Null VELHÔ (n.1948), SERIGRAFIA Serigrafia sobre papel da obra de Velhô, assinad…

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VELHÔ (n.1948), SERIGRAFIA Serigrafia sobre papel da obra de Velhô, assinada e numerada: 163/199. Dim. Mancha: 49,5x39,5 cm; Dim. Suporte: 70x50 cm. # Velhô (n.1948). Velhô nasceu em 13 de Agosto de 1948. Tem o Curso de Escultura da Escola Superior de Belas Artes de Lisboa. Está representado em diversas colecções particulares em Portugal, Espanha, Venezuela, França, entre outros. Autor premiado.

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VELHÔ (n.1948), SERIGRAFIA Serigrafia sobre papel da obra de Velhô, assinada e numerada: 163/199. Dim. Mancha: 49,5x39,5 cm; Dim. Suporte: 70x50 cm. # Velhô (n.1948). Velhô nasceu em 13 de Agosto de 1948. Tem o Curso de Escultura da Escola Superior de Belas Artes de Lisboa. Está representado em diversas colecções particulares em Portugal, Espanha, Venezuela, França, entre outros. Autor premiado.

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Estim. 20 - 40 EUR

Set of 6 biographical works: Michel Folman, Honoré de Balzac, moine et amant. Geneva, 1959. Nathan Rybak, De vergissing van Honoré de Balzac. Amsterdam, PN van Kampen & Zoon, 1964. Publisher's full cloth, dust jacket. Martine Gärtner, Balzac et l'Allemagne. L'Harmattan, 1999. Offprint of André Lorant's article for the Année Balzacienne 1961, "La maison infortunée". Reprint of André Lorant's article for the 1962 Balzacienne year, "Diary of Madame Hanska". Edmond Biré, Chateaubriand, Victor Hugo, H de Balzac. Paris/Lyon, Emmanuel Vitte, 1907. Lot of 6 biographical works: Pierre de La Condamine, Voyageurs pour Guérande à l'heure du romantisme. Le bateau qui vire, 1984. Romain Guignard, A Issoudun avec H de Balzac (conference). Issoudun, Gaignault, 1948. Hugues Bousiges, Du nouveau sur Henry de Balzac (conference). Maison Balzac, 2017. Copy of the text with a handsome cardboard mailing from the author and a copy of a long e-mail of "gratitude and recognition". Gérard Pouchain, Balzac en Normandie. Corlet, 1997 Gonzague Saint Bris, Le bel appétit de Monsieur de Balzac. Éditions du chêne, 1999. In-4. With a mailing from the publisher, Hélène Maurice, to Hervé Yon, for Bernard Pivot's program ["Bouillon de culture"], May 7, 1999. Bulletin de la société historique et archéologique des VIIIe et XVIIe arrondissement de Paris, July-December 1909. Contains the article "Balzac, au VIIIe arrondissement" by Paul Jarry. Lot of 11 books: Mauriac, Mes grands hommes. Monaco, ed. du Rocher, 1949. EO [Collectif], Pour Balzac et pour les livres. Klincksdieck, 2000. Hommage à Roger Pierrot. Dumesnil, L'âme du médecin. Plon, Présences, 1937. William Hobart Royce Balzac Immortal. Booklet printed by the author, on fine paper, Noel 1926. Balzac et Vendôme, n°1 des Cahiers du Porc-épic Blaisois, 1965, 200 copies (n°67). Herbert J Hunt, Balzac and lay Elleborough. Photocopy from French studies, July 1958. Leonid Grossman, Balzac in Russia. Photocopy from the Zeluck edition, 1946. Santiago Gastaldi, Vida e Obra de Balzac. Photocopy of the Sao Paulo, Guaira edition, 1940. Balzac and Tours. Tours, Lycée Balzac, 1982. Tapuscrit de 50p préparé par les élévèdes de 1ere, 2de et 3e sous la direction de Lucette Besson, avec une couverture illustrée. In hardback. Meyer-Petit & Klimoff, Balzac dans l'Empire russe - de la Russie à l'Ukraine. Paris-Musée - des Cendres, 1993. Bouvier & Maynial, De quoi vivait Balzac. Paris, Deux rives, 1949. Sent by the authors to the writer Gilbert Sigaux.

