Null ATTRIBUTED TO JOSÉ GONZÁLEZ DE LA PEÑA (Madrid, 1887 - Anglet, France, 1961…

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ATTRIBUTED TO JOSÉ GONZÁLEZ DE LA PEÑA (Madrid, 1887 - Anglet, France, 1961) THE ALHAMBRA Oil on panel View of the Alhambra in Granada. Framed with glass. 25 x 31cm with frame. 18 x 24cm without frame Market estimate: 600-650€.

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ATTRIBUTED TO JOSÉ GONZÁLEZ DE LA PEÑA (Madrid, 1887 - Anglet, France, 1961) THE ALHAMBRA Oil on panel View of the Alhambra in Granada. Framed with glass. 25 x 31cm with frame. 18 x 24cm without frame Market estimate: 600-650€.

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JOSÉ LUIS ALEXANCO (Madrid, 1942-2021). "Boscuman", 1991. Acrylic on cotton canvas. Signed and dated on the back. Titled and dated on the stretcher frame. Measurements: 150 x 150 cm; 154 x 154 cm (frame). Alexanco studied drawing and engraving with Manuel Castro Gil at the Casa de la Moneda, in Madrid, and in 1960 he enters the School of Fine Arts. Between 1968 and 1974 he collaborated with other artists at the University's Calculus Center, where he worked on sculptural generation programs, in collaboration with the American company IBM. During this period he met the mathematician José Barbera, and together they developed the software MOUVNT, designed to generate automatic forms that would later materialize in anthropomorphic sculptures. In 1970, together with Luis de Pablo, he created the acoustic plastic show "Soledad Interrumpida", trained in Buenos Aires. In the following years he would continue to work with the same author on various projects, including the organization of the Pamplona Encounters of 1972. In 1978 he designed the prince edition of the Spanish Constitution for the Editora Nacional, and in 1998 he presented an important retrospective exhibition at the Centre d'Art Santa Mònica in Barcelona (later at the Círculo de Bellas Artes in Madrid). A referent of late Francoist painting and a technological innovator, his work is part of collections such as those of the Victoria & Albert Museum in London, The Chase Manhattan Bank in New York, MNCARS, Madrid; MACBA, Barcelona or the Juan March Foundation.

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JOSÉ DE GUIMARÃES (n.1939), SERIGRAFIA "Hong Kong III" JOSÉ DE GUIMARÃES (n.1939), SERIGRAFIA "Hong Kong III" Serigrafia sobre papel da obra de José de Guimarães, "Hong Kong III" 1998, assinada e numerada: 21/99. Dim. Mancha: 66x48 cm. # José de Guimarães (n.1939). José adota o nome Guimarães, em honra da sua terra natal, em 1961, aquando da sua partida para Paris. Pintor de formas e cores violentas em suas agressivas estilizações, por vezes caricaturais, com decomposição e justaposição de elementos reais ou imaginários. É também escultor e gravador e a sua obra é influenciada pela arte africana. Frequentou os cursos de gravura da Sociedade Cooperativa de Gravadores Portugueses onde conheceu Hogan, Júlio Pomar, Almada Negreiros, Bartolomeu Cid dos Santos, entre outros. Foi bolseiro da Fundação Calouste Gulbenkian. Expôs individualmente na FCG, na Fundação de Serralves: "Exposição Retrospectiva 1982-1992"; no "Hong Kong Arts Center" e no "Palais des Beaux-Arts", em Bruxelas. Está ainda representado no Museu Wurth, Alemanha; no Museu Real de Belas-Artes, Bruxelas; no Centro de Arte Rockfeller, em Nova Iorque e na Coleção do Estado Francês - Fundo Nacional de Arte Contemporânea. Em 1990, foi agraciado pelo Presidente da República com o Grau de Comendador da Ordem do Infante D. Henrique. Em 1999 realizou a escultura "Lisboa", erigida em homenagem aos construtores da cidade ao longo dos séculos. Já em 2001 recebeu o Prémio de Consagração de carreira, atribuído pela Sociedade Portuguesa de Autores, em 2009 a Grã-Cruz da Ordem de Mérito e, mais recentemente, em 2019 foi-lhe atribuído Prémio de Consagração de Carreira Sociedade Portuguesa de Autores.

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