Description

DANIEL SABATER Y SALABERT (Valencia, 1888 - Barcelona, 1951) WHITE SOULS, PARIS, 1943. Oil on canvas Represents a congregation of women veiled in black and white robes, carrying banners, around a bonfire as a mystical ritual of witchcraft, frequent in the artist's production. Signed in the lower left corner. It has signature, date and inscription "Paris 1943" and title on the back. Framed. Size: 74 x 88,5 cm framed. 49,8 x 64,5 cm unframed.

Automatically translated by DeepL. The original version is the only legally valid version.
To see the original version, click here.

126 
Go to lot
<
>

DANIEL SABATER Y SALABERT (Valencia, 1888 - Barcelona, 1951) WHITE SOULS, PARIS, 1943. Oil on canvas Represents a congregation of women veiled in black and white robes, carrying banners, around a bonfire as a mystical ritual of witchcraft, frequent in the artist's production. Signed in the lower left corner. It has signature, date and inscription "Paris 1943" and title on the back. Framed. Size: 74 x 88,5 cm framed. 49,8 x 64,5 cm unframed.

Estimate 1 200 EUR

* Not including buyer’s premium.
Please read the conditions of sale for more information.

Sale fees: 23 %
Leave bid
Register

For sale on Thursday 11 Jul : 18:00 (CEST)
madrid, Spain
Sala Retiro Subastas
+34914353537
Browse the catalogue Sales terms Sale info

Delivery to
Change delivery address
Delivery is not mandatory.
You may use the carrier of your choice.
The indicated price does not include the price of the lot or the auction house's fees.

You may also like

JUAN RIBERA BERENGUER, (Valencia, 1935 - Valencia, 2016). "Old train station of Aragon, Valencia". Oil on paper. Signed in the lower right corner. Measurements: 89 x 174 cm; 104 x 189 cm (frame). Trained at the Escuela Superior de Bellas Artes de Valencia, Juan Ribera was a founding member of artistic groups such as Parpalló, Arte Actual and Movimiento Artístico del Mediterráneo. He has been part of the Valencian and Madrid artistic avant-garde, participating in the exhibitions of the Juan Mordó gallery. He exhibited individually at the Dirección General de Bellas Artes de Madrid (1969) and the Museo de la Ciudad de Valencia (1998), among other centers, and participated in important group exhibitions such as those held at the Museum of Modern Art in Paris (1963), "Pintores figurativos de la España actual" (1964), which toured the United States, and the IVAM in Valencia. Throughout his career he has received pensions from the Diputación and the City Council of Valencia, the Casa Velázquez in Madrid and the March Foundation, and has been awarded the Valencia Prize at the Fine Arts Exhibition in Barcelona (1960), the Diputación de Valencia at the National Exhibition in Madrid (1968), the gold medal at the Salón de Marzo in Valencia (1977) and the Archival Prize for artistic merit (1995), among others. Ribera is represented in the San Pío V Museum of Valencia, the Museum of Contemporary Art of Vilafamés, the Municipal Museum and the Circle of Fine Arts of Madrid, the Museum of Springfield (Massachusetts), the Cathedral, the Diputación, the Ateneo and the Museum of the City of Valencia, etc.

JOAQUIN AGRASOT (Orihuela, Alicante, 1837 - Valencia, 1919). "Odalisque". Watercolor on paper. Signed in the lower right corner. Measurements: 35 x 26 cm; 62 x 54 cm (frame). Agrasot began his training in his native Orihuela, where he was granted a pension from the Diputación de Alicante to study at the Escuela de Bellas Artes de San Carlos de Valencia. A disciple there of Francisco Martínez Yago, in his early years he won awards such as the gold medal at the Provincial Exhibition of Alicante in 1860. In 1863 he was granted a new pension, this time to travel to Rome, where he came into contact with Rosales, Casado del Alisal and Fortuny. With the latter he established close ties of friendship, and his painting was deeply influenced by the style of the Catalan painter. He periodically sent canvases to the National Exhibitions of Fine Arts, in which he obtained third medal in 1864 and second in 1867. Agrasot remained in Italy until 1875; after Fortuny's death he returned to Spain, already a painter of recognized prestige, was a member of the Academies of San Carlos and San Fernando, and participated as a juror in several artistic exhibitions. In 1886 he received the art medal at the Universal Exposition of Philadelphia, and in 1888 the second medal at the International Exposition of Barcelona. Agrasot's style is framed within realism, being especially interested in genre themes and regional costumbrismo. However, he also worked on nudes, oriental themes and portraits. He is represented in the Prado Museum, the Museum of Fine Arts in Valencia, the MUBAG in Gravina (Alicante) and the Academy of San Carlos in Valencia.