Null SERGIO SARONI
SARONI SERGIO
Turin (To) 1934

Man with dog

Drypoint etchin…

Description

SERGIO SARONI SARONI SERGIO Turin (To) 1934 Man with dog Drypoint etching on paper, exh. V/X 60,00x50,00 Signature at lower right and print run at left. Certificate of provenance and authenticity by the Auction House.

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SERGIO SARONI SARONI SERGIO Turin (To) 1934 Man with dog Drypoint etching on paper, exh. V/X 60,00x50,00 Signature at lower right and print run at left. Certificate of provenance and authenticity by the Auction House.

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Estim. 300 - 600 EUR

TISSOT silver hunting cased pocket watch for the Russian market, Switzerland around 1905, engine-turned case on both sides black enamelled, hunter cover with representation twin-headed eagle with crossed canons and cyrillic writing 'For outstanding armory 1905', case back with monogram, cuvette with cyrillic engraving 'L. M. Lilpop Supplier to His Majesty's Court', gold-plated bar construction lever movement, compensation- balance, flat hairspring, enamel dial with Roman numerals, constant second at 6, diameter approx. 55 mm, overhaul recommended at buyer's expense, condition 2-3, property of a collector

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PABLO GARGALLO CATALÁN (Maella, Zaragoza, 1881 - Reus, Tarragona, 1934). "Harlequin's Head", 1928. Drypoint on laid paper, copy 9/12. Signed in plate: PG 28. With hand-painted period frame. Presents some lack of polychrome. Some stains on the paper. Measurements: 18 x 13 cm (plate); 22 x 17 cm (paper); 43 x 37 cm (frame). Rare print by the artist. Only one edition of 12 numbered copies was made of this work. The Pablo Gargallo Museum has the original plates of the only four drypoint engravings by Gargallo (Self-Portrait, Harlequin's Head, Female Nude and Ballerina). Pablo Gargallo is considered the precursor of iron sculpture, and learned the technique of forging from his father, who owned a blacksmith shop. In 1888 his family emigrated to Barcelona for economic reasons and there he began his artistic training, in the workshop of the sculptor Eusebio Arnau and in the School of La Lonja, with Venancio Vallmitjana as his main teacher. At the height of Modernism in Barcelona, Gargallo frequented the gatherings of "Els quatre Gats", establishing relationships with artists such as Nonell and Picasso. That is why his first works are influenced by Modernism, as is the case of the decoration of Barcelona buildings that he made in collaboration with the architect Domènech i Montaner, such as the Hospital de la Santa Cruz y San Pablo or the Palau de la Música. In 1903 Gargallo obtained a scholarship that allowed him to travel to Paris to complete his studies. His stay in the French capital was brief, but from then until 1923, when he settled permanently in Paris, his trips there would be frequent. In this city he found the aesthetic formulations of cubism, assimilated its expressive systems and sought the schematism and essentiality of figures and objects, trying to find the authentic three-dimensional expression of the cubist postulates. During these years he began to use metallic materials such as sheet metal, copper and iron. Around 1911-12 he made his first masks, pieces of great simplification made with cut sheet metal, linked to the cubist aesthetic. Using sheet metal, Gargallo began to suggest volumes and exalt the voids through the penetration of light into the interiors. In 1920 he was appointed professor of sculpture at the Escuela Técnica de Oficios Artísticos de la Mancomunidad de Cataluña, a post from which he was removed in 1923 for political reasons. It was then that Gargallo settled permanently in Paris with his wife and daughter. From this moment on his style acquires a very personal dimension, derived from his interpretation of cubism, based on the search for a formal synthesis of the figure in geometric planes always fluid, replacing conventional materials with wrought iron sheets, and introducing a new sculptural language by introducing the void as volume and giving his figures a great expressive dramatism. Pablo Gargallo is currently represented in the museum that bears his name in Zaragoza, the MoMA in New York, MACBA in Barcelona, the Museum of Modern Art in Paris and the Reina Sofia in Madrid, among many others.

Estim. 150 - 200 EUR

MULTIPLE LOT. Lot of four catalogs Sergio Fermariello - Notice to Mariners 2004 Illustrated monographic catalog published on the occasion of the exhibition held at Pier seventeen, Sea Port Museum, New York (October 4 - 18, 2004) 33.5 x 24 cm Published by Umberto Allemandi & C. Pages 68 Without defects Nanni Valentini - Matter as Poetics 1997 Illustrated monographic catalog published on the occasion of the exhibitions held at Galleria Martano, Turin (May 6 - July 15, 1997), Galleria Milano, Milan (May 8 - July 30, 1997) and Galleria Peccolo, Livorno (May 10 - June 30, 1997) 24 x 17 cm Galleries edition Without number of pages Defects Earth as Matter 1986 Illustrated catalog 22 x 23.5 cm Martano/Turin edition Without number of pages Without defects Sotheby's - Giò Pomodoro for Vidas 2005 Illustrated monographic catalog published on the occasion of the auction held at Palazzo Boggi, Milan (May 3, 2005) 30 x 16,5 cm Skira edition Pages 96 Without defects

Estim. 250 - 350 EUR

Sergio Scatizzi Sergio Scatizzi (Lucca 1918-Firenze 2009) - Paesaggio in Valdinievole, 1946 oil on cardboard cm 50,5 x 70,5 Signed and dated lower left: S. Scatizzi 46 Signed, titled and dated on the reverse:S. Scatizzi Paesaggio in Valdinievole 1946 Authenticated on the reverse by the Artist PROVENANCE Fiuggi, La barcaccia (signature and stamp on the reverse); private collection. This lot is subject to Artists Resale Rights

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