Estim. 100 - 150 EUR

Max Ernst, "Tout en un plus deux" Strongly abstracted depiction of two birds, see catalogue raisonné Spies/Leppien 210, etching on laid reddish Japan paper, 1971, signed "Max Ernst" in pencil lower right and inscribed "e. a." left, very good condition, slightly soiled and remnants of old mounting on the reverse, image dimensions approx. 41 x 29.1 cm, sheet dimensions approx. 56.5 x 37.2 cm. Artist information: actually Maximilian Maria Ernst, German painter, stage designer, stage designer. German painter, stage designer, graphic artist, draughtsman, writer and sculptor (1891 Brühl/Rhineland to 1976 Paris), 1910-14 studied philosophy, psychology and art history at the University of Bonn, 1911 friendship with August Macke, 1912 self-taught turn to painting, 1913 first participation in the exhibition of the Rhenish Expressionists in Bonn and in the "First German Autumn Salon" in Herwarth Walden's Berlin gallery "Der Sturm", 1919 founding member of the Cologne Dada group with Johannes Baargeld and Hans Arp, Member of the artists' association "Das Junge Rheinland", moved to Paris in 1922, joined the Surrealists around André Breton, represented in the "Salon des Indépendants" in 1923, first studio in Paris in 1925, defamed as "degenerate" in Germany from 1933-45, temporarily interned as a German in France from 1939, 1941 fled to the USA with his future wife Peggy Guggenheim, 1946 moved to Sedona in the Arizona desert, 1948 American citizenship, 1953 returned to France, 1954 represented at the Venice Biennale, from 1955 country residence in Huismes, 1958 French citizenship, from 1964 regularly exhibited in France. Citizenship, from 1964 regular residence in the south of France, source: Vollmer and Wikipedia.

Estim. 2 800 - 3 000 EUR

LEOPOLDO NÓVOA GARCÍA (Pontevedra, 1919 - Paris, 2012) "Four reliefs". 1982. Oil on táblex. Signed and dated in the lower corner. Measurements: 71 x 53 cm; 94 x 75 cm (frame). In this work the author uses an abstract language based on irregular geometry. It is an open style, whose basic characteristic is the conception of the pictorial surface as a whole, as an open field, without limits and without hierarchy. A painter and sculptor with a Galician mother and Uruguayan father, Leopoldo Nóvoa emigrated to Uruguay in 1938, where he became associated with Joaquín Torres García. Settled in Montevideo, where he founded the cultural magazine "Apex", he was also a great friend of Jorge Oteiza and, once settled in Buenos Aires (1948-1957), of Lucio Fontana, who had a notable influence on his work. He finally left America in 1965 to settle in Paris with Michel Tapié, who had been impressed by his mural in the Luis Tróccoli Stadium in Montevideo. In Paris he met Julio Cortázar, who wrote a story about his work. He also founded, together with other outstanding Uruguayan and Argentinean painters, the Espacio Latinoamericano. However, he did not hold his first exhibition until 1964. This took place at the gallery of Edouard Loeb, with whom he would collaborate for many years. His work, which ranges from drawing and painting to murals and pyrography, abstractly evokes his memories of Galicia, with a language that shows references to abstract expressionism and informalism. Nóvoa was awarded prizes such as the Castelao Medal (1993), the City of Pontevedra Prize (1997) and the Premio da Crítica Galicia (2002). He is currently represented in the Abanca and Caixanova collections, among others.

Estim. 4 000 - 5 000 EUR

FRANCISCO VIDAL (Lisbon, 1978). "Time Run". 2009 Oil on canvas (diptych). Signed in the lower left corner. Signed and dated on the back. Provenance; Private collection Measurements: 134 x 308 cm; 138 x 312 cm (frame). Based on a still from the cult film "Pulp Fiction" by Tarantino, Francisco Vidal places the gangsters played by John Travolta and Samuel L. Jackson on a strident red background, and replaces one of the guns with a banana. An intense yellow stain spreads out, suggesting an explosion. It is a painting formed by two canvases, which results in an expanded scene impregnated with freshness and carefree. The painter Francisco Vidal lives between Luanda (Angola) and Lisbon (Porturgal). Graduated in Plastic Arts at Escola Superior de Artes e Design das Caldas da Rainha, he took an advanced course in Visual Arts at Escola de Artes Visuais Maumaus, in Lisbon. She lived for some time in the United States, obtaining a Master of Fine Arts degree at the School of Visual Arts at Columbia University, New York. She began exhibiting regularly in 2005. In 2014 he presented the painting project "Utopia Luanda Machine" at 56th Venice Biennale, in the Angolan Pavilion, curated by António Ole, and at Expo Milano, curated by Suzana Sousa. In 2016, the project "ESCOLA DE PAPEL" was presented in Luanda and, in 2017, in São Tomé. and Príncipe. Francisco Vidal's practice highlights ideas around work and international mobility. Recognized for his large pictorial installations, he draws powerful calligraphic lines on silkscreen canvases, in vivid colors and varied chromatic combinations. He also practices a figuration rooted in the language of comics. He has works in national collections, such as those of the EDP Foundation, Calouste Gulbenkian Foundation, Cachola Foundation, and international collections.

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