Klervi KEROUEDAN, born 2000 La coiffe de Mémé Kerongard, 2021 Inkjet print on 200g satin paper. Single print signed on a cartel on the back of the frame. 59.4 x 42 cm --- Klervi KEROUEDAN, born in 2000 Klervi Kerouedan graduated from the Ecole Boulle last year, and is working on a design thesis on the theme of traumatic ruins. For her diploma, she is tackling the question of an appeased memory, that of Brittany, which she left four years earlier. In her research, she analyzed the work of the Seiz Breur and then appropriated it, questioning the possibility of modernizing the vestiges of the past. Her research revolves around two dichotomous axes: preservation and disappearance, nurturing a form of ambiguity and confrontation in her work. For example, she provokes analogies by creating contemporary "palimpsests", so that individual histories add up to create a common one. Her approach is characterized by the use of very simple means (print, collage, image, motif, form), and the image is accompanied by the written word, thought, words and poetry. The writing of her dissertation, Ker, was the trigger for wider research into the modernization of traditional Breton arts. She explored the possibility of a meeting between our "relics of the past" and our "wrecks of the future" by proposing an exhibition for the 100th anniversary of Seiz Breur at the radome in Pleumeur-Bodou, in the Côtes d'Armor. Subsequently, Klervi Kerouedan led the mutations silencieuses project, which explored the possibility of reviving the Seiz Breur movement through design. Within this framework, she developed a production of volumes and images inspired by the collective's work.