Null Italian manufacture
Murano, 1930/40s, h. 100cm., metal and blown glass susp…
Description

Italian manufacture Murano, 1930/40s, h. 100cm., metal and blown glass suspension lamp, slight defects

37 

Italian manufacture Murano, 1930/40s, h. 100cm., metal and blown glass suspension lamp, slight defects

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[Balzac et ses amis] Lot of 8 books: A Augustin-Thierry, La princesse Belgiojoso. Paris, Plon, 1926. Fair condition. Mme Surville, Le compagnon du foyer. Stuttgart, Hallberger, 1855. Half basane, spines split. Ruxton, La dilecta de Balzac. Paris, Plon, 1909. Half-chagrin. Boschot, La jeunesse d'Hector Berlioz. Paris, Plon, 1906. Half-maroquin with corners, gilt head. Pizzagalli, L'Amica Clara Maffei e il suo salotto nel Risorgimento. Milan, BUR, 2004. Hommage à George Sand, revue de l'Académie du Centre, 1975. Echinard et Jessula, Léon Gozlan. Collection IMMAJ, 2003. Arrigon, Balzac et la "contessa". Paris, Les portiques, sd. [Balzac et ses amis] Set of 4 books: Bondy, une femme d'esprit en 1830 - madame de Girardin. Lafitte, 1928. EO one of 17 hollande, second paper. Turquan, La duchesse d'Abrantès. Montgredien, 1901. Séché, Delphine Gay. Mercure, 1910. Longhi, L'educazione esemplare - Zulma Carraud un'amica di Balzac scrive per l'infanzia. Schena, 1984. We enclose 6 books. A Hertor Berge, Le commis banquier. Bordeaux, 1856. Rare curiosity. Biré, Houvelles causeries historiques et littéraires, 1927. Excerpt from the volume, only the article on Lovenjoul. Dore Ashton, A fable of Modern Art, Thames and Hudson, 1980. The author quotes Balzac as much as Picasso or Cézanne. Wages and the cost of living in various periods up to 1910. Photocopy of 1911 edition. Guide du voyageur du chemin de fer de Paris à Tours. Photocopy of 1846 edition. Considérations sur l'histoire médicale et statistique du Choléra-Morbus. Photocopy of the 1832 edition. Balzac et son temps, Set of 12 volumes: Burnand, La vie quotidienne en France en 1830. Hachette, 1947. Paperback. Pelletan, De 1815 à nos jours. Charavay-Mantoux-Martin, 1891. Publisher's hardback. La Gorce, Louis Philippe 1830-1848. Plon, 1931. paperback, one of 30 copies on pur fil lafuma. Charassin, Dictionnaire des racines et dérivés de la langue française. Héois, 1842. Half-basane, lacking on spine. Toledano, La vie de famille sous la restauration et la monarchie de juillet. Albin-Michel, 1943. Paperback. Henriot, Les romantiques. Albin-Michel, 1953. Linda Kelly, The young romantics Paris 1827-1837. London, Sidney, Toronto, The Bodley Head, 1976. d'Ariste, La vie et le monde du Boulevard. 1830 - 1870. A dandy: Nestor Roqueplan. Tallandier, 1930. Bory, La Révolution de juillet - 29 juillet 1830. Gallimard, 1972. Paperback. Anquetil, Histoire de France. Jubin, 1829-1831. Volumes 12 to 15, 4 volumes. A.-F. Teulet and Urbain Loiseau, Les Codes. Preceded by Memento de l'étudiant en Droit. Paris, Videcocq, 1840 - In -12 of XXXVI + 815 p. 2-column printing. Bookplate from the library of H. Hottinguer. Half-bound in green calf, smooth spine decorated with gilt fleurons. A good copy. F. Raymond, Dictionnaire Français augmenté d'environ 15000 mots relatifs aux sciences, aux arts, aux métiers, a la médecine, a la chirurgie, pharmacie, chimie etc.. de plus qu'aucun dictionnaire de ce format. Paris, Ladrange, 1837. In-16, 438 p, printed on 2 columns. Armorial bookplate of Louis François Bertrand du Pont d'Aubevoye, comte de Lauberdière, with his motto: "Virtute et Labore". Full tan basane binding, smooth spine with 5 faux-nerfs, spidering on the first cover.

Georges-Lucien GUYOT (1885-1973) "Lioness Rare bronze sculpture with brown patina Signed "Guyot", founder's stamp Susse Frères Éditeurs Paris and annotated "Cire perdue". Cire perdue" (lost wax) Circa 1930 H: 29 cm - W: 54 cm - D: 12.5 cm Bibliography: "Mobilier et Décoration", year 1930, model reproduced on page 17. GEORGES-LUCIEN GUYOT Georges-Lucien Guyot was a French sculptor born in Paris on December 10, 1885. Paris. Despite his modest background, Guyot showed an obvious talent for art, but his financial situation prevented him from pursuing artistic studies. financial situation. He was apprenticed to a wood sculptor, but his passion for art for art led him to study nature on his own, drawing the animals animals at the Jardin des Plantes. At the age of 17, his father gave him the option of training for a year before joining the army. Guyot spent this year studying at the d'Histoire Naturelle, where he closely observed wild animals and their anatomical details. In 1904, he joined the army while attending evening classes evening classes at the École des Beaux-Arts in Rouen. In 1906, when a ceramic kiln was installed at the École des Beaux-Arts, Guyot creates a clay bear that attracts the attention of a teacher. This sculpture is exhibited at the Salon des Artistes Français and marks the beginning of artistic career. After the war, Guyot settled in Montmartre and enjoyed creative period, exhibiting his sculptures, Cubist-influenced paintings Cubist-influenced paintings and animal drawings in numerous galleries. In 1931, he joined the Douze Animaliers Français group and regularly and regularly exhibited his work at art fairs. He received numerous commissions for monumental sculptures from the French state and municipalities. At the same time, Guyot worked for the Manufacture nationale de Sèvres from 1929 to 1950. In 1950, he was named Chevalier, then Officier de la Légion d'Honneur, and in 1972, he became the first sculptor to receive the Prix Edouard Marcel Sandoz Prize. The end of his life was marked by the fire in his studio at the Bateau Lavoir in 1970, destroying much of his work. Guyot died three years later, on December 31, 1972. Furniture and decoration January 1930