Null Sunil Gawde Nascita: 1960 Mumbai
Virtually Untouchable III Dimensions of ea…

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Sunil Gawde Nascita: 1960 Mumbai Virtually Untouchable III Dimensions of each nut: 170 x 20 x 11 cm Chair dimensions: 90 x 50 x 50 cm installation composed of razor blades, 3 garlands with artificial roses and steel cables and wooden chair Private collection M. Pizziolo, R. Ravasio (eds.), The Indian Renaissance. A research project on the new frontiers of art, L'Artistica Editrice, Savigliano, 2011, p. 20

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Sunil Gawde Nascita: 1960 Mumbai Virtually Untouchable III Dimensions of each nut: 170 x 20 x 11 cm Chair dimensions: 90 x 50 x 50 cm installation composed of razor blades, 3 garlands with artificial roses and steel cables and wooden chair Private collection M. Pizziolo, R. Ravasio (eds.), The Indian Renaissance. A research project on the new frontiers of art, L'Artistica Editrice, Savigliano, 2011, p. 20

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Lot of 17 studies on Balzac: Jean Ygaugnin, Paris in Balzac's time and in the "Comédie humaine". La ville et la société. Nizet, 1992, paperback. George B Raser, Guide to Balzac's Paris. Imprimerie de France, 1964, paperback, fold-out map. George B Raser, The heart of Balzac's, Paris. Imprimerie de France, 1970, paperback, plates. G Gougenheim Balzac et JF Oberlin. In mélanges, 1945, I. Etudes Alsatiques, les belles lettres, 1946. Michel Butor, Improvisations sur Balzac. Tome III "scènes de la vie féminine". La Différence, 1998, paperback. [Collectif], Balzac. Paris-Match "LEs Géants", 1970, publisher's binding. Maurice Bardèche, Une interprétation de Balzac. Martel, 1951, supplement to the edition of La Comédie humaine, with a suite in black. Philippe Murray, Balzac, le 19e siècle, l'occulte. Tel quel n°39, Autumn 1981, p.5 to 40. J Maurice, Histoire de la Vallée du Lys. Imprimerie centrale de Touraine, 1973, paperback. Maurice Allem, Balzac. Hachette, 1950, paperback. Michel Thibon Cornillot, Balzac-Marx et l'argent. In "Connexions" n°25, 1978. pp.62-103. René-Alexandre Courteix, Balzac et la Révolution française. Aspects idéologiques et politiques. Puf, 1997, roché. Robert Brasillach, Le Paris de Balzac. Preface by Maurice Bardèche. L'inédit, 1984. N°227 on white laid paper, in sheets. Marcel Girard, Tours dans l'œuvre de Balzac. Promenade littéraire. City of Tours, 1999. Booklet. Romain Guignard, Balzac and Issoudun. Issoudun, Gaignault, 1949, paperback. Unesco (collective), Hommage à Balzac. Mercure de France, 1950, paperback. Alain, Reading Balzac. Laboratoires Martinet, 1935, paperback. Lot of 17 studies on Balzac: Stefan Sweig, Three Masters: Balzac, Dickens, Dostoyevsky. Belfond, 1951, paperback. René-Alexandre Courteix, L'Humanitarisme, hypocrisie de la société moderne? -Balzac's premonitory vision. L'Écritoire du Publieur, 2006, paperback. [Collectif] Textes réunis par Andrea Del Lungo et Alexandre Péraud, Envers balzaciens. La Licorne, 2001, paperback. Philippe Bertault, Balzac. Hatier, 1962, paperback. Eugène Poitou, M. de Balzac, étude morale et littéraire. From Revue des Deux Mondes, vol. 6 N° 4 (December 15, 1856) pp. 713-767. [Collective] Avec Balzac - Pour le centenaire de sa mort. Librairie Armand Colin, Sté d'Histoire Littéraire de la France, 1950, paperback. [Collective] Analyses & reflections on Balzac Le Chef-d'œuvre inconnu, Gambara, Massimilla Doni. Ellipses, 1993, paperback. Gérard Farasse Envois & Dédicaces. Presses Universitaires du Septentrion, 2010, paperback. Pal Ronai Jegyzetek Honoré de Balzac Fiatalkori Regényeihez. Budapest, 1930, paperback, consignment to Balzac bookseller Georges Courville. Dr Max Ridard, Louis Lambert et la métapsychologie balzacienne. Imprimerie R. Foulon, 1960, paperback, mailing. Alain Henry and Hilde Olrik, Le Texte alternatif - Les antagonismes du récit dans l'Histoire des Treize de Balzac. Copenhagen, Romansk Institut, January 1978. Paperback. Maurice Serval, Autour de Balzac "César Birotteau". Armand Colin, 1931. Paperback. With a letter to Serval. Madeleine Berry, Balzac. Edition universitaires, 1972, paperback. Hubert Gillot, Le Médecin de campagne -Deuxième étude balzacienne. Georges Courville, 1938. Paperback. Georges Ascoli, Balzac romancier - Le Père Goriot. Center de Documentation Universitaire, 1939. "Les Cours de la Sorbonne" Fascicule IV. Typescript paginated 77 to 96. Philippe M. Denizot, Catalogue de la Comédie humaine de Balzac. Art et Poésie de Touraine, 1969. Mimeographed self-published work, limited edition of 300 copies. Pierre-Georges Castex, Nouvelles et Contes de Balzac (Études philosophiques). Center de Documentation Universitaire, 1961. "Les Cours de la Sorbonne". Mimeograph of 92 p. Signed hand-written letter from the author to Dr. Fernand Lotte. Lot of 18 studies on Balzac: Pierre-Antoine Perrod, En marge de La Comédie Humaine. Lyon, Henneuse, 1962. Paperback. Judith Meyer-Petit, Les Mots de Balzac. Éditions Paris Musées / Actes Sud. 1999. paperback. Jacques Borel, Proust et Balzac. José Corti, 1975, paperback. Safei-El-Dine Awad and Dr. Mohamed Ambar, Balzac - Eugénie Grandet - Etudes littéraires. Cairo, Dar El Nahda, 1982. Paperback. [Collectif] Un Roman au Musée: Le Colonel Chabert. Paris Musées, 1997. Paperback. Hermann Sattler, Honoré de Balzacs Roman La Peau de chagrin. Halle, Druck von Ehrhardt Karras, 1912. paperback. Louis Bourreau, Un Roman provinois de Balzac: Pierrette. Montereau, Imprimerie Claverie, 1934. Booklet. [Collective] Issue devoted to Balzac. Revue des Sciences Humaines, N° 57-58 January-June 1950. paperback. Claude Bremond and Thomas Pavel, De Barthes à Balzac - Fictions d'un critique , critiques d'une fiction. Albin Michel, 1998. Paperback. Wolfgang Eitel, Balzac in Deutschland - Untersuchungen zur Rezeption des französicschen Romans in Deutschland 1830-1930. Lang, 1979. paperback

