Null Pierre Bonnard
PORTRAIT DE AUGUSTE RENOIR, 1914-1916
aquatint and drypoint,…
Description

Pierre Bonnard PORTRAIT DE AUGUSTE RENOIR, 1914-1916 aquatint and drypoint, 25.7x19.8 cm, on sheet 32.5x25 cm signature on plate

116 

Pierre Bonnard PORTRAIT DE AUGUSTE RENOIR, 1914-1916 aquatint and drypoint, 25.7x19.8 cm, on sheet 32.5x25 cm signature on plate

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Pierre-Antoine Perrod, L'Affaire Peytel. Paris, Hachette, 1958. In-8, 606p. First edition, press copy, preface by Marcel Bouteron. Paperback. Important work on this affair. Edgar Everston Saltus, Balzac. Boston, Houghton, Mifflin and Company, 1884. In-12, 199-16p. First edition, on laid paper. Frontispiece portrait of Balzac, bibliography from p.165. Bookplate of C.F. Libbie in Boston. Full percaline, title page. Vicomte de Spoelberch de Lovenjoul, Un roman d'amour [on Balzac and mme Hanska]. Paris, Calmann-Lévy, 1896. In-12, 248p. First edition of this work on Balzac and Madame Hanska. Half-percaline, title page. A good copy. Vicomte de Spoelberch de Lovenjoul, Un roman d'amour [on Balzac and mme Hanska]. Paris, Calmann-Lévy, 1899. In-12, uncropped. Les lundis d'un chercheur. 1894, paperback, without covers. Not about Balzac, but about all his friends. Louis de Royaumont, Pro Domo (La Maison de Balzac) - Histoire et description - museum catalog. Paris, Figuière, 1914. In-12 square, 140p. Paperback, in half-chagrin folder and half-chagrin slipcase. Defects to cover. Marcel Bouteron, Le culte de Balzac. Paris, Les amis d'Edouard, 1924. In-12 square, 57p. First edition printed in an edition of 200, one of 6 copies on Madagascar paper. Paperback, filled cover, half-chagrin cardboard folder, half-chagrin slipcase (spine faded). A fine copy. Paul Bourget, Aux maisons de Barbey d'Aurevilly et de Balzac. Paris, Les amis d'Edouard, 1924. One of 190 on arches with a dispatch from Edouard to Jacques Boulenger. Léon Gozlan, Balzac en pantoufles. Paris, Lemercier, 1926. In-8, XX-[11-237]p. One of 500 copies on vellum, illustrated with color woodcuts by Maximilien Vox. Paperback, covers lined. A fine copy, uncommon despite the print run.

Lot of 12 biographical works on Balzac: DEvaldès, Honoré de Balzac. 1909. Zweig, Balzac Dickens. 1927. Surville, Balzac, sa vie et ses oeuvres. 1858. Faguet, Balzac. 1913. Boudou, Contes dels Balssas, Balzac's ancestors. 1953. Spanish edition with facing translation. Letter from the author, in Spanish, to Maurice Rogues. Mirbeau, Balzac, sa vie prodigieuse, son mariage, ses derniers moments. 1918. Gigli, Balzac in Italia. 1920. J Romains, Saints of our calendar. 1952. Laurencin, Daily life in Touraine at the time of Balzac. 1980. Gozlan, Balzac en pantoufles. Sd (ca.1920). Aubrée, Balzac in Fougères. 1939. Maury, Balzac's social and political opinions. 1941. Lot of 12 biographical works on Balzac: Léon Thoorens, "La vie passionnée de Balzac", Marabout, 1959. In-8, 284 pp. Publisher's full cloth binding. Illustrated dust jacket. Nadine Satiat, "Balzac ou la fureur d'écrire". Hachette Littératures, 1999. In 8, 631 p. Roger Pierrot, "Honoré de Balzac". Paris, Fayard, 1994. In-8, 582 p. Pierre Sipriot, "Balzac sans masque". Laffont, 1992. In-8, 499 p. [Collective] Under the direction of Jules Bertaut. Hachette, Collection "Génies et Réalités, 1959. In-8, 295 p. Publisher's full Skivertex binding, illustrated dust jacket. Numerous illustrations in and h.t. Bouvier et Maynial, Les comptes dramatiques de Balzac. Paris, Sorlot, 1938. In-8, 521p. Half-chagrin, covers preserved. Bouteron, Muses romantiques. Paris, Plon, 1934. In-8, 216p. Barbey d'Aurevilly, Romanciers d'hier et d'avant-hier. Paris, Lemerre, 1904. In-12, 349p, half basane. Delaye, Madame Honoré de Balzac. Paris, Perrin, 1989. In-8, 261p, publisher's boards, dust jacket (damaged). Laurencin, La vie quotidienne en Touraine au temps de Balzac. Paris, Hachette, 1980. In-8, 335p. Simenon, Portrait-souvenir de Balzac. Paris, Bourgois, 1991. In-8, 265p. Anton Bettelheim, Balzac. Munchen, C.H. Beck'sche Verlagsbuchhandlung, 1926. in-8, 479p.

