Null Myriam INGRAO, born 1984
L'Os XVIII, Morbihan - 2022
Fountain pen on waterc…
Description

Myriam INGRAO, born 1984 L'Os XVIII, Morbihan - 2022 Fountain pen on watercolor paper. Single piece dated left, titled center and signed lower right in pencil. 68 x 53 cm --- Myriam INGRAO, born 1984 Born in St-Brieuc, France, Myriam Ingrao is committed to a broad, multi-disciplinary landscape of art: drawing, writing, singing, reading, engraving and volume. With sensitivity and exacting standards, she multiplies encounters through musical and stage experiences, per sonal or collective exhibitions, and as associate artist of the Rennes collective Les Ateliers du vent. Her honors diplomas testify to her curiosity: DNSEP at EESAB in Lorient (2008), Master 2 Arts Plastiques in Rennes (2009), CAP bijouterie-joaillerie in Ploërmel (2015-17). Based in Morbihan, her drawings and sculptures echo mineral and plant forms, like archaeological remains. This "ink embroiderer" traces her meticulous strokes to the vertigo of detail. The universal figure of the round is stretched into a nebulous starburst, its origins clouded and magnified by the precision of the stitches on the paper. Sculptures in terracotta or raw clay represent a universe where materials play with appearances: clay becomes wood, coral or rock, thanks to wax and pigments. Together, they form microcosms in which each work presents a fragment of the world. Offered to the eye, another nature rustles with a thousand metamorphoses.

111 

Myriam INGRAO, born 1984 L'Os XVIII, Morbihan - 2022 Fountain pen on watercolor paper. Single piece dated left, titled center and signed lower right in pencil. 68 x 53 cm --- Myriam INGRAO, born 1984 Born in St-Brieuc, France, Myriam Ingrao is committed to a broad, multi-disciplinary landscape of art: drawing, writing, singing, reading, engraving and volume. With sensitivity and exacting standards, she multiplies encounters through musical and stage experiences, per sonal or collective exhibitions, and as associate artist of the Rennes collective Les Ateliers du vent. Her honors diplomas testify to her curiosity: DNSEP at EESAB in Lorient (2008), Master 2 Arts Plastiques in Rennes (2009), CAP bijouterie-joaillerie in Ploërmel (2015-17). Based in Morbihan, her drawings and sculptures echo mineral and plant forms, like archaeological remains. This "ink embroiderer" traces her meticulous strokes to the vertigo of detail. The universal figure of the round is stretched into a nebulous starburst, its origins clouded and magnified by the precision of the stitches on the paper. Sculptures in terracotta or raw clay represent a universe where materials play with appearances: clay becomes wood, coral or rock, thanks to wax and pigments. Together, they form microcosms in which each work presents a fragment of the world. Offered to the eye, another nature rustles with a thousand metamorphoses.

Auction is over for this lot. See the results

You may also like

Reunion of 4 19th century hippology books, 3 of them bound: 1. SAINT-ANGE (Charles Casimir Beucher, Marquis de): Cours d'hippologie contenant 1° La connaissance du cheval, 2° L'hygiène, 3° L'industrie chevaline, suivi d'un appendice sur la position du cavalier à cheval démontrée par l'anatomie. Officially adopted and taught at the École de Cavalerie and in mounted troops, by decision of the Minister of War, dated April 9, 1852. Second edition, revised and corrected. Paris, Dumaine et Leneveu; Saumur, Mlle Niverlet et Mlle Dubosse, 1853 (tome 1) and Saumur, P. Godet, 1850 (tome 2). Two volumes in one. 13 by 21 cm. XVI-289-(3) pages + 21-(2) pages (Appendix on the position of the man on horseback ...) and (4)-IV-412 pages + 6 plates h.t. Modern bradel boards. Scattered foxing, light marginal spotting on about forty leaves of volume 1. Some in-text illustrations. The second volume is a first edition (1850). A former soldier who fought in the Russian campaign of 1812, Saint-Ange "was [in 1820] appointed sous-écuyer répétiteur d'hippologie à l'école de cavalerie, écuyer de 3e classe en 1825, de 2e classe en 1838, de 1ère classe en 1847 et retraité en 1854." (Mennessier de La Lance II-176). 2. VISEUR (Jules): Histoire du cheval boulonnais. Arras, Imprimerie Ed. Bouvry et Cie, s.d. [1897]. One volume. 18 by 24.5 cm. (4)-IV-206 pages + 1 double-page h.t. map + 16 h.t. plates. Modern iron-gray half-chagrin, 5-rib spine, covers preserved. Very good condition. 30 phototyped figures in the text. With a signed autograph letter from the author to the Minister of Agriculture. First edition. Viseur: "French veterinarian, senator for Pas-de-Calais, born in 1836, graduated from Lyon in 1860." (Mennessier de La Lance II-p. 63). 3. CARDINI (Fr.-Joseph): Dictionnaire d'hippiatrique et d'équitation. Paris, Mme Ve Bouchard-Huzard, Dumaine, Saint-Jorre, et Chez l'Auteur, 1845. One volume. 15 by 23.5 cm. XVI-751 pages + 13 plates h.t. Contemporary mahogany half-basin, smooth spine decorated. Good condition. Small paper loss in margin of last f. but not missing. Slight wetness on the margin of the first 4 leaves. First edition. "By a cavalry lieutenant-colonel. 13 line plates representing aplombs... The work is drawn from good sources; it contains much interesting information and may be usefully consulted." (Mennessier de La Lance I-p. 211). 4. GIRARD (Jean): Traité du pied considéré dans les animaux domestiques. Troisième édition publiée avec changemens et augmentations. Paris, Madame Huzard (née Vallat La Chapelle), 1836. One volume. 13.5 by 22 cm. 445-(1) pages + 6 folding plates h.t. Paperback, contemporary mute cover, ex. untrimmed. Paper loss on covers, some scattered foxing, small, barely visible wetness at end of volume. 3rd edition (E.O.: 1813). Mennessier de La Lance I-p. 535.