Null Françoise KERJOSE, born 1968 & Nolwenn FALIGOT, born 1991
Sked Mor - Lueur …
Description

Françoise KERJOSE, born 1968 & Nolwenn FALIGOT, born 1991 Sked Mor - Lueur marine, Nadozioù Vor Collection, 2024 Sleeveless vest in wool felt from Breton sheep, fashioned in Morbihan. The yarns used are pearled and milled cotton, and the work is lined with French linen. Size S M L Length 55 cm A unique piece inspired by the elements that surround us: land and sea, with ornamentation typical of certain Breton paletots: generously embroidered pockets and a frieze embroidered on the edges of the piece. The raw texture of the felted wool highlights the know-how of the Breton industry with authenticity and naturalness. The shape is inspired by traditional Breton clothing, with the short proportions of the men's chupenn and the women's manchoù, worn in particular in the Pont l'Abbé region in the 19th century. in the 19th century (South Finistère). A cut reinvented with modernity. The elements of the pattern evoke the seaweed found in the low-tide tidal flats, but also the roots symbolizing our attachment to our Breton lands. The tone-on-tone colors evoke the changing lights of the Breton coastline and white foam.

137 

Françoise KERJOSE, born 1968 & Nolwenn FALIGOT, born 1991 Sked Mor - Lueur marine, Nadozioù Vor Collection, 2024 Sleeveless vest in wool felt from Breton sheep, fashioned in Morbihan. The yarns used are pearled and milled cotton, and the work is lined with French linen. Size S M L Length 55 cm A unique piece inspired by the elements that surround us: land and sea, with ornamentation typical of certain Breton paletots: generously embroidered pockets and a frieze embroidered on the edges of the piece. The raw texture of the felted wool highlights the know-how of the Breton industry with authenticity and naturalness. The shape is inspired by traditional Breton clothing, with the short proportions of the men's chupenn and the women's manchoù, worn in particular in the Pont l'Abbé region in the 19th century. in the 19th century (South Finistère). A cut reinvented with modernity. The elements of the pattern evoke the seaweed found in the low-tide tidal flats, but also the roots symbolizing our attachment to our Breton lands. The tone-on-tone colors evoke the changing lights of the Breton coastline and white foam.

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