Set of 10 studies on Balzac: Barbéris, Balzac, a realistic mythology. 1971. P Louis, Les types sociaux chez Balzac et Zola. 1925. Abraham, Créatures chez Balzac. 1931. Clouard, Balzac, pages sociales et politiques. 1910. Flat, Seconds essais sur Balzac. 1894. Lemer, Balzac sa vie son oeuvre. 1892. Fleichsmann, Napoléon par Balzac. Sd. Honoré de Balzac, Morceaux choisis, introduction et notres de Joachim Merlant, 1927. Lukacs, Balzac and French Realism. 1967. Bellessort, Balzac et son oeuvre. 1936. Good lot, most volumes bound. Lot of 4 studies on Balzac: Wurmser, La comédie inhumaine. 1970. Fine mailing from the author. Important and interesting work. Dictionary of Balzac. 1969. Delattrre, Les opinions littéraires de Balzac. 1961. Citron, Dans Balzac. 1986. Set of 6 studies on Balzac: Le dictionnaire Rastignac. Paris, Valmonde, 1998. Faillie, La femme et le code civil dans la Comédie humaine d'Honoré de Balzac. Photocopied copy bound in half binding with corners (imitation leather). Colloque de Cerisy, Balzac l'invention du Roman. Paris, Belfond, 1982. F Marceau, Balzac et son Monde. Paris, NRF Gallimard, 1970. Saint Paulien, Napoléon Balzac et l'Empire de la Comédie humaine. Paris, Albin Michel, 1979. Gagneux, Le musée imaginaire de Balzac. Paris, Beaux-Arts éditions, 2012. Publisher's boards. Lot of 12 studies on Balzac: Bertault, Balzac l'homme et l'oeuvre. Paris, Boivin, 1946. Envoi au vicaire général Pierre Gounin. Alert de Bersaucourt, Etudes et recherches. Paris, Mercure de France, 1913. Half-chagrin with corners. Guichardet, Le père Goriot by Honoré de Balzac. Folio. Verdoot, Ce sacré Balzac ou une histoire d'amour. Paris, Panthéon, 1999. P-L Rey, La comédie humaine - Balzac. Paris, Hatier, 1979. Lovenjoul, Autour de Honoré de Balzac. Slatkine, 1973. Proust, Le Balzac de monsieur de Guermantes. Ides et Calendes, 1950. Francesco Fiorentino, Introduzione a Balzac. Laterza, 1989. Roland Barthes, S/Z. Éditions du Seuil, 1970. Frederick Wedmore, Balzac. London, Walter Scott, 1890. Bertaut, Balzac's Le père Goriot. Sfelt, 1947. Henry James, Tre saggi su Balzac. Il melangolo, 1988. Honoré de Balzac - A Paris. Editions complexe, 1993. Set of 8 studies on Balzac: Aurée d'Esneval, Balzac et la provinciale à Paris. Nouvelles éditions latines, 1976. Le Breton, Balzac. Boivin & Cie, sd. A-M Baron, Balzac ou l'auguste mensonge. Nathan, 1998. Bertault, Balzac et la religion. Slatkine, 1980. Colloque Balzac - Europe. January-February 1965. Traces of readings (underlining in bic and stabilo). Guyon, La pensée politique et sociale de Balzac. A. Colin, 1947. Guyon, La Création littéraire chez Balzac. A. Colin, 1951. Berthier, La vie quotidienne dans la Comédie humaine de Balzac. Hachette, 1998.

PIERRE MARIE-POISSON (Niort, 1876 - 1953, Paris). "Venus and Apollo". Bronze. With Bisceglia Frères foundry stamp. Signed by the artist. Measurements: 26,5 and 29,5 cm (height). Pierre-Marie Poisson was a French sculptor and medalist, he studied sculpture at the Ecole des Beaux-Arts in Toulouse from 1893 to 1896, where he was trained in plastic arts and plaster. He completed this teaching at the Barrias studio in Paris. In 1907 he obtained a medal of honor at the Salon des Artistes Français and an assignment to reside at the villa Abd-el-Tif in Algiers where he designed and realized the decorations. He returned there regularly until 1914. He is the author of a bust of Marianne in nude and solid style, commissioned in 1932 by Jean Mistler, Under-Secretary of State for Fine Arts, to replace the official bust of Marianne by Jean-Antoine Injalbert. He collaborated, with other artists, in the realization of decorations for the steamers France in 1912, Ile-de-France in 1927 and Normandy in 1935. He obtained the award of Commander of the Legion of Honor Commander of the Legion of Honor. Pierre-Marie Poisson was appointed Knight of the National Order of the Legion of Honor by decree of August 12, 1923, promoted to officer by decree of August 25, 1937 and finally Commander by decree of February 4, 1952. As for the foundry, Mario Bisceglia moved to Paris in 1906, encouraged by Henri Bouchard, whom he had met in Italy. Around 1907, he created his own foundry with two of his brothers, working with the lost wax technique. The foundry is known for its particularly fine patinas.