Null VAN GERDINGE
Officer of the 7th Hussars.
Equestrian figure in polychrome p…

Description

VAN GERDINGE Officer of the 7th Hussars. Equestrian figure in polychrome porcelain Height: 27 cm. On wooden base with brass cartouche.

130

VAN GERDINGE Officer of the 7th Hussars. Equestrian figure in polychrome porcelain Height: 27 cm. On wooden base with brass cartouche.

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Estim. 800 - 1 000 EUR

Pair of double flintlock percussion pistols for senior officers. Round tabletop barrels, signed on the band "Fni par Lepage Arqer à Paris". Engraved flat-bodied lion-head locks and hammers. Cut-out iron fittings engraved with foliage. Walnut crossbars, partly with wickerwork checkering, with thumb pieces and long shafts. Pommels adorned with a bronze Gorgon head. Wooden sticks with iron pastille. A.B.E. circa 1830-1840

Estim. 7 000 - 8 000 EUR

JOOST CORNELISZ DROOCHSLOOT (Holland, 1586-1666). "Kermesse". Oil on oak panel. Cradled. Signed in the central area. Measurements: 48,5 x 64 cm. This is a work attributed to the Dutch painter Joost Cornelisz, whose productive corpus echoed the achievements of genre painting during the Dutch Golden Age. It is a theme frequently treated by the artist (a lively village view), achieving here to integrate with masterful naturalness the lively human groups in different levels of depth, through a skillful handling of lights and chromatic sieves, proportions and perspective. The houses, some of them stately, are lined up on both sides of the street to escape towards a cloudy horizon. With descriptive eagerness, peasants and bourgeois are typified, thus distinguishing their different social backgrounds. Liveliness animates gestures and gestures. Joost Cornelisz was a painter of the Dutch Golden Age. It is believed that he was born in Utrecht. It is possible that he spent some years in The Hague. The documentation starts in 1616 when he was enrolled as a master in the guild of St. Luke in Utrecht, of which in 1623, 1641 and 1642 he was elected dean. A respected member of his community, in 1638 he was elected regent of the Sint Jobs hospital, deacon of the Reformed Church in 1642 and officer of the schutterij or urban militia in 1650 and 1651. In addition, from 1665 to 1666 he was a painter at the University of Utrecht. Prolific painter, the first known works, such as the Good Samaritan of the Centraal Museum of Utrecht, signed and dated 1617, in which it is clear the knowledge of the work of Jan van Scorel of the same subject, or The Seven Works of Mercy of the same museum, dated 1618, are great historical compositions of religious subject, a genre that he would never abandon (parables of the useless servant and the guest at the wedding, 1635, Centraal Museum; new version of the Seven Laws of Mercy, 1644, The Hague, Museum Bredius), but what is most repeated in his production are the urban landscapes or those located in small villages, with a wide avenue arranged diagonally and directed towards the depth, serving as a framework for the development of festive and market scenes or, more occasionally, with motifs of current events and battles. In this order, influences of the Flemish masters, both Pieter Brueghel the Elder and Pieter Brueghel the Younger, and his compatriot David Vinckboons, have been pointed out, although the finish of the works of this type of painting is not always the same as that of the Flemish masters.

Current bid 10 EUR

PAIR OF SABRES from West Africa, Mandé people, Mali, second half of the 20th century. Local hammered iron blades, polychrome brown, red and black leather mounts and woven basketry. Lengths without scabbards 62 cm and 67 cm. Complete with lines and fringed tassels, wear from use, accident to the end of one scabbard. Collection of a naval officer who served in Upper Volta and Mali in 1926. Expertise Sylvain Lamotte

Estim. 330 - 660 EUR

JÚLIO RESENDE (1917-2011), SERIGRAFIA Serigrafia sobre papel, assinada e numerada: 66/75. Emoldurada. Dim. Mancha: 34,5x49,5 cm; Dim. Moldura: 56,5x76,5 cm. # Júlio Resende (1917-2011). Júlio Resende, nascido na cidade do Porto. Entre os anos de 1930 a 1936 pratica ilustrações e Banda Desenhada para jornais e publicações infantis. Frequenta a Academia Silva Porto na disciplina de desenho e da pintura. Fomou-se em Pintura, em 1945, pela Escola Superior de Belas-Artes do Porto, onde foi discípulo de Dórdio Gomes. Fez a sua primeira aparição pública em 1944 na I Exposição dos Independentes. Em 1948 mudou-se para Paris , onde foi aluno de Duco de la Haix e de Otto Friez e vê o fruto desse trabalho exposto e Portugal em 1949. Do geometrismo ao não figurativismo, do gestualismo ao neofigurativo, ao seu percurso artístico desenvolve-se numa encruzilhada de pesquisas cuja dominante será sempre expressionista e lírica. Pintor de transição entre o figurativo e o abstracto, Resende distinguiu-se também como professor, trazendo à escola do Porto um novo espírito aos alunos que frequentaram, na década de 1960, a Escola Superior de Belas-Artes do Porto. Em 1962 pintou o mural afresco no Palácio da Justiça do Porto. Em 1965 cria cenários e figurinos para o "Auto da Índia" de Gil Vicente, encenação de Carlos Avilez para o TEP, Porto. Em 1966 realizou um afresco para o Tribunal de Justiça em Anadia. Em 1967 criou cenários e figurinos para "Fedra" de Racine, encenação de Carlos Avilez para o Teatro Experimental de Cascais. Em 1968 Ilustrou "Aparição" de Virgílio Ferreira. Em 1968 realizou cenário e figurinos para o bailado "Judas", coreografia de Agueda Sena e Companhia de Bailado da Fundação C. Gulbenkian, Lisboa. Em 1969 criou seis painéis em grés para o Palácio da Justiça de Lisboa. Em 1972 foi nomeado Membro da Academia real das Ciências, Letras e Belas-Artes Belgas, Bruxelas, onde fez uma comunicação e em 1973 recebeu o grau de Oficial da Ordem de Santiago da Espada. Em 1974 exerceu funções de gestão na ESBAP e realizou o cenário para o filme "Cântico Final" de Manuel Guimarães, adaptação do romance de Virgílio Ferreira. Em 1981 executou os vitrais para a Igreja Nª Sª da Boavista, Porto. Em 1982 recebeu as insígnias de Comendador de "Mérito Civil de Espanha" atribuídas pelo Rei de Espanha. Em 1985 foi-lhe atribuído o Prémio AICA. Em 1989 desenvolveu uma exposição retrospectiva na Fundação Calouste Gulbenkian, Lisboa. Entre os anos de 1994 e 1995 realizou painéis cerâmicos para a estação do Metropolitano de Lisboa, "Sete Rios". Em 2007 foi homenageado na XIV Bienal Internacional de Arte de Vila Nova de Cerveira. Faleceu com 93 anos, a 21 de Setembro de 2011, em Valbom, Gondomar.

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