Null Sugar bowl and caster, Carl M. Cohr, Copenhagen, Denmark, 1st half 20th cen…

Description

Sugar bowl and caster, Carl M. Cohr, Copenhagen, Denmark, 1st half 20th century, ,925 sterling silver, with handles curved into volutes, marked on the bottom: Sterling COHR Denmark, total: 291.6 g. Limit 162,-

584

Sugar bowl and caster, Carl M. Cohr, Copenhagen, Denmark, 1st half 20th century, ,925 sterling silver, with handles curved into volutes, marked on the bottom: Sterling COHR Denmark, total: 291.6 g. Limit 162,-

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Estim. 100 - 150 EUR

Silver Jug Denmark 1939, silver stamped with the hallmark Denmark, year mark (19)39, master maker Johannes Siggaard, maker's mark Carl M. Cohr, elegant, bulbous jug with a retracted shoulder and forward-sweeping spout, fluted handle, ebonised wood insulating discs?, the wall with a dent, otherwise normal signs of use and age, h 18.5 cm, g approx. 430 g.

Estim. 240 - 360 EUR

Meissen mixed lot "Red Rose" 29 service pieces, underglaze blue sword marks from 1860 to the 1970s, 1st and 2nd choice. Choice, embossed and brush numbers, mostly "Neuer Ausschnitt" form, decoration in fine polychrome overglaze painting and gold rim, consisting of teapot with swan-neck handle, cream jug, sugar bowl, three cups, seven saucers, two soup bowls with saucers, two confectionery bowls, three oval and two square bowls, butter dish, tea caddy, candlestick and three tealight holders, these with varying decoration, moulds, rose finials and both bowls chipped or hair cracked, otherwise in good condition. hairline cracks, otherwise good condition with minimal signs of use, h jug 18.5 cm, h soup bowl complete 6 cm each, l bowl max. 25.5 cm.

Estim. 350 - 525 EUR

Carsten Henrichsen, attr, "Skovløberhus i Esrum" idyllic Danish summer landscape with forester's house and church, in the warm light of the late sun, slightly impasto landscape painting in warm-toned colours, oil on canvas, on the reverse probably signed, dated and indistinctly titled "Carsten Henrichsen 1868 - Skovløberhus i Esrum", the motif appears repeatedly in the artist's work with the foreground forester's house, with slight variations in the background, thus an almost identical painting by the artist's hand with "Mølledam [Engl.The village of Kongens Lyngby, which belongs to the municipality of Lyngby-Taarbæk, with its characteristic Gothic church with stepped gables, borders Copenhagen to the north and was part of the artist's painting territory, old closed losses in the canvas, somewhat restored, framed in Florentine moulding, folded dimensions approx. 34 x 45 cm. Artist information: actually Carsten Frederik Henrichsen, Danish landscape painter (1824 Copenhagen to 1897 Copenhagen), with the support of Baron Løvenskjold, Count Adam Wilhelm Moltke and the English ambassador Wynn 1840-43 studied at the Copenhagen Academy, 1845-49 drawing pupil of Frederik Ferdinand Helsted, in the 1860s, out of necessity, worked as a painting and drawing teacher, finally freelance as a landscape painter, from 1847 regularly attended the art exhibitions at Charlottenborg Palace, honoured with the Neuhausen Prize in 1855, active in Copenhagen, source: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", Weilbach and Internet.

Estim. 80 - 120 EUR

Alfred Larsen, Bauernhofszene Bauersfrau mit Tragjoch und Eimern, in der sommerlichen Hofdurchfahrt mit Hühnern, slightly impasto genre painting, oil on canvas, c. 1920, indistinctly signed "Alfred Larsen" lower right, framed in gold moulding, folded dimensions approx. 33 x 48 cm. Artist information: Alfred Valdemar Larsen, Danish genre, landscape and architectural painter, restorer and illustrator (1860 Stenderup near Horsens/Jutland to 1946 Virum near Copenhagen), trained as an engraver from 1875, then worked as a photo retoucher, 1878-84 studied at the Copenhagen Academy under Carl Ferdinand Andersen and was a pupil at Peder Severin Krøyer's painting school, 1894 spent time in Paris, travelled to Belgium and Holland, 1893-1934 teacher at the Kongelige Vajsenhus [Royal Orphanage] in Copenhagen.Royal Orphanage] at the School of Book Crafts, at the same time draughtsman and restorer at the National Museum in Copenhagen from 1893, active in Copenhagen, source: Thieme-Becker, Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon" and Weilbach.

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