Null 7 ALT-WIEN porcelain plates - early 19th century, flat shape with slightly …

Description

7 ALT-WIEN porcelain plates - early 19th century, flat shape with slightly rising rim, smooth rim, polychrome floral and butterfly decoration in the mirror and on the rim, gold rim, manufactory mark, d 25cm, rubbed, 1 plate chipped at the base ring

977

7 ALT-WIEN porcelain plates - early 19th century, flat shape with slightly rising rim, smooth rim, polychrome floral and butterfly decoration in the mirror and on the rim, gold rim, manufactory mark, d 25cm, rubbed, 1 plate chipped at the base ring

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Estim. 50 - 80 EUR

RIHOUET, Paris - Suite of 6 porcelain plates, the basin centered with a gold fleuron, the wing enameled vert d'eau underlined with gold fillets. Marked on reverse. Early 19th century. D. 22 cm (one chipped, slight wear to decoration).

Estim. 120 - 180 EUR

Oversized Viennese bronze as a dog Early 20th century, unsigned, cast bronze and elaborately chiselled, in later cream-coloured cold painting a reclining dog, his gaze attentively turned towards the viewer, partial loss of colour, l 31 cm.

Estim. 250 - 375 EUR

Franz Alt, attr., Waldstück A path leading past a forest meadow with a wood collector coming towards the viewer and in the background a forest reaching to the horizon in a hilly landscape, charcoal on paper, late 19th cent, signed "F. Alt" in pencil lower right, on the reverse incorrectly inscribed "Jacob Alt/1789-1872/Frankfurt - Wien", somewhat creased in the margins, some backings and light foxing, mounted under passepartout, 38 x 46 cm. Artist info: Austrian landscape and veduta painter. Landscape and veduta painter (1824 Vienna - 1914 Vienna), brother of Rudolf von Alt, pupil of his father Jakob Alt, from 1836 studied at the Academy of Fine Arts in Vienna under Josef Danhauser and Leopold Kupelwieser, from 1844 worked independently, 1856-57 and 1867 travelled with Archduke Ludwig Viktor to Spain and Portugal, 1869-96 member of the Cooperative of Fine Arts in Vienna, awarded the Golden Salvator Medal of the City of Vienna in 1911, friendship with Marie von Ebner-Eschenbach and Count Kázmér Miklós Esterházy de Galántha, study trips to Northern Italy, Tyrol, London, Paris, Moscow and St. Petersburg, achieved fame as a veduta of the city of Vienna. Petersburg, achieved great fame as a painter of vedute, source: Thieme-Becker, Vollmer, Allgemeines Künstlerlexikon, Österreichisches Biographisches Lexikon and Wikipedia.

Estim. 550 - 825 EUR

Eduard Ameseder, "Ein Ständchen" On an open space in front of a Wilhelminian-style building, the already low sunlight casts its shadows into the alley, on which three musicians in historical dress, playing string and wind instruments, give a serenade, slightly pastose history painting in muted colours, oil on canvas, early 20th century, signed "E Ameseder" lower left, on the reverse of the stretcher probably signed and titled by the artist on a label with address, on a more recent typewritten label and again inscribed in pencil by another hand, old restoration, craquelure, minor marginal defects due to earlier framing, unframed on stretcher, rebated dimensions approx. 61 x 48.5 cm. Artist information: German landscape painter (1856 Czernowitz - 1938 Vienna), from 1876 studied at the Academy of Fine Arts Vienna under Christian Griepenkerl and Eduard von Lichtenfels, from 1887 to 1891 in Karlsruhe under Gustav Schönleber, since 1893 permanently in Vienna, there member of the Künstlergenossenschaft, 1902 small gold medal at the annual exhibition in Vienna, illustrator for the "Die österreich.-ungar. Monarchy in Words and Pictures", created two large murals for the new Court Museum in Vienna, his works can be found in numerous museums, including the Modern Galleries in Vienna and Prague and the Vienna Court Museum of Art History, Ameseder mainly painted landscapes in the Impressionist style, as well as depictions of milieus, he was married to the painter Laura Amanda Ameseder-Rohrwasser (1856-1919), sources: Thieme-Becker, Saur, Benezit and Internet.

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