Null Bernardo Strozzi 1581 Genova-1644 Venezia, copia da
The payment of the trib…

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Bernardo Strozzi 1581 Genova-1644 Venezia, copia da The payment of the tribute cm 96X146 oil on canvas

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Bernardo Strozzi 1581 Genova-1644 Venezia, copia da The payment of the tribute cm 96X146 oil on canvas

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Estim. 550 - 600 EUR

CONTARINI (Vettor). Primitie academiche. Venice, Guerigli, 1644. In-4, [4] ff (including title-frontispiece engraved by Giacomo Pecini after F. Ruschi), 176 pp, handwritten table on endpapers, soft grey paper boards (contemporary binding). Uncommon first edition of these literary mixtures composed as part of the Venetian Academy of the Incogniti (1630-1661). Virtually nothing is known about the author, other than that he belonged to the noble Contarini family. No copy in the CCF.

Estim. 80 - 120 EUR

Bernard de Ventadour & Philippe Lorin, Dix chansons du coeur épris. Paris, Vialetay, ca.1960. In-folio. Unique edition of 50 copies, ours one of the artist's copies, illustrated with 25 original compositions painted in gouache and signed by Philippe Lorin. The transcription of Bernard de Ventadour's poems was entrusted to Charles Moulin. Leaves, in illustrated folder and slipcase.

Titian Vecellio (copy from) (Pieve di Cadore 1488/1490-Venice August 27, 1576) Tiziano Vecellio (copy from) (Pieve di Cadore 1488/1490-Venice August 27, 1576) - Miniature depicting sacred and profane love , late 19th century h cm 13 x cm 14.5 Painting on ivory In gilded frame

Estim. 13 000 - 14 000 EUR

GIROLAMO FORABOSCO (Venice, 1605 - Padua, 1679). "Joseph and the wife of Potiphar". Oil on canvas. -Bibliography: Girolamo Forabosco. Chiara Marin. Venezia Barocca. Close Edizioni. Page 457. Fig. 98 (cat.69). Measurements: 105 x 135 cm. In this magnificent painting the biblical episode of the attempt of Potiphar's wife to seduce Joseph is narrated. This one tries to flee from the embrace of the beautiful young woman, whose nudity reveals an agile and slender body. Joseph, dressed in tunic and cloak, tries not to look at her, adopting a gesture of rejection. Her sensual insinuation and frank nudity contrasts with his double layer of clothing and modesty. Since the Renaissance, this has been a much treated theme, and the artist picks up this legacy by entering into a fruitful dialogue with tradition, as is usual in his best compositions. In the flesh tones ignited by passion, in the histrionic gestures and the satin finishes of the garments, the painter succeeds in reviving the sensuality of the Venetian school, infusing it with a romantic imprint. Potiphar, who was a high official belonging to the Pharaoh's court, had acquired Joseph, who had been sold as a slave. After his diligence, Potiphar, appointed Joseph head of the house, it was at that moment, when Potiphar's wife began to notice Joseph, trying to seduce him. Taking advantage of an occasion when the house did not have any of the men in charge, the woman insinuated herself to Joseph, who fled. However, upon Potiphar's return, the woman accused Joseph of attempted rape, for which Joseph was sent to prison. Girolamo Forabosco or Gerolamo Ferrabosco was a 17th-century Venetian Baroque painter active in Padua and Venice between 1636 and 1644. After studying with Alessandro Varotari (il Padovanino) in Venice, Girolamo Forabosco was artistically influenced by Bernardo Strozzi. He was admitted to the Fraglia dei Pittori between 1634 and 1639 and was a paying member from 1640 to 1644. He adopted the compositional style and subjects of Tiberio Tinelli. By 1653 he had a studio in Padua, but the following year he was back in Venice, where he painted an altarpiece for the patriarch Federico Cornaro, who died in 1654, and a Portrait of Carlo Contarini, Doge. Throughout his career he produced a relatively small number of works, mainly portraits, a genre that secured his reputation, recovering models of sixteenth-century compositions and reviving them through a more vibrant use of color. -Bibliography: Girolamo Forabosco. Chiara Marin. Venezia Barocca. Cierre Edizioni. Page 457. Fig. 98 (cat.69).

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