Description
EXPO J.E. BLANCHE 1943 / 1°) Fernand GUEY (1877-1964, painter, pupil of Gustave Moreau, Peintre Officiel de la Marine, director of the Musée de Peintures de Rouen)/ Correspondence of March-April 1943, about the retrospective exhibition of Jacques-Emile Blanche at the Orangerie in Parisby l'Entraide des Artistes, he addresses Félicien CACAN (1880-1979, draughtsman, member of l'Entraide des Artistes): 1 autograph letter signed (2 p in-4), 1 autograph card signed (2 p in-12) and 2 typed letters signed (1 p and 2 p in-4), about the choice of works, authorizations, transport (Guey sheltered Blanche's paintings at the Château de Carouges in Orne) / Enclosed: 2 autograph letters signed - 2°) Louis HAUTECOEUR (1884-1973, Directeur Général des Beaux-Arts from 1940 to 1944) / 2 autograph letters signed in April 1943 about this exhibition J.E. Blanche, 1 and 2 p in-8, to Félicien Cacan, giving an update on paintings from Carouges, Reims and Belfort, and expressing concern about the PROUST portrait.
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EXPO J.E. BLANCHE 1943 / 1°) Fernand GUEY (1877-1964, painter, pupil of Gustave Moreau, Peintre Officiel de la Marine, director of the Musée de Peintures de Rouen)/ Correspondence of March-April 1943, about the retrospective exhibition of Jacques-Emile Blanche at the Orangerie in Parisby l'Entraide des Artistes, he addresses Félicien CACAN (1880-1979, draughtsman, member of l'Entraide des Artistes): 1 autograph letter signed (2 p in-4), 1 autograph card signed (2 p in-12) and 2 typed letters signed (1 p and 2 p in-4), about the choice of works, authorizations, transport (Guey sheltered Blanche's paintings at the Château de Carouges in Orne) / Enclosed: 2 autograph letters signed - 2°) Louis HAUTECOEUR (1884-1973, Directeur Général des Beaux-Arts from 1940 to 1944) / 2 autograph letters signed in April 1943 about this exhibition J.E. Blanche, 1 and 2 p in-8, to Félicien Cacan, giving an update on paintings from Carouges, Reims and Belfort, and expressing concern about the PROUST portrait.
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