Null PHOTOGRAPHS - Circa 1880-1920
Set of about thirty albumen and silver prints…

Description

PHOTOGRAPHS - Circa 1880-1920 Set of about thirty albumen and silver prints mounted on cardboard (including cartes-de-visite). Circa 1880-1920. On some fronts and/or backs, captions or photographers. Various states and formats. Enclosed are four framed photographs of several portraits Various states and formats Expert : Isabelle CAZEILS

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PHOTOGRAPHS - Circa 1880-1920 Set of about thirty albumen and silver prints mounted on cardboard (including cartes-de-visite). Circa 1880-1920. On some fronts and/or backs, captions or photographers. Various states and formats. Enclosed are four framed photographs of several portraits Various states and formats Expert : Isabelle CAZEILS

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Unknown (20th), Paris, La Madeleine, France, around 1880, albumen paper print Unknown (20th century): La Madeleine, exterior façade, Paris, France, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Inscription: Inscribed in the lower left corner of the photograph and numbered "6942. P.Z.". Date: c. 1880 Description: The parish church La Madeleine is one of the most important sights in Paris. Original photograph with high sharpness of detail. An early testimony of travel photography. Around the middle of the 19th century, more and more tourists from bourgeois circles travelled in Europe. At that time, photographs could only be taken with a great deal of time and expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site to bring back a souvenir from afar for those who stayed at home or to collect as souvenirs. The photographers photographed the most famous sights of their hometowns and went on trips themselves to photograph the most popular destinations of their clients and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting art treasures and making them accessible to scholars from all over Europe, who previously had to rely on tracings or engravings if they could not view the original for themselves. Keywords: 19th century, Historicism, Architecture, France, Size: Cardboard: 25,0 cm x 31,0 cm (9,8 x 12,2 in), Depiction: 16,3 cm x 22,4 cm (6,4 x 8,8 in)

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Unknown (20th), France, Paris, The Louvre, around 1880, albumen paper print Unknown (20th century): France, Paris: The Louvre, with carriage drive, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Inscription: Inscribed in the lower left corner of the photograph and numbered "6934. P.Z.". Date: c. 1880 Description: Original photograph with high sharpness of detail. An early testimony to travel photography. Around the middle of the 19th century, more and more tourists from middle-class circles travelled in Europe. At that time, photographs could only be taken with a great deal of time and expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site to bring back a souvenir from afar for those who stayed at home or to collect as souvenirs. The photographers photographed the most famous sights of their hometowns and went on trips themselves to photograph the most popular destinations of their clients and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting art treasures and making them accessible to scholars from all over Europe, who previously had to rely on tracings or engravings if they could not view the original for themselves. Keywords: 19th century, Historicism, Architecture, France, Size: Cardboard: 25,0 cm x 31,0 cm (9,8 x 12,2 in), Depiction: 16,3 cm x 22,3 cm (6,4 x 8,8 in)

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Unknown (19th), France, Paris: Seine bridge, around 1880, albumen paper print Unknown (19th century): France, Paris: Seine Bridge, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Date: c. 1880 Description: Original photograph with high sharpness of detail. An early testimony to travel photography. Around the middle of the 19th century, more and more tourists from middle-class circles travelled in Europe. At that time, photographs could only be taken with a great deal of time and expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site to bring back a souvenir from afar for those who stayed at home or to collect as souvenirs. The photographers photographed the most famous sights of their hometowns and went on trips themselves to photograph the most popular destinations of their clients and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting art treasures and making them accessible to scholars from all over Europe, who previously had to rely on tracings or engravings if they could not view the original for themselves. Keywords: 19th century, Historicism, Landscape, France, Size: Cardboard: 21,5 cm x 28,0 cm (8,5 x 11 in)

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Unknown (19th), View of the Madeleine, Paris, around 1880, albumen paper print Unknown (19th century): View of La Madeleine Parish Church, Paris, France, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Date: c. 1880 Description: Inscribed at the bottom centre of the box. Original photograph with high sharpness of detail. An early testimony of travel photography. Around the middle of the 19th century, more and more tourists from middle-class circles travelled in Europe. At that time, photographs could only be taken with a great deal of time and expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site to bring back a souvenir from afar for those who stayed at home or to collect as souvenirs. The photographers photographed the most famous sights of their hometowns and went on trips themselves to photograph the most popular destinations of their clients and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting art treasures and making them accessible to scholars from all over Europe, who previously had to rely on tracings or engravings if they could not view the original for themselves. Keywords: 19th century, Historicism, Architecture, France, Size: Cardboard: 30,7 cm x 36,7 cm (12,1 x 14,4 in), Depiction: 19,3 cm x 25,5 cm (7,6 x 10 in)

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