Goddess head made of iron. Roman Culture, 2nd - 3rd century AD Origin - Private collection, Miklos Bokor (Budapest, 1927 - Paris, 2019), Paris, France. *Miklos Bokor was a Franco-Hungarian painter and essayist born in Budapest on March 2, 1927 and died in Paris on March 18, 2019. Miklos Bokor was deported to the Auschwitz extermination camp with his entire family in 1944. After the death of his mother, he was transferred to Buchenwald, Rhemsdorf, Tröglitz and Kleinau with his father, who disappeared in Bergen-Belsen. After being liberated in 1945, he was repatriated to Budapest by the International Red Cross and Red Crescent Movement. After a first private exhibition in Budapest in 1953, Miklos Bokor remained in Paris and settled definitively in France in 1960. definitively in France in 1960. At the Janine Hoa gallery, which presented his paintings in 1962, he became friends with the poets Yves Bonnefoy and André du Bouchet, who would later regularly present his exhibitions. For more than 40 years he had a workshop at La Ruche, the famous Paris artists' residence. Boklor's art was inspired by his experiences in the Holocaust and his work reflects the horror of the extermination. He once described this impact in his work as: Something happened in Auschwitz that haunts society like a gap, a wound that does not heal. Upon returning from death, he who has lived in his flesh and in his spirit the experience of dehumanization begins to paint the unspeakable. Much of Boklor's work is part of the collections of the Museum of Modern Art in Paris. As an artist he was interested in other painters as well as in cultures prior to the civilization that triggered such a terrible situation. He formed a large collection of archaeological objects, focused above all on the Near East and the birth of civilization on the banks of the Euphrates. 6.5cm high

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