Null Tapestry from the Manufacture Royale d'Aubusson (France), mid-18th century.…
Description

Tapestry from the Manufacture Royale d'Aubusson (France), mid-18th century. After a cartoon by Jean-Baptiste PILLEMENT (1728-1808) Technical characteristics : Wool and silk. Dimensions : Height : 290cm ; Width : 490cm. (Very good condition) (Minor wear and restoration) The subject of this panel's register is the allure of chinoiserie. At the time, chinoiserie themes were often interpreted in workshops in France and Flanders. Indeed, this type of tapestry panel was highly prized in salons. Here, the attributes of Diana, the Huntress Goddess (with red drapery, bow and quiver of arrows), and two dogs confronting a wild boar suggest that this panel was intended for the residence of a venerable "pig" hunter. A beautiful border depicting a frame with brightly-colored flowers enhances the tapestry. Characteristics of J-B PILLEMENT's style: He was a charming decorator, and his work is a precious document of 18th-century art. In 1767, Leviez, who had collected the plates engraved after Pillement, published them under the following title: Oeuvres de Jean Pillement peintre et dessinateur célèbre, composées de deux cents pièces dont une partie gravée par lui-même à l'eau-forte : les autres par Carnot, Ravenet, Masson, Wallet et autres habiles graveurs. The first part contains one hundred and thirty Chinese subjects, figures and ornaments, as well as various flowers. The remaining seventy are composed of pretty landscapes and seascapes decorated with figures and animals, the elements, the seasons, the hours of the day and other very pleasing subjects. This work includes mainly decorative elements, natural flowers, ideal flowers and fantasy flowers in the Chinese taste, typical of the Silk and Indian Manufactures. Pillement personally produced some charming etchings. Pillement loved brilliant colors and contrasts of light and shadow, and his paintings had the effect of illuminated theatrical sets, a very fashionable genre in London.

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Tapestry from the Manufacture Royale d'Aubusson (France), mid-18th century. After a cartoon by Jean-Baptiste PILLEMENT (1728-1808) Technical characteristics : Wool and silk. Dimensions : Height : 290cm ; Width : 490cm. (Very good condition) (Minor wear and restoration) The subject of this panel's register is the allure of chinoiserie. At the time, chinoiserie themes were often interpreted in workshops in France and Flanders. Indeed, this type of tapestry panel was highly prized in salons. Here, the attributes of Diana, the Huntress Goddess (with red drapery, bow and quiver of arrows), and two dogs confronting a wild boar suggest that this panel was intended for the residence of a venerable "pig" hunter. A beautiful border depicting a frame with brightly-colored flowers enhances the tapestry. Characteristics of J-B PILLEMENT's style: He was a charming decorator, and his work is a precious document of 18th-century art. In 1767, Leviez, who had collected the plates engraved after Pillement, published them under the following title: Oeuvres de Jean Pillement peintre et dessinateur célèbre, composées de deux cents pièces dont une partie gravée par lui-même à l'eau-forte : les autres par Carnot, Ravenet, Masson, Wallet et autres habiles graveurs. The first part contains one hundred and thirty Chinese subjects, figures and ornaments, as well as various flowers. The remaining seventy are composed of pretty landscapes and seascapes decorated with figures and animals, the elements, the seasons, the hours of the day and other very pleasing subjects. This work includes mainly decorative elements, natural flowers, ideal flowers and fantasy flowers in the Chinese taste, typical of the Silk and Indian Manufactures. Pillement personally produced some charming etchings. Pillement loved brilliant colors and contrasts of light and shadow, and his paintings had the effect of illuminated theatrical sets, a very fashionable genre in London.

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French Aubusson tapestry, 19th century. "Landscape with castle". Hand-knotted wool. Measurements: 215 x 296 cm. The refinement of this hand-woven tapestry testifies to the high quality of Aubusson tapestries. A luxuriant garden opens before us showing a small lake with bridges on its banks and a castle in the background. Cherry blossoms and rose bushes border the pond. The landscape has been resolved with ease and descriptive precision, in richly contrasting tones with a predominance of green, blue and earthy tones, with pink details. The subject is in keeping with nineteenth-century aristocratic taste. The city of Aubusson agglutinated numerous tapestry workshops, which were created by Flemish weavers who settled in the area at the end of the 16th century. They had a rudimentary operation, compared to the Royal Gobelins Manufacture: they had no painters, dyers, nor a commercial structure, so their tapestries were sold in inns, to a lower class private clientele, mainly provincial aristocrats. In the sixteenth and seventeenth centuries, the Aubusson workshops specialized in vegetable tapestries (with eminently floral decoration), but the situation changed radically when, in the mid-seventeenth century, this center was reorganized by Jean-Baptiste Colbert, minister of Louis XIV, with the aim of converting these workshops into royal manufactories. He then subjected the Aubusson and Felletin workshops to a guild regulation and, in exchange, promised to provide them with a painter and a dyer. This promise, however, would not become effective until the 18th century, a turning point for the workshops of La Marche, which would see a considerable increase in the quality of their tapestries by being able to count on a painter dedicated to making cartons and a dyer who would produce dyes of a higher quality than those used until then.