Null MAURICE UTRILLO (1883-1955)
Maison natale de « Jeanne d'Arc » à Domrémy, 19…
Description

MAURICE UTRILLO (1883-1955) Maison natale de « Jeanne d'Arc » à Domrémy, 1932 Huile sur toile contrecollée sur carton Signée et datée en bas à droite Titrée et située en bas à gauche 17,5 x 29 cm Oil on canvas laid on cardboard Signed and dated lower right Titled and located lower left 6 7/8 x 11 3/8 in. Provenance Galerie Jacques Blot, Paris Docteur Chevalier, Lyon Par descendance, collection particulière Bibliographie Paul Pétridès, "L'oeuvre complet de Maurice Utrillo, Tome III", éditeur Paul Pétridès, 1959, oeuvre reproduite en noir et blanc sous le n°1446. Nous remercions l’Association Maurice Utrillo d’avoir confirmé l’authenticité de cette oeuvre. Un certificat d’authenticité pourra être demandé à la charge de l’acquéreur.

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MAURICE UTRILLO (1883-1955) Maison natale de « Jeanne d'Arc » à Domrémy, 1932 Huile sur toile contrecollée sur carton Signée et datée en bas à droite Titrée et située en bas à gauche 17,5 x 29 cm Oil on canvas laid on cardboard Signed and dated lower right Titled and located lower left 6 7/8 x 11 3/8 in. Provenance Galerie Jacques Blot, Paris Docteur Chevalier, Lyon Par descendance, collection particulière Bibliographie Paul Pétridès, "L'oeuvre complet de Maurice Utrillo, Tome III", éditeur Paul Pétridès, 1959, oeuvre reproduite en noir et blanc sous le n°1446. Nous remercions l’Association Maurice Utrillo d’avoir confirmé l’authenticité de cette oeuvre. Un certificat d’authenticité pourra être demandé à la charge de l’acquéreur.

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Maurice UTRILLO (1883-1955) (after) Montmartre: the Moulin de la Galette and the Sacré Coeur in the snow Lithograph with gouache stencil enhancement Signed in the plate On Arches vellum 38 x 28 cm Excellent condition INFORMATION : Lithograph published in 1965 for the portfolio "Les Peintres mes amis" published by Les Heures Claires and limited to 250 copies. Illustration for the book of articles by André Warnod, collated by his daughter Jeannine and published by Les Heures Claires. We can handle the shipment of your purchases at the following negotiated rates: - From 1 to 5 lithographs: €18 incl. VAT for France (€20 incl. VAT for Europe / €30 for international) - From 6 to 10 lithographs: €24 / €28 / €40 - Works not available in tubes: on quotation This description has been translated automatically: Maurice UTRILLO (1883-1955) (after) Montmartre: the Moulin de la Galette and the Sacré Coeur under the snow Lithograph enhanced with gouache and stencil Signed in the plate On Arches Vellum 38 x 28 cm Excellent condition INFORMATION: Lithograph published in 1965 for the portfolio "Les Peintres mes amis" published by Heures Claires and limited to 250 copies. Illustration for André Warnod's book of articles, collated by his daughter Jeannine and published in Heures Claires. We can provide shipping service under demand - For 1 to 5 lithographs : 18 € TTC for France (20 € TTC for Europe / 30 € for international) - For 6 to 10 lithographs : 24 € / 28 € / 40 € TTC - Products that can't be sent in a tube : price under request

MALIVEL Jeanne (1895-1926) "Young boy with a sandwich". Oil on canvas signed lower left. In a large rustic molded wood frame with nails (Minor accidents, wear, canvas slightly distended, varnish dirty, stains). Height 53.5 cm x W 41.5 cm Provenance: Estate of Julien Bacon (1892-1980), by descent in the family. Jeanne Malivel (1895-1926), a figure of the Breton artistic revival at the beginning of the 20th century, unfortunately only had a very short production period. Although she died at the age of thirty-one, this multi-dimensional artist nevertheless produced a substantial body of work in ten years, inspired by Art Deco and animated by the spirit of Breton folklore. Originally from Loudéac in the Côtes d'Armor, this energetic young woman moved to Paris in 1916 to train at the Académie Julian, then at the Beaux-Arts. A committed artist and convinced Breton citizen, she also took courses in Celtic literature at the Collège de France and Breton lessons at the Cercle Celtique. Jeanne was very sensitive to the message of painter Maxime Maufra, whom she met in Pontivy in 1920 at the Congress of the Breton Regionalist Federation, and who urged artists to participate in Breton creation. She also met Maurice Denis and Georges Devallières, with whom she shared a taste for religious painting and medieval aesthetics. She joined them in the Art Sacré studio in Paris. In 1919, she joined the Breton regionalist group Unvaniez Yaounkiz Breiz, which brought together Breton artists living in Paris, including René Quillivic, James Bouillé and Suzanne and René-Yves Creston. In 1922, Jeanne published "Histoire de notre Bretagne", a partisan work hailed by Breton nationalists. Initially intended for children, the book was illustrated with some 72 woodcuts, a remarkable graphic work that was emulated by her students at the École des Beaux-Arts in Rennes. In the summer of 1923, Jeanne Malivel joined a group of enthusiastic militants who founded the "Seiz Breur" (Seven Brothers) movement. The group's ambition was to modernize Breton art, purifying it by adopting a clear line and unity of style in the manner of Quimper faience motifs. Alongside the Seiz Breur, Jeanne Malivel succeeded in presenting a set of furniture for "l'Osté", the Upper-Brittany common room, at the Exposition Internationale des arts décoratifs industriels modernes in Paris in 1925. This dining room combines the main characteristics of the Breton decorative style of the interwar period: modernity of form, simplicity, robustness and the desire to conceal nothing of the furniture's structure. Shortly afterwards, Jeanne married and gradually distanced herself from the movement. She settled in Vitré, where she died in 1926. The "Seiz Breur" movement (liquidated in 1947) celebrated its centenary last year. Our work is both a painting and an object of decorative art. The touching portrait of this fierce-looking child is set in the center of a wooden panel, worked and embellished with decorative nails. The piece features a small shelf at the top, probably intended for a votive statue. This work, unique in its unity and coherence, is one of the few pieces by the artist to bear witness to his talent, while at the same time reflecting a regional style. In July 2023, Jeanne Malivel's work was the subject of the exhibition "Jeanne Malivel (1895-1926), une artiste engagée" at the Forney Library in Paris. https://www.paris.fr/evenements/jeanne-malivel-1895-1926-une-artiste-engagee-32508