Three ENGRAVINGS, two signed MARECHAL (35x26cm) and one Rousseau after MILLET (3…

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Three ENGRAVINGS, two signed MARECHAL (35x26cm) and one Rousseau after MILLET (30x45cm). A drawing box containing engravings by MARECHAL is enclosed.

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Three ENGRAVINGS, two signed MARECHAL (35x26cm) and one Rousseau after MILLET (30x45cm). A drawing box containing engravings by MARECHAL is enclosed.

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Estim. 100 - 300 EUR

A folder of engravings including: Three artist's proofs signed by Edouard CHIMOT, of engravings illustrating BARBUSSE's L'ENFER. These three EAs are for Huguette SIMON. Including: Femme au spectre (28 by 39.5 cm Frontispiece to l'Enfer, 25.5 by 32 cm. A portrait of a woman, 25.5 by 32 cm. An engraving by Chimot, signed in the proof. An engraving of the Grande rue de Saint-Malo, signed E. SOYER (?) A watercolor of the banks of the Seine, signed P. Monnfins (?) Four reproductions of engravings...

Estim. 300 - 400 EUR

*Claude MARECHAL ( 1925-2009) Paysage. Grande huile sur toile signée et datée 1964

Estim. 30 - 40 EUR

[PÉTAIN (Maréchal)]. La Vie du Maréchal. Small coloring album by Enfants de France. Limoges, Imagerie du Maréchal, sd [c. 1941]. Oblong in-8 album, bound with tricolored string, cover illustrated in three colors. Black woodcut illustrations. Some minor foxing. Interesting example of Vichy propaganda aimed at children.

Estim. 600 - 700 EUR

ADOLPH C. WINTERNITZ (Vienna, 1906-Lima, 1993) and FRANÇOIS MARÉCHAL (France, 1938-2018). "Apocalypse of St. John", 1986. Reproduction of paintings by Adolph c. Winternitz with woodcut interpretation by François Maréchal. It has 22 woodcuts. Copy 32/110. The woodcuts are signed by both artists and justified. Measurements: 56 x 42 x 5 (book); 57 x 41 x 6 cm (box). The text that served as inspiration for the creation of these paintings is a poetic interpretation of the Apocalypse of St. John by Alberto Wagner de Reyna. François Maréchal began his artistic training at the School of Fine Arts in Le Mans and continued under the tutelage of José Manaut, Jules Moses and Dimitri Papageorgiu. Although he began his career in France, he developed most of his work in Spain, where he settled in 1963. In 1991 he became a member of the Royal Academy of Fine Arts of San Fernando (Madrid). His figurative work has a symbolist touch where the value of the lyric and the poetic are present. He is known for his illustrative works, among which stand out El bestiario de Pablo Neruda, el Testamento del Quijote de Quevedo and Homenaje a Rembrandt.

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