Null Joan MIRO (1893-1983). L'issu dérobée - 1974. Drypoint, aquatint embossed i…

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Joan MIRO (1893-1983). L'issu dérobée - 1974. Drypoint, aquatint embossed in color on paper. Adrien Maeght publisher and printer. Signed lower right. Justified H.C. lower left. 32.5 x 50 cm. Note: Edition of 200 copies. Double-sided, also signed and justified H.C. on the back. Provenance: Former Etienne Sassi Collection. Bibliography:. Catalog Raisonné Dupin, Tome III, no.

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Joan MIRO (1893-1983). L'issu dérobée - 1974. Drypoint, aquatint embossed in color on paper. Adrien Maeght publisher and printer. Signed lower right. Justified H.C. lower left. 32.5 x 50 cm. Note: Edition of 200 copies. Double-sided, also signed and justified H.C. on the back. Provenance: Former Etienne Sassi Collection. Bibliography:. Catalog Raisonné Dupin, Tome III, no.

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MIRÓ FERRÁ, JOAN (1893 - 1983) MIRÓ, Joan.- "WONDERS WITH ACROSTIC VARIATIONS IN THE GARDEN OF MIRÓ" B.: Ediciones Polígrafa, 1975. 4 lithographs of 495 x 355 mm., 2 lithographs of 718 x 497 mm., signed in plate and numbered in pencil. 6 lithographs (of the 20 that would make up the complete work), and without a page. of text, attached cover and justification of print run, with handwritten signature in pencil.

JOAN MIRÓ (1893-1983) PAINEL DE AZULEJOS Painel de azulejos, obra de Joan Miró, composto por 12 azulejos. Emoldurado. Dim. Painel: 76x61 cm. Dim. Moldura: 81,5x66x3,5 cm. # Joan Miró (1893-1983). Joan nasceu em Barcelona, em 1893, e fez parte das vanguardas artísticas da Espanha no início do século 20. Após uma grave doença, passou um longo período em Montroig, no qual dedicou-se inteiramente à pintura. Sua viagem a Paris pela primeira vez, em 1920, impactou-o com tanta força que não produziu durante toda a estadia por lá - mas o momento foi decisivo pois se envolveu com vanguardas e conheceu Pablo Picasso.No final dos anos 1920 ele manifestou seu ódio em relação às tradições na pintura de cavalete, produzindo colagens e assemblages com materiais diversos. Nos anos 1930 e 1940, sobressai a produção relacionada à Guerra Civil Espanhola e à Segunda Guerra Mundial, - período no qual ele transfere para as telas a violência da Espanha durante a ditadura de Francisco Franco - e também no qual desenvolve predileção pelo estudo da matéria, aproximação que se desenvolverá também no campo da escultura nas duas próximas décadas. Ele mantém sua postura transgressora nos anos 70 e 90, quando produz uma importante coleção de gravuras que desafia os padrões da técnica.

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