Khosrow HASSANZADEH (Iran, 1963)
Ceci aussi devrait passer (این نیز بگذرد) from …

Description

Khosrow HASSANZADEH (Iran, 1963) Ceci aussi devrait passer (این نیز بگذرد) from the series Ali Madad Silkscreen and acrylic on paper 207 x 444 cm signed, titled and dated in Farsi (lower left) edition unque executed in 2012 *** screenprint and acrylic on paper 207 x 444 cm signed, titled and dated in Farsi (lower left) this work is unique executed in 2012 Property from a private collection, Paris

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Khosrow HASSANZADEH (Iran, 1963)

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Estim. 100 - 150 EUR

Expressive high mountain landscape summer view from an elevated vantage point of a village in a deeply incised valley against an imposing mountain backdrop, impasto landscape painting with broad brushstrokes in powerful colours, oil on canvas, secondarily mounted on chipboard, c. 1930, unsigned, from a group of similarly framed works by Gertrud Fredrich, craquelure, lack of conservation, somewhat in need of restoration, provisionally framed, picture dimensions approx. 65 x 52.5 cm. Artist information, if Gertrud Fredrich: summer view from an elevated vantage point of a village in a deeply incised valley against an imposing mountain backdrop, impasto landscape painting with broad brushstrokes in powerful colours, oil on canvas, secondarily mounted on chipboard, c. 1930, unsigned, from a group of similarly framed works by Gertrud Fredrich, craquelure, lack of conservation, somewhat in need of restoration, provisionally framed, picture dimensions approx. 65 x 52.5 cm. Artist information, if Gertrud Fredrich: Erroneously also Gertrud Frederich, German painter, colour woodcut artist and graphic artist (1874 Lissa in Posen [Polish: Leszno] to 1963 Berlin?), studied at the Königliche Kunstschule Berlin, further training with Lovis Corinth, Käthe Kollwitz and Martin Brandenburg, socialised in the circle of the Berlin artists' association "Vereinigung der XI" and the Berlin Secession, undertook study trips to Bavaria and Italy, 1902 on Sylt, 1915-63 member and 1927 and 1933 board member of the Verein der Künstlerinnen zu Berlin, whose exhibitions she organised 1918-58, member of the Freie Vereinigung der Graphiker zu Berlin, the Reichsverband bildender Künstler Deutschlands and the Schleswig-Holsteinische Künstlergesellschaft, organised the Große Berliner Kunstausstellung, active in Berlin-Schöneberg, mentioned in Eisenach in 1921, due to the war 1943-53 in Ballenstedt am Harz, later back in Berlin, source: Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", Dressler, files of the Reichskammer der bildenden Künste Berlin, Wolff-Thomsen and "Käthe, Paula und der ganze Rest".

Estim. 2 000 - 4 000 EUR

Charles Lindbergh Four-Page Autograph Letter Signed from England, Written in the Wake of the Kidnapping and Hauptmann Trial ALS signed “Charles A. Lindbergh,” four pages, 6 x 8, personal Long Barn letterhead, October 30, 1936. Handwritten letter to friend Martin Engstrom, in full: "Your letter makes me homesick for Minnesota and the fall days which are nowhere as beautiful as in a country of cold winters. Seasons have never meant as much to me as they did during the years I lived in Minnesota. Dr. Nute, of the Minnesota Historical Society, sent me a number of pictures she took when you showed her over the property. I think you and everyone responsible for the work are to be congratulated on the simplicity and taste which are shown in the pictures. I hope similar discretion will always be used in projects connected with the old farm, and I am sure it will be, as long as you take part in the plans which are made. The planting of the trees which you mention in your letter should be a great improvement and should add materially to the beauty of the property after they have had a few years to grow. I shall look forward with great interest to seeing the place again because you have apparently done a great many things since I was there. You ask if I have any suggestions. I am especially interested in two policies in connection with the park. First, that the property be left in a simple and natural condition. Second, that the fact of it’s being named after my father be not lost by bringing out too prominently incidents connected with my own life. One other thing — I hope the property is always handled in a way which will permit people from Little Falls and the nearby country to obtain real pleasure from going there. It should be a place where families can go on Saturday and Sunday and where children can enjoy playing in the creek and river. I know that you are in full accord with me in all of these policies, and that there is really little need for me to mention them again.” In very fine condition. After the highly publicized kidnapping of their son, Lindbergh and his wife, Anne Morrow, found respite and privacy when, in 1936, they rented the Long Barn house, located in the English village of Sevenoaks Weald, Kent. Their second child, Jon, is remembered by the villagers as being watched over by an armed bodyguard while playing on the grounds. When the Lindbergh family donated its 110-acre farm to the state of Minnesota in 1931, a state park was created in Congressman C. A. Lindbergh’s honor. Little attention was given to the development of the park until 1936 when it became a local project for the Works Progress Administration (WPA). In addition to repairing the Lindbergh home, other structures — buildings and bridges, trails, trail shelters, and parking lots — were constructed by the WPA on the former Lindbergh farm.

Estim. 5 000 - 7 000 EUR

Beatles Signatures (c. 1963) - Superlative Examples Superlative vintage circa late 1963 ballpoint signatures, "George Harrison," "Paul McCartney," "John Lennon," and "Ringo Starr,” on an off-white 4.5 x 4 album page held within a hardcover autograph album. Other signers include the Everly Brothers, Billy J. Kramer, Billy Fury, John Leyton, Eden Kane, the Temperance Seven, the Chris Barber Jazz Band, and a few others. The autograph album itself has separated at the spine, but the Beatles-signed page is in pristine, very fine condition. Accompanied by a letter of authenticity from noted Beatles expert Frank Caiazzo, in part: "The signatures date from late 1963 and not only is this an excellent representative example of a set of Beatles autographs from the period, this is truly an exceptional set, as all signatures are beautifully scripted and each is signed as nicely as each band member could have done on the day."

Estim. 800 - 1 000 EUR

Large Bronze Age Shield Boss. 8th century B.C. A hammered discoid shield raised from a single sheet, displaying a central conoid boss; two pairs of circular piercings to the perimeter. Cf. Overlaet, B., ‘The chronology of the Iron Age in the Pusht-I Kuh, Luristan’ in Iranica Antiqua, vol.XL, 2005, pl.13, no.14, for a recent find of a similar shield; see also Ayazi, S., Disc-Headed Bronze Pins from Luristan: A Symbol of Ancient Iran’s Past, Tübingen, 2008. 297 grams, 26.5 cm wide (10 1/2 in.). These kind of shields, of small dimensions, were used by infantry or horse-archers of Luristan and neighbouring cultures (Elamites, Zagros Tribesmen, like Hurrians, Lullubians, Kutians, and Kassites, Assyrians), as well as by Urartu, West-Iranian and Northern Caucasian civilisations around the Caspian Sea. The bronze boss was probably attached to a leather and wooden background. UK private collection before 2000. Acquired on the UK art market. Property of a London gentleman. [No Reserve]

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