Null BOZINO ATTILIO
Sostegno (VC) 1890 - 1973 Turin
"Gropallo dal Peirun" 1943
4…

Description

BOZINO ATTILIO Sostegno (VC) 1890 - 1973 Turin "Gropallo dal Peirun" 1943 48x60 oil on panel Work signed and dated lower right; titled, signed and dated on the back on the support that closes the work Craquelure at the top

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BOZINO ATTILIO Sostegno (VC) 1890 - 1973 Turin "Gropallo dal Peirun" 1943 48x60 oil on panel Work signed and dated lower right; titled, signed and dated on the back on the support that closes the work Craquelure at the top

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Estim. 20 - 40 EUR

Set of 10 studies on Balzac: Barbéris, Balzac, a realistic mythology. 1971. P Louis, Les types sociaux chez Balzac et Zola. 1925. Abraham, Créatures chez Balzac. 1931. Clouard, Balzac, pages sociales et politiques. 1910. Flat, Seconds essais sur Balzac. 1894. Lemer, Balzac sa vie son oeuvre. 1892. Fleichsmann, Napoléon par Balzac. Sd. Honoré de Balzac, Morceaux choisis, introduction et notres de Joachim Merlant, 1927. Lukacs, Balzac and French Realism. 1967. Bellessort, Balzac et son oeuvre. 1936. Good lot, most volumes bound. Lot of 4 studies on Balzac: Wurmser, La comédie inhumaine. 1970. Fine mailing from the author. Important and interesting work. Dictionary of Balzac. 1969. Delattrre, Les opinions littéraires de Balzac. 1961. Citron, Dans Balzac. 1986. Set of 6 studies on Balzac: Le dictionnaire Rastignac. Paris, Valmonde, 1998. Faillie, La femme et le code civil dans la Comédie humaine d'Honoré de Balzac. Photocopied copy bound in half binding with corners (imitation leather). Colloque de Cerisy, Balzac l'invention du Roman. Paris, Belfond, 1982. F Marceau, Balzac et son Monde. Paris, NRF Gallimard, 1970. Saint Paulien, Napoléon Balzac et l'Empire de la Comédie humaine. Paris, Albin Michel, 1979. Gagneux, Le musée imaginaire de Balzac. Paris, Beaux-Arts éditions, 2012. Publisher's boards. Lot of 12 studies on Balzac: Bertault, Balzac l'homme et l'oeuvre. Paris, Boivin, 1946. Envoi au vicaire général Pierre Gounin. Alert de Bersaucourt, Etudes et recherches. Paris, Mercure de France, 1913. Half-chagrin with corners. Guichardet, Le père Goriot by Honoré de Balzac. Folio. Verdoot, Ce sacré Balzac ou une histoire d'amour. Paris, Panthéon, 1999. P-L Rey, La comédie humaine - Balzac. Paris, Hatier, 1979. Lovenjoul, Autour de Honoré de Balzac. Slatkine, 1973. Proust, Le Balzac de monsieur de Guermantes. Ides et Calendes, 1950. Francesco Fiorentino, Introduzione a Balzac. Laterza, 1989. Roland Barthes, S/Z. Éditions du Seuil, 1970. Frederick Wedmore, Balzac. London, Walter Scott, 1890. Bertaut, Balzac's Le père Goriot. Sfelt, 1947. Henry James, Tre saggi su Balzac. Il melangolo, 1988. Honoré de Balzac - A Paris. Editions complexe, 1993. Set of 8 studies on Balzac: Aurée d'Esneval, Balzac et la provinciale à Paris. Nouvelles éditions latines, 1976. Le Breton, Balzac. Boivin & Cie, sd. A-M Baron, Balzac ou l'auguste mensonge. Nathan, 1998. Bertault, Balzac et la religion. Slatkine, 1980. Colloque Balzac - Europe. January-February 1965. Traces of readings (underlining in bic and stabilo). Guyon, La pensée politique et sociale de Balzac. A. Colin, 1947. Guyon, La Création littéraire chez Balzac. A. Colin, 1951. Berthier, La vie quotidienne dans la Comédie humaine de Balzac. Hachette, 1998.

Estim. 2 500 - 3 000 EUR

EDWARD STEICHEN (Luxembourg, 1879 - West Redding, Connecticut, 1973). "The sea", 1904. Platinum photograph mounted on original black paper on cream paper (original). Presents label on the back of German collection (Hamburg 1971). Signed and dated in the lower right corner. Measurements: 13 x 17,5 cm; 29 x 37 cm (frame). Edward Steichen was a key figure in 20th century photography, directing its development as a leading photographer and influential curator. Steichen arrived in the United States in 1881. He painted and worked in lithography, before turning to photography in 1896, and first exhibited photographs at the Philadelphia Salon in 1899. Steichen became a naturalized citizen in 1900 and, after exhibiting at the Chicago Salon, received the support of Clarence White, who introduced him to Alfred Stieglitz. Steichen practiced painting in Paris intermittently between 1900 and 1922; there he met Rodin and was in contact with modern art movements, so he was able to advise Stieglitz on the selection of exhibitions. In 1901 he was elected a member of the Linked Ring Brotherhood in London, and in 1902 he co-founded the Photo-Secession and designed the first cover of Camera Work, in which his work was often published. In New York, Steichen helped Stieglitz establish the Small Galleries of the Photo-Secession, which became known as "291," and in 1910 he participated in the International Exhibition of Pictorial Photography in Buffalo. During World War I, he directed aerial photography for the Army Expeditionary Forces. Shortly thereafter he gave up painting, along with the vestiges of Pictorialism, and adopted a modernist style. He was chief photographer for Condé Nast from 1923 to 1938, while doing freelance advertising work. Commissioned as a lieutenant commander in 1942, Steichen was appointed director of the U.S. Naval Photographic Institute in 1945; there he supervised combat photography and organized the Road to Victory and Power in the Pacific exhibitions. He was director of photography at the Museum of Modern Art from 1947 to 1962, and was responsible for more than fifty exhibitions, including The Family of Man in 1955, the most popular exhibition in the history of photography. Steichen received countless awards and honors, including the title of Chevalier of the French Legion of Honor, an honorary fellowship of the Royal Photographic Society, the Distinguished Service Medal, the Art Directors Club of New York Award, the U.S. Camera Achievement Award for "Most Outstanding Individual Contribution to Photography" (1949), and the Presidential Medal of Freedom (1963). Major exhibitions of his work have been held at the Baltimore Museum of Art, the Museum of Modern Art, the Bibliothèque Nationale de Paris, the ICP and the George Eastman House.

Estim. 600 - 800 EUR

MAGISTRETTI VICO (1920 - 2006) MAGISTRETTI VICO (1920 - 2006) Two-seater sofa mod. Maralunga for Cassina, Meda. 1973. Metal, upholstered leather and plastic.. Cm 100x180x86. Bibliography: Domus no. 588, November 1978, advertising page; G. Gramigna, Repertorio del design italiano 1950-2000 per l'arredamento domestico, Allemandi, Turin 2003, p. 211

Estim. 700 - 1 000 EUR

MAGISTRETTI VICO (1920 - 2006) MAGISTRETTI VICO (1920 - 2006) Three-seater sofa mod. Maralunga for Cassina, Meda. 1973. Metal, upholstered leather and plastic.. Cm 100x236x86. Bibliography: Domus no. 588, November 1978, advertising page; G. Gramigna, Repertorio del design italiano 1950-2000 per l'arredamento domestico, Allemandi, Turin 2003, p. 211

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