GINO LUGGI
LUGGI GINO
Teramo (Te) 1935

Untitled
1988

Ribbons on cardboard
10,0…

Description

GINO LUGGI LUGGI GINO Teramo (Te) 1935 Untitled 1988 Ribbons on cardboard 10,00x13,00 Certificate of authenticity On the reverse side certificate of authenticity by the artist.

105

GINO LUGGI LUGGI GINO Teramo (Te) 1935 Untitled 1988 Ribbons on cardboard 10,00x13,00 Certificate of authenticity On the reverse side certificate of authenticity by the artist.

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Estim. 2 000 - 2 400 EUR

MODEST CUIXART I TÀPIES (Barcelona, 1925 - Palafrugell, Girona, 2007). Untitled, Madrid, 1970. Mixed media on paper. Signed and dated in the upper left corner. Certified by the artist on the back. Size: 36 x 50 cm; 52 x 63 cm (frame). Cuixart initially studied medicine, but soon abandoned his studies to devote himself to painting and entered the Academia Libre de Pintura in Barcelona. In 1948 he took part in the founding of the group Dau al Set, together with Brossa, Ponç, Tàpies and Tharrats, among others. Concerned with the plastic value of the sign, his work has from the outset a strong kinship with surrealism, as well as a great sensitivity towards the expressive power of colour. Towards 1955 he immersed himself in material informalism. In 1959 he won first prize at the São Paulo Biennial and exhibited at the Documenta in Kassel, and the following year he took part in an exhibition of Spanish avant-garde works at the Tate Gallery in London and the Guggenheim Museum in New York. In the 1970s he exhibited in numerous national and international capitals, including Paris, Madrid, São Paulo, Amsterdam, Tokyo, Basel, Barcelona and Milan, among others. In the following decade, Cuixart gradually freed his painting from its aggressive aspects to give it a more lyrical tone. He also took part in a group exhibition at the Palais de l'UNESCO in Paris, was awarded the Cross of Saint George by the Generalitat de Catalunya and the Cross of Isabella the Catholic. In 1988 he holds an anthological exhibition in Japan, in the cities of Kobe and Tokyo. He continues to work with exuberant colours and forms, and reincorporates a more material figuration into his work. In 1998 the foundation named after him was created in Palafrugell, and the following year he was awarded the Gold Medal for Merit in Fine Arts by the Ministry of Culture. He is represented in the Museo Nacional Centro de Arte Reina Sofía, the Tate Gallery in London, the Museo Nacional de Arte de Cataluña, the Contemporary Art Museums of Madrid, Barcelona and Saint-Etienne (France), the Patio Herreriano in Valladolid, the Museo de Grabado Español Contemporáneo in Marbella, the Museo de Arte de la Universidad de São Paulo, the Museo de Arte Abstracto in Cuenca and the Museo del Ampurdán, among many others.

Estim. 6 000 - 7 000 EUR

SANDÚ DARIE (Roman, Romania, 1908 - Havana, Cuba, 1991). Untitled. Oil on canvas. Signed in the lower right corner. Attached certificate issued by Pedro de Oraá. Measurements: 70 x 100 cm; 74 x 104 cm (frame). Red, yellow, blue and black on white trace in this painting an intimate cartography and at the same time an imaginary pictographic language. Sandu Darie's avant-garde works are unclassifiable in that they attempt to eliminate the boundaries between art and craft. Despite Mondrian's influence, Darie's pieces complexify the integration of planes, imprinting on them a peculiar rhythm, beyond the formal minimalism that Mondrian proposed. A multidisciplinary artist, he worked in different fields of the artistic field, among which sculpture, painting, drawing, ceramics, scenographic design and theatrical costume design stand out. He began his academic training in Paris in 1926 in the university field of law. However, his interest in art and the artistic atmosphere of Paros introduced Saurdu Darie to the world of art in a self-taught way. During this period the artist combined his training in France with his participation in progressive magazines and newspapers in Romania and France, in which he made humorous drawings. In 1940 he joined the French army as a volunteer, arriving a year later in Cuba. On the island he began to make humorous drawings, which achieved a great reputation, making him a reference artist since 1942. Since 1949, the year of his first exhibition in New York, he began his artistic relationship with Gyula Kosice, founder of the group "Arte Madí", thus becoming part of the exhibitions of this group and the publication of articles in the group's magazine. Between 1958 and 1961 he was a member of the renowned group of artists "Diez Pintores Concretos", and in 1964 he made, together with Enrique Pineda Barnet, the documentary "Cosmorama. Spatial Poem No. 1", an experimental study of forms and structures in movement, during the 70's his production followed a line of projects for urban architectural environments using kinetic art as a language. In 1982 he was juror of the Salón Paisaje'82, Museo Nacional de Bellas Artes, Havana and in 1988 juror of the III Salón de Premiados, Museo Nacional de Bellas Artes, Havana, Cuba.Sandú Daire Laver, is one of the most outstanding figures of Cuban art. He is one of the main precursors of Abstraction in both its lyrical and geometric aspects. Being an example of his experience on geometric abstraction this plastic work, which by its formal and structural characteristics could be executed during the 50's. Besides being one of the maximum representatives of kinetic art. Among his numerous recognitions, it is necessary to emphasize the Honorary Mention of the VIIII Salón de Pintura y Escultura del Museo Nacional de Bellas Artes de La Habana in 1956 and his appointment as Honorary Member of the Royal Academy of Fine Arts of The Hague (Holland) in 1975, the Museo Nacional Centro de Arte Reina Sofía in Madrid, and numerous private collections around the world, as well as institutions such as the Casa de las Américas in La Hanana (Cuba) and the MoMA in New York, among others.

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