Null HISTOIRE de PARIS - Antoine BOURDAT-PARMENIE (1880-1961, Parisian historian…

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HISTOIRE de PARIS - Antoine BOURDAT-PARMENIE (1880-1961, Parisian historian) / Autograph manuscript with erasures and corrections, 30 p in-4, of a lecture given on December 4 at the Mairie du 3ème arrondissement de Paris on the history of the Quartier Barbette in the Marais, several pages are written on the back of the letterhead of the Association des Ami de Berlioz, of which Bourdat-Parménie was secretary general.

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HISTOIRE de PARIS - Antoine BOURDAT-PARMENIE (1880-1961, Parisian historian) / Autograph manuscript with erasures and corrections, 30 p in-4, of a lecture given on December 4 at the Mairie du 3ème arrondissement de Paris on the history of the Quartier Barbette in the Marais, several pages are written on the back of the letterhead of the Association des Ami de Berlioz, of which Bourdat-Parménie was secretary general.

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Estim. 900 - 1 800 EUR

Oswald Roux (1880-1961), winter trail, oil on wood, on the reverse old paper label from the Secession Vienna with description and exhibition numbers from Vienna and Darmstadt and Künstlerhaus Vienna, probably in the original carved wooden frame, title in German Holzschlitten, private collection, 72 x 111 cm

Estim. 2 500 - 3 000 EUR

ANTOINE-LOUIS BARYE (France, 1795 - 1875). "Eagle holding a crane", ca. 1860-1880. Patinated bronze. F. Barbedienne Fondeur, Paris. Signed by the artist and the foundry. Measurements: 31 x 30 x 24 cm. Key sculptor of French Romanticism, Barye began his training with his father, goldsmith, and later expanded it with the masters François Joseph Bosio and Antoine-Jean Gros, at the Ecole Nationale Supérieure des Beaux-Arts in Paris, where he entered in 1818. Especially appreciated were his animalistic sculptures, largely initiators of the genre. He had his own foundry, collaborated with Viollet-le-Duc on a project commissioned by Napoleon III and was the teacher of Auguste Rodin. He presented his works at the Paris Salon, and created monuments such as the "Lion with Serpent" in the Tuileries Garden (1833), commissioned by the king. He is currently represented in the Louvre and Orsay Museums in Paris, the National Gallery in London, the Hermitage in St. Petersburg, the Albertina in Vienna, the Art Institute of Chicago and the Smithsonian in Washington D.C., among other museums around the world.

Estim. 20 000 - 25 000 EUR

Attributed to Francisco Rizi de Guevara (Madrid, 1614-San Lorenzo de El Escorial, 1685). Saint Anthony of Padua in ecstasy. Oil on canvas. Attached study made in 1997 and issued by Joan-Ramón Triadó, Doctor in History of Art. 152 x 110 cm. Retouching.

Starting price 200 EUR

N. PITAU (1632) after LEFEBVRE (1632), Benjamin Priolo (1602-1667), around 1650, Copper engraving Nicolas Pitau sen. (1632 Antwerp - 1671 Paris) after Claude Lefebvre (1632 Fontainebleau - 1675 Paris): Portrait of the French historian Benjamin Priolo (1602-1667),, c. 1650, Copper engraving Technique: Copper engraving on Paper Inscription: At the lower part signed in the printing plate: "C. le Feure Pin. / N. Pitau sculp. 1663.". Lower middle inscribed in the printing plate: "Benjaminus Priolus / Santo. Juliani. F. / Eques Venetus / Rerum Gallicarum Scriptor / florentissimus.". Date: c. 1650 Description: The portrait of Benjamin Priolo shows the historian sitting at a desk. His head is turned towards the left edge of the picture. He is wearing a hat and a buttoned robe. In his right hand he is holding a quill pen with which he is writing on a sheet of paper. His left hand is resting on an upright book. An hourglass stands in front of the book as a reference to his profession. In the background, a curtain draped to one side provides a view of Priolo's library. Person: Depicted: Benjamin Priolo (1602 - 1667 ) French historian Keywords: hourglass, portrait, portrait, book, library, history, historian, pen wedge, 17th century, Baroque, Portraits, France, Size: Paper: 31,3 cm x 20,7 cm (12,3 x 8,1 in), Plate: 22,6 cm x 16,0 cm (8,9 x 6,3 in)

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