"Tango", Isabel Munoz & Évelyne Pieiller, Ed. Plume, 1994
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"Tango", Isabel Munoz & Évelyne Pieiller, Ed. Plume, 1994

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"Tango", Isabel Munoz & Évelyne Pieiller, Ed. Plume, 199

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[Hunting]. SET OF BOOKS ON HUNTING AND RIDING. - FINOT (baron). Album d'aquarelles. Preface by H. de Chaudenay. S.l., Les Amis de la Nature et de la Chasse dans l'Art, 1988. Fort in-4 oblong, full publisher's decorated green chagrin, gilt title on spine and front cover + 1 paperback in half-chagrin folder, all in publisher's slipcase (negligible rubbing to slipcase). Unique edition of this collection featuring 52 watercolors in color. Limited edition of 550 copies on Arches vellum, this one no. 302. Enriched with an autograph greetings and thanks card from Isabelle Reille. - REILLE (Karl). Livre des honneurs. Pref. by P. Vialar. Foreword by H. de Chaudenay. S.l., Les Amis de la Nature et de la Chasse dans l'Art, 1980. Large in-4, leaves in publisher's cover, folder and slipcase. Illustrated with 60 reproductions of unpublished watercolors. Limited edition of 550 copies on Arches vellum, this one no. 269. - FOUDRAS (marquis de). Veillées de St Hubert. Paris, Editions Livres d'Art, 1947. In-4, leaves, filled cover, publisher's folder and slipcase (folder spine browned, slipcase split). Illustrated with 25 burin engravings by A. Portal. Limited edition of 250 copies on Arches vellum à la forme: one of the 20 collaborators' copies (n° XII). - DU PASSAGE (comte). Un siècle de vènerie dans le nord de la France. Paris, Ateliers Lacer-Rambault et Guiot, 1968. In-4, full green cloth, green basane title page on spine. Facsimile reprint of the original 1912 edition. Edition of 500 copies on Arches laid paper. - HALLO (Charles-J.). De la cape à la botte. Historique des tenues françaises de vènerie. Paris, Crépin-Leblond, 1951. Large in-8, dark green half-maroquin with stripes, spine with 4 bands, author, title and dates gilt, cover and spine preserved [Girardin]. Edition of 1,350 copies on Lafuma pur fil, this one no. 240. Very well bound. - CRAFTY. Paris sportif. Texts and drawings. Paris, Plon, 1896. In-8, publisher's blue illustrated percaline binding (qq. ff. a little out of order). - CRAFTY. Paris à cheval. Texts and drawings. New ed. Paris, Plon, 1884. Large in-8, publisher's green percaline, illustrated title on upper cover, gilt edges (stains on lower cover). - MONTIGNY (comte de). Équitation des dames. Second edition with 3 etchings by J. Lewis Brown. Paris, Dumaine, 1878. In-8, paperback (cover a little faded, foxing). - Encyclopédie française du cheval de sang. Paris, O. Perrin, 1951. Ib-4, paperback (spine rubbed and cracked at head). Total of 9 volumes

Greek Gold Figure of Nike from a Monumental Funerary Wreath. South Italian, 4th century B.C. Formed as a composite figurine comprising: hollow-formed nude female figure with left arm extended to her side and fingers curled inwards, right hand at her side, hair drawn up in a chignon surmounted by an applied beaded-wire diadem; two sub-triangular wings each attached to the shoulder blades, with repoussé feather detailing to the obverse; broad D-shaped panel attached to the waist and rear of the legs, with radiating arch detailing; supplied with a custom-made display stand. See a similar gold wreath from Armento (South Italy) surmounted by a similar winged Nike, today at the Staatliche Antikensammlungen und Glyptothek, München, NI 2335 WAF, in Knauß, F.S., ‘Anton Prokesh von Osten und Ludwig I. von Bayern,’ in Knauss, F. (ed.), Anton Prokesch von Osten. Sammler, Gelehrter und Vermittler zwischen den Kulturen, Graz, 2019, pp.26-38, fig.6. 56 grams total, 92 mm including stand (3 5/8 in.). Similar statuettes were surmounting huge funerary wreaths, like the one from Armento (325-300 B.C. made in Southern Italy). The wreaths, composed of golden flowers, leaves, fruits, bees and Erotes, have a winged goddess, with all probability Nike, the Greek goddess of victory, as the central motif. It is possible that the wreath was given to the deceased as a prize after a successful competition, but the dimensions of the Nike show that it was an extremely rare artefact. These costly objects were financed by rich and powerful Mecenates, like Kreithonios, named in the inscription on the base of Nike from Armento. Focquaert collection, Belgium, 1970s. European private collection. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12220-222337. (For this specific lot, 5% import VAT is applicable on the hammer price.)