged from the street culture of New York City in the 1980s. Haring's work grew in popularity thanks to his spontaneous drawings on the New York City subway in chalk on black and white advertising space backgrounds. After achieving public recognition, he created large-scale works as murals.His later work often addressed political and social issues, especially homosexuality and AIDS, through his own iconography. Today Haring's work is divided between major private and public collections, including the Museum of Modern Art and the Whitney Museum of American Art in New York City; Los Angeles County Museum of Art; the Art Institute of Chicago; the Bass Museum in Miami; Musée d'Art Moderne de la Ville de Paris; the Ludwig Museum in Cologne; and the Stedelijk Museum in Amsterdam. He also created a wide variety of public works, including the infirmary at Children's Village in Dobbs Ferry, New Yorkand the second-floor men's room at Lesbian, Gay, Bisexual & Transgender Community Center in Manhattan, which was later transformed into an office and is known as the Keith Haring Room. In January 2019, an exhibit called "Keith Haring New York" opened at New York Law School in the main building of its Tribeca campus. It presents marks of use.