Null *LE BRAZ (Anatole) - Triphyna Keranglaz - Saint-Brieuc ; O.L. Aubert - 1928…

Description

*LE BRAZ (Anatole) - Triphyna Keranglaz - Saint-Brieuc ; O.L. Aubert - 1928 - 1 volume In-8° paperback in publisher's filled cover illustrated with 1 woodcut in color on the 1st plate reproduced in the title - Some scattered freckling - Bandeaux, culs-de-lampe and 9 out-of-text watercolor plates by Louis Garin - Good numbered copy on Rives (n°364 of 400, total print run: 413 + 28 hors commerce).

595

*LE BRAZ (Anatole) - Triphyna Keranglaz - Saint-Brieuc ; O.L. Aubert - 1928 - 1 volume In-8° paperback in publisher's filled cover illustrated with 1 woodcut in color on the 1st plate reproduced in the title - Some scattered freckling - Bandeaux, culs-de-lampe and 9 out-of-text watercolor plates by Louis Garin - Good numbered copy on Rives (n°364 of 400, total print run: 413 + 28 hors commerce).

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Estim. 150 - 250 EUR

NEAR ORIENT, ANATOLIA, 2nd millennium B.C. Beige terracotta IDOL. H: 12 cm (broken and glued)

Estim. 200 - 350 EUR

ARMEL-BEAUFILS Emile Jean (1882-1952) "The sea wolf" Plaster sculpture of a seated young woman with her arms around her knees. Signed on the base (some chips and dirt). Height 29 cm x Width : 29 cm Irina Vinogradova was the model for this modeled plaster probably produced around 1936, another proof of which is kept at the Mairie de Saint-Briac-sur-Mer (35). The representation of women is central to the work of Armel-Beaufils, a sculptor who also studied at the E.N.S.B.A. in Paris, and who soon exhibited at the Salon des Artistes Français, continuing to do so until 1951. He won a bronze medal in 1914, a silver medal in 1921, and a gold medal in 1924. A prolific artist, he created numerous war memorials (9 between 1917 and 1921) and commemorative statues in Brittany, including the famous tribute to Anatole Le Braz in the Parc des Promenades in Saint Brieuc. Collaborating with Manufacture Henriot from 1929, he produced only 8 models, including "La Pennhérès", "Trois Fillettes de Plougastel" and "Un Jour de Pardon". Bibliography: Devaux Anne-Louise et Yves, "Armel et Zanic Beaufils", Saint-Briac, Editions Namasté, 1996 Philipppe Théallet & Bernard-Jules Verlingue, "Encyclopédie des Céramiques de Quimper", Editions de la Reinette, 2005, Tome IV, pages 21f. for a presentation of the artist.

Estim. 80 - 160 EUR

HISTORIA DE GIL BRAZ DE SANTILHANA História de Gil Braz de Santilhana, De Lesage , tradução portuguesa de Júlio Cesar Machado, Lisboa, Editora: David Corazzi, 1885. 2 vols. Edição de grande qualidade gráfica, profusamente ilustrada por 400 gravuras e 30 oleografias. Dim. 36,5x28 cm. # Encadernações do editor luxuosamente estampadas com motivos decorativos. Capas com falhas, 3 folhas soltas no tomo II, outras em geral com soltura parcial da lombada.

Estim. 5 500 - 6 500 EUR

Idol; Anatolia, Bronze Age, 1st-2nd centuries, 3200-2300 BC. Marble. It has mineral adhesions on the surface. Measurements: 16 x 6 x 0.5 cm. Anthropomorphic idol carved in marble. It is characterised by its fine abstract form with strong contours. It suggests a human form through the use of curvilinear and rectilinear elements. The body is a simple circle, the shape reminiscent of shields, with two pointed shoulders at each end of the lower part of the neck. The neck rises long and tapers as it reaches the head to give balance to the whole idol. Idols of the Kusura type, defined by Colin Renfrew and named after the site of the same name in southwestern Anatolia. They have always been found in burial sites, which indicates that they are pieces of ritual and religious significance. Anatolia, also known as Asia Minor, is a peninsula now occupied by the Asian part of Turkey. During the Bronze Age, the New Hittite Empire was established and reached its peak in the 14th century BC. The empire covered much of Anatolia, northwestern Syria and upper Mesopotamia. After 1180 BC, the empire disintegrated into several independent New Hittite states.

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