Null A Wooden Wall Clock
Mid 20th century
31.5 x 31.5 cm.

Description

A Wooden Wall Clock Mid 20th century 31.5 x 31.5 cm.

841

A Wooden Wall Clock Mid 20th century 31.5 x 31.5 cm.

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Starting price 350 EUR

A. WATERLOO (1609-1676), Forest edge with wooden bridge, around 1650, Etching Anthonie Waterloo (1609 Lille - after 1676 Utrecht): Forest edge with small wooden bridge and view of the village, c. 1650, Etching Technique: Etching on Paper Inscription: Lower right signed in the printing plate: "Antoni Waterloo fe.". lower left numbered in the printing plate: "I". Date: c. 1650 Description: Typical forest landscape by the artist. Forest edge becoming lighter with forest river and small wooden bridge. Source: Anthonie Waterloo (1609 Lille-1676 Utrecht) Grosse Landschaften, 1640-1690, No. 1 | print suite, Landscape Keywords: Forest, forest edge, trees, nature, bridge, forest river, ducks, 17th century, Baroque, Landscape, Netherlands, Size: Paper: 26,2 cm x 40,0 cm (10,3 x 15,7 in), Plate: 22,5 cm x 29,1 cm (8,9 x 11,5 in)

Starting price 80 EUR

C. HOGUET (1821-1870), Fortified gate of a city wall, Indian ink Charles Hoguet (1821 Berlin - 1870 ibid.): Gate of a city wall fortified with towers, 19th century, Indian ink Technique: Indian ink on Paper Date: 19th century Description: The artwork presents a sepia-coloured ink drawing of historical architecture. The focus is on a gatehouse and a massive tower, surrounded by wall-like structures and clusters of trees in the background. Provenance: From the estate of the artist. Keywords: Ink drawing; sepia; historical architecture; gatehouse; tower; wall; trees; drawing; art; perspective; shadow; structure; building; culture; ancient; tradition; masonry; art history; composition;, 19th century, Romanticism, Architecture, France, Size: Paper: 10,1 cm x 11,4 cm (4 x 4,5 in)

Estim. 500 - 1 000 EUR

Painting oil on panel signed A. FEIJEN "Revolting horses" dim. 50 x 80 cm. with frame 73 x 104 cm.

Estim. 100 - 300 EUR

Standing clock mid century in mahogany height: 252 cm.

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