Null Ikeda (Terumatsu) Ayaoka, also Ikeda Ryôkô (Edo 1817 - 1887 Tokyo), ,Fan Sh…

Description

Ikeda (Terumatsu) Ayaoka, also Ikeda Ryôkô (Edo 1817 - 1887 Tokyo), ,Fan Sheet: Blossoming Winds, around 1880, color woodcut on Japan laid paper, half-tone stamp signature on the right: Ayaoka, octagonal Uchiwa-e (fan sheet), as usual with the vertical centerfold, two slight brownings, 22.4 x 28.8 cm. Limit 72,-

1052

Ikeda (Terumatsu) Ayaoka, also Ikeda Ryôkô (Edo 1817 - 1887 Tokyo), ,Fan Sheet: Blossoming Winds, around 1880, color woodcut on Japan laid paper, half-tone stamp signature on the right: Ayaoka, octagonal Uchiwa-e (fan sheet), as usual with the vertical centerfold, two slight brownings, 22.4 x 28.8 cm. Limit 72,-

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Estim. 30 000 - 50 000 EUR

IKEDA Masuo CERAMIC PLATES (AKANE, NAGISA) 2 PIECES ceramic inscribed on the left 渚 : h2.5×w20.6×d20.0 cm etc.

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IKEDA Masuo FROM "ODE TO MT. FUJI" 2 PIECE lithograph each: signed, dated and numbered on the margin 各/each : sheet size : 70.5×57.0 cm image size : 56.0×45.5 cm 各/each : 1992 ed. 100

Estim. 150 - 300 EUR

A SCROLL PAINTING OF A SCHOLAR’S ROCK UNDER A PINE TREE, AFTER URAGAMI SHUNKIN A SCROLL PAINTING OF A SCHOLAR’S ROCK UNDER A PINE TREE, AFTER URAGAMI SHUNKIN Japan, late 19th to early 20th century Ink and watercolors on silk. Mounted as a hanging scroll on a silk brocade frame with wooden handles. Depicting a porous scholar’s rock under a tall, gnarled pine tree. Inscriptions: Signed ‘sha’寫, ‘Shunkin’ 春琴 with seal. Dated ‘Kanoeko Seiwagetsu’ 丙甲清和月 (corresponding to 1836). Image SIZE 109 x 33.5 cm, SIZE incl. mounting 200 x 46.3 cm Condition: Very good condition with minor wear. Some soiling and minor folds and creasing. The mounting with usual traces of wear and age. With a wood tomobako storage box. (2) Uragami Shunkin (1779-1846) was a Japanese nanga (literati) painter who lived during the late Edo period. He was born in Bizen Province (present-day Okayama Prefecture) as the first son of Uragami Gyokudo, who was a samurai for the Ikeda daimyo at the time. He learned painting and calligraphy from his father when he was a child. Around 1792, the art dealer Nyoi Dojin began buying Gyokudo’s as well as Shunkin’s works. Uragami Shunkin later settled in Kyoto, establishing himself as a Literati painter conversant in the related arts of poetry, calligraphy, and playing the koto, the musical instrument that had been one of his father’s fortes. Shunkin, who was active in the intellectual and literary circle of Rai Sanyo (1780–1832) and others in Kyoto, also achieved a reputation as a connoisseur of antique paintings, calligraphies, inkstones, and metalwork, all of which he collected himself.

Estim. 150 - 300 EUR

IKEDA AYAOKA: A SURIMONO DEPICTING TWENTY-NINE SHEETS WITH POEMS AND CALENDAR DATES IKEDA AYAOKA: A SURIMONO DEPICTING TWENTY-NINE SHEETS WITH POEMS AND CALENDAR DATES By Ikeda Ayaoka (1817-1887), signed Ayaoka Japan, 1868 Color woodblock print on paper. Signed Ayaoka. The surimono depicting several scattered sheets decorated with foliate motifs and poems, all enclosed within a green broder. SIZE of the sheet 27.4 x 20 cm Condition: Good condition with minor wear. Minor browning of paper, few stains, soiling, dark spots, and folds. Gently mounted on a cardboard with a descriptive label. Provenance: From the private collection of Thomas Padua, Mühldorf, Germany. Thomas Padua was an artist and collector of Japanese woodblock prints who exhibited his surimono collection at the Olaf Gulbransson Museum, in ‘Glückwünsche aus Kyoto: Japanische Shijo-Surimono aus der Sammlung Thomas Padua,’ 3 November 2013 to 26 January 2014. Surimono, literally "printed matter", are high-quality, limited-edition, privately commissioned, woodblock-printed "greeting cards," mainly produced between the 1790s and the 1830s, and usually ordered for New Year's greetings. Surimono usually paired poetic texts with images, and both were typically intended to carry the cachet of "insider knowledge" for a cultured and well-educated audience. Museum comparison: Compare to another print by Ikeda Ayaoka in the collection of the Museum of Fine Arts, Boston, accession number 11.23025.

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