Null NOVELLA PARIGINI
NEW PARENTS
Chiusi (Rome) 1921

Horses

Spray on glossy c…

Description

NOVELLA PARIGINI NEW PARENTS Chiusi (Rome) 1921 Horses Spray on glossy colored cardboard 50,00x70,00 Signature at bottom center. Certificate of provenance and authenticity by the Auction House.

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NOVELLA PARIGINI NEW PARENTS Chiusi (Rome) 1921 Horses Spray on glossy colored cardboard 50,00x70,00 Signature at bottom center. Certificate of provenance and authenticity by the Auction House.

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Estim. 20 - 40 EUR

Ariste Excoffon, Galerie des écrivains dramatiques français. Paris, Gedalge, sd [ca.1890]. In-4. Contains some twenty pages on Balzac. Red half-chagrin, percaline boards, ornate ribbed spine, gilt edges. A good copy. Alphonse du Valconseil, Revue analytique et critique des romans contemporains. Paris, Gaume frères, 1846. In-8, [4]-IV-499-[4]p. Second volume only, of which a large part, p. 1 to 177, is devoted to Balzac: introduction, études de moeurs au XIXe siècle, scènes de la vie privée, scènes de la vie de province, scènes de la vie parisienne, la peau de chagrin, le père Goriot, les Payans, David Séchard, une ténébreuse Affaire, Une Princesse parisienne, Pierrette, Grandeurs et Misères des Courtisanes, Honorine and Mémoires de deux jeunes Mariées. Half-basane with corners, rubbed. Fresh paper. Charles de Spoelberch de Lovenjoul, Une Page Perdue de H. de Balzac - notes et documents accompagnés du fac-simile de la page. Paris, Ollendorff, 1903. In-8, [4]-327p. First edition, one of 55 copies on hollande paper (n°33), the only large paper, justified by Edmond Deman for whom these copies were printed. Paperback, partly unclipped, untrimmed, leaves near yellowed covers. Rare. Abbé Charles Calippe, Balzac, ses idées sociales. Reims, action populaire & Paris, Lecoffre, sd [1906?]. In8, 116p. Bradel, full green percaline, title page, covers preserved. A good copy. André Fouqueure, Honoré de Balzac à Angoulême - La genèse d'un chef-d'oeuvre. Paris, Société générale d'imprimerie et d'édition Levé, 1913. In-8, 77p. Edition printed at 300 copies on hollande, n°63. Red half-maroquin with corners, spine ribbed, cold fleurons, covers and spine preserved. Uncommon, well bound. Lot of 3 books: Émile Lacquièze, L'Homme de Loi dans l'OEuvre de Balzac. Bordeaux, L. Delbrel, 1921. Dr. F. Lotte, En marge de la "Comédie humaine": La Vie du docteur Horace Bianchon. La Revue du Caire, 1947. Letter to bookseller Georges Courville, signed (typescript) by Dr. Lotte. Abbé Joseph Desmares, Honoré de Balzac à Bayeux - 1822. Bayeux, Imprimerie Colas, 1890.

Estim. 7 000 - 8 000 EUR

STÉPHANE COUTURIER (Neuilly-sur-Seine, Hauts-de-Seine, 1957) "Seoul Yoido Dong, 1998. Photograph. Size: 127 x 107 cm; 133 x 112 cm (frame). Stéphane Couturier dedicated a series of photographs to the South Korean capital, as well as to other cities, in which his interest in abstracting urban details is evident. He deals with the subject of metropolitan transformations from a unique perspective and is considered the leading French exponent of "urban archaeology", as is Thomas Struth in the German context. He began exhibiting urban themes in Parisian galleries in the mid-1990s. Specialised in architectural photography, he lives and works in Paris. He was awarded the Niépce Prize in 2003. Stéphane Couturier's work, which came to light with his series on the Renault factory in Boulogne-Billancourt, is essentially composed of large-format photographs taken with a camera or medium format, in which the viewer's eye is lost, captivated by the details. The strength of his images comes from this visual play based exclusively on film, until his recent series Melting Point, taken at the Toyota factory in Valenciennes. Here he experimented with the fusion of 2 previously scanned images; the result is a profusion of richly coloured details that magically achieves a great coherence. Stéphane Couturier has progressively turned towards artistic photography: his photographs of building sites reveal an organic city in transformation and colour, sometimes in giant diptychs or triptychs. In Landscape, he focuses on the new cities of California, but always under a cloudy sky that overwhelms the different shots. His work has been exhibited at the Bibliothèque nationale de France in Paris (2004), the Seoul Museum of Art (2005), the Moscow Museum of Architecture (2006), the International Center of Photography in New York (2006), the Hôtel des Arts in Toulon (2014), the Maison Européenne de la Photographie in Paris (2015), the Musée Nicéphore Niepce in Châlon sur Saône (2016), the Musée de la Photographie in Charleroi, Belgium (2017) and the Musée Fernand Léger in Biot (2018). His work has also been published in several books. He is represented by Galerie Particulière 1 in Paris, Benrubi Gallery in New York, Galerie Kornfeld in Berlin and Galerie Christophe Guye in Zurich. In May 2018, Stéphane Couturier signed a petition with leading personalities from the world of culture to boycott the joint "France-Israel" cultural season, which, according to the petition, serves as a "showcase" for the State of Israel to the detriment of the Palestinian people. Stéphane Couturier has participated in numerous exhibitions, some of which are listed here: 2021 Stéphane Couturier, Christophe Guye Galerie, Zurich, Switzerland 2016 Alger, Climat de France, Musée Nicéphore-Niépce, Chalon-sur-Saône, France Anaklasis, La Galerie Particulière, Paris, France; Paris Photo, Galerie Particulière Booth, Grand Palais, Paris, France.

Starting price 600 EUR

P. HELLEU (1859-1927), Parisian in profile, around 1900, color etching Paul César Helleu (1859 Vannes, Brittany - 1927 Paris): Elegant Parisian in profile, c. 1900, color etching Technique: color etching on Paper, rolled-on on Cardboard Inscription: Lower right signed in the printing plate: "Helleu". At the lower part inscribed in the printing plate: "Parisienne IV". Date: c. 1900 Description: The artwork illustrates the profile of an elegant woman in fine lines. Her hair, rich and textured, is highlighted by coloured accents in the barrettes, lending a light colourfulness to the depiction. Her pose, characterised by grace and poise, is accentuated by a restrained colour palette that highlights the delicate face and downcast gaze. The partially sketched body hints at perfection in the unfinished depiction. From a series of portraits of women from Paris. Keywords: Profile; Woman; Elegance; Hair splendour; Lines; Grace; Confidence; Colour accents; Lowered gaze; Unfinished portrayal; Hair clips; Colour palette; Artwork; Illustration; Pose; Delicacy; Structured; Restraint; Academic discourse;, 20th century, Art Nouveau, Portraits, France, Size: Cardboard: 31,0 cm x 18,3 cm (12,2 x 7,2 in)

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