Description

She Spies Natasha Henstridge, Natashia Williams, and Kristen Miller signed photo She Spies signed photo autographed by Natasha Henstridge, Natashia Williams, and Kristen Miller. 8x10 inches

416 .DV8979
Online
in progress
Go to lot
<
>

She Spies Natasha Henstridge, Natashia Williams, and Kristen Miller signed photo She Spies signed photo autographed by Natasha Henstridge, Natashia Williams, and Kristen Miller. 8x10 inches

Time
Estimate 600 - 800 USD
Starting price  250 USD

* Not including buyer’s premium.
Please read the conditions of sale for more information.

Sale fees: 20 %
Bid

Sale closing from
Sunday 14 Jul - 09:00 (CEST)
palm-desert, United States
Cool Stuff Here
+3478194290
Browse the catalogue Sales terms Sale info

Delivery to
Change delivery address
Delivery is not mandatory.
You may use the carrier of your choice.
The indicated price does not include the price of the lot or the auction house's fees.

You may also like

Large top mask elefon. Yoruba, Nigeria. H 89.5cm. In the shape of an abstractly conceived Janus head with an adorant kneeling above it, holding a lidded vessel in her right hand and a chicken in her left; she wears a comb-like hairstyle consisting of numerous small plaits arranged in parallel with numerous holes for attaching accessories; scarification marks on the cheeks, various layers of paint. What is striking about this type of Yoruba mask is the completely contrasting conception of the structure, which always follows the same canon: a consistently abstract Janus-headed mask as a base with grotesque-looking features, a wide mouth, strongly protruding eyes and a broad nose. The superstructure, which can represent an animal figure, an adorant - as here - a mother with child or an equestrian figure (jagunjagun), is largely naturalistic in conception. Such masks dance in the north-eastern part of Yorubaland, in Ekiti, during ritual ceremonies in honor of Elofon or Epa. In the northern part they are called epa, in the southern part of Ekiti they are called elefon. These are the same festivals that are also held in south-western Yorubaland, but with different masks and they are called gelede there. The dancers also honor the creative and potentially destructive powers of women, especially those of the older women, who are referred to as our mothers and identified with sorcery. The community of the female forces of the cosmos and their social parts, on which life in a Yoruba city depends, are also celebrated. The mask probably comes from Efon Alaaye, a medium-sized town in southern Ekiti with an important center of sculpture. The Adeshina family has excelled here, producing works of art for the needs of the Yoruba religion for generations. The mask on offer here is also carved in the best tradition of the Adeshina family. According to William Fagg, the carvers from this house achieved fantastic virtuosity in the first quarter of the 20th century. It is now customary to attribute particularly beautiful pieces of their production to Agbonbiofe, who died in 1945. In contrast to the Epa masks in Opin and Ila Orangun, the masks from Efon- Alaye are not supposed to be worn by dancers. This mask was then probably used as decoration in the courtyard of a palace and the lower Janus mask merely as a pedestal. This also explains the comparatively insignificant damage to the mask, despite its great age, which points to the first half of the 20th century. They are limited to flaws on the upper part of the crown, the same on the forehead in the front part of the Janus head and minor abrasions and flaking. A very similar mask (there as a mother figure) is illustrated in K.-F. Schaedler, Afrikanische Kunst - African Art (1976) p. 66. Traces of long use, otherwise intact. Provenance: Ex Coll. Mareidi and Gert Stoll, Munich / Berchtesgaden.

Ex libris of the Empress Alexandra Feodorovna. VOLTAIRE. Oeuvres complètes. 66 volumes in 8vo. 202x125 mm. Quarter leather binding and marbled cardboard, gilt titles and gilt rules and blind tooled spines, red edges. Portrait of the Author in the first volume, drawn and engraved by Saint-Aubin, many plates engraved in copper by Moreau the Younger. Ex libris 'Feodorovna' engraved on copper, glued on the inside covers. Occasional foxing, slight traces of wear, good condition. Renouard edition of Voltaire's complete works, richly illustrated. Specimen belonged to the last Empress of Russia, Alexandra Feodorovna. The ex-libris, surmounted by a crown with the initials AL underneath, bears the motto "naught but the highest shall content my soul" on one ribbon and the name "Féodorovna" on another ribbon. Below the image are the initials of the engraver W.P.B. (William Phillips Barrett) and the date 1904.Alexandra Feodorovna, 1872-1918, princess of the Grand Duchy of Hesse and by Rhine, favorite niece of Queen Victoria of the United Kingdom, married Tsar Nicholas II in 1895; she was she was shot, with the rest of her family, on July 17, 1918.It is the best collective edition of Voltaire published under the Restoration, and one of the few illustrated, from a suite of Moreau the Younger in the possession of Renouard, who made annotations and additions, many of which were communicated to him by M. Clogenson. Here appear for the first time "Les sentiments des Citoyens," articles supplied by Voltaire to the Gazette littéraire, etc.... The last two volumes contain an analytical table established by Miger.