Null Carl Irmer (Babitz 1834 - 1900 Düsseldorf), Landscape with charcoal pile an…

Description

Carl Irmer (Babitz 1834 - 1900 Düsseldorf), Landscape with charcoal pile and grazing animals, oil on panel, 24 x 43.5 cm, signed: C. Irmer with inscription "Nachlass", nice stucco frame, overall size, 37 x 56 cm. Limit 90,- >> Landscape painter, studied at the Düsseldorf academy and became a pupil of H.F. Gude, after study trips with Hugo Becker, W. Busch, C. Kröner and J. Rollmann he settled in Düsseldorf in 1873; ref.: Lexikon Der Düsseldorfer Malerschule.

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Carl Irmer (Babitz 1834 - 1900 Düsseldorf), Landscape with charcoal pile and grazing animals, oil on panel, 24 x 43.5 cm, signed: C. Irmer with inscription "Nachlass", nice stucco frame, overall size, 37 x 56 cm. Limit 90,- >> Landscape painter, studied at the Düsseldorf academy and became a pupil of H.F. Gude, after study trips with Hugo Becker, W. Busch, C. Kröner and J. Rollmann he settled in Düsseldorf in 1873; ref.: Lexikon Der Düsseldorfer Malerschule.

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Hoff, Carl Heinrich the Younger - 1866 Düsseldorf - 1904 Feldberg/Black Forest, was a German portrait, genre, still life, landscape and veduta painter as well as lithographer and graphic artist. From 1878 he studied painting and graphic techniques in Karlsruhe at the Grand Ducal Baden School of Art, where his father taught as a professor. From 1881 to 1904, when he died in an accident on the Feldberg in the Black Forest, Hoff was active as an artist, particularly in Karlsruhe and Dachau, and traveled to France, England and Italy. In 1887, together with Heinrich Deiters, Carl Irmer, Carl Jutz, Franz Stegmann and Max Volkhart, he contributed to the collection of 40 original engravings compiled in an art portfolio, which was published by Estes & Lauriat in Boston in 1888 under the title The Dusseldorf Gallery. In 1892 he lived in Paris, where he created Impressionist-influenced engravings, and in 1897 he visited Volendam in the Netherlands. Hoff last lived in a villa in Berghausen near Pfinztal, district of Karlsruhe. "Nordische Landschaft", oil on canvas, flat, North German landscape with farmhouses, inscr. and illegible inscription on the reverse, needs to be restored, approx. 24x36cm, rubbed, dam. c. 34x46cm

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Frenz, AlexanderArkadische Landschaft. Um 1900. Öl auf Holzplatte. 64,5 x 81,5 cm. Signiert. - Partiell mit altersbedingtem Craquelée. Vorwiegend im unteren Bereich mit Kratzern. Insgesamt in noch gutem Zustand. Farbintensive Arbeit, die eine reiche und arkadische Landschaft in stimmungsaufgeladener Manier des Symbolismus zeigt. Deutsch - Düsseldorfer Malerschule Frenz, Alexander Arkadische Landschaft. Um 1900. Öl auf Holzplatte. 64,5 x 81,5 cm. Signiert. - Partiell mit altersbedingtem Craquelée. Vorwiegend im unteren Bereich mit Kratzern. Insgesamt in noch gutem Zustand. Farbintensive Arbeit, die eine reiche und arkadische Landschaft in stimmungsaufgeladener Manier des Symbolismus zeigt. Deutscher Maler und Vertreter des Symbolismus. Er studierte zunächst ab 1879 an der Düsseldorfer Malerschule mit den Schwerpunkten Landschaften, Illustration und Radierung und galt als einer der besten Schüler des Jahrgangs. Für 1 Jahre wechselte er zu Franz von Lehnbach nach München. Er verlagerte seinen Lebensmittelpunkt zurück nach Düsseldorf, begab sich in jener Zeit jedoch auf viele und ausgedehnte Reisen nach Italien, wo er große Faszination für die römische Antike aufbaute und diese motivisch in zahlreichen Arbeiten behandelte. Stilistisch entfernte sich sein Werk vom Realismus der Düsseldorfer Malerschule und auch seines Lehrers Franz von Lehnbach. Frenz' Stil und Motivik wurden üppiger und bedienten sich einer reichen, allegorisch-symbolischen Bildsprache, sodass er den Beinamen "der rheinische Franz von Stuck" erhielt. Oil on wood panel. Signed. - Partially with age-related craquelée. Mainly in the lower area with scratches. Overall still in good condition. Colour-intensive work depicting a rich and Arcadian landscape in the atmospherically charged manner of Symbolism.

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