Null HOTTMAR HORL
HORL HOTTMAR
Neuheim (Germany) 1950

Say nothing
2006

Resin s…

Description

HOTTMAR HORL HORL HOTTMAR Neuheim (Germany) 1950 Say nothing 2006 Resin sculpture (plastic) initialed on the back at the bottom. 33.00x17.00x10.00 Certificate of authenticity. Edition made in six color variants. Signed on the back.

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HOTTMAR HORL HORL HOTTMAR Neuheim (Germany) 1950 Say nothing 2006 Resin sculpture (plastic) initialed on the back at the bottom. 33.00x17.00x10.00 Certificate of authenticity. Edition made in six color variants. Signed on the back.

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Estim. 250 - 300 EUR

MARINO AMAYA (Astorga, León, 1927-Andalusia, 2014). Untitled. Patinated bronze. Signed in burin at the bottom of the back. Measurements: 12 x 5 x 5 x 5 cm (figure); 3 x 5.5 x 5.5 x 5.5 cm (base). Born in Astorga, Marino Amaya was in his early years shepherd, carpenter and weaver, although with only fifteen years he obtained his first commission as a sculptor, a statue of Santiago Apostle carved in stone. He began his artistic training at the School of Arts and Crafts in Salamanca, where he obtained a scholarship to travel to Madrid in 1945, in order to further his education. Four years later, in 1949, he began a long study trip that took him to France, Italy, Austria, Holland, Denmark, Norway, Sweden, Germany, Greece and, outside Europe, Egypt and Palestine. In 1950 Amaya returned to Spain and participated in the National Exhibition of Fine Arts in Madrid, being awarded a silver medal. This success earned him in 1951 an important commission from the bishopric of León, a grandiose monument dedicated to the Immaculate Conception. The following year he held his first exhibition, which took place at the Association of Writers and Artists of Madrid, and in 1954 he was presented for the first time in León, in an exhibition organized by the Provincial Council. Still in this decade he held exhibitions at the Ateneo de Santander (1956) and the Romantic Museum of Madrid (1957). In the sixties he worked intensely, also holding exhibitions in various Spanish capitals, in centers such as the Círculo de Bellas Artes in Madrid (1962). Also during these years he made the international leap, appearing in 1961 in Rio de Janeiro. He will continue with his exhibition career in the seventies, and in 1974 he is named favorite son of Astorga, a town where a street will also be dedicated to him. In 1981 he held an outstanding exhibition at the Zoma Gallery in New York, where fifteen of his works were acquired by the Rockefeller Foundation. That same year he moved to Marbella, the city where he would live and work from then on, in conjunction with his studio in Madrid. In 1985 Pope John Paul II granted him an interview to see his work "The Right to Life", which was blessed by the Holy Father and is now part of the Vatican collection. This sculpture will initiate the creation of a series of works that Amaya dedicates to the life of children. Also very present in his work are animal figures, especially dogs and cats. He is a sculptor very committed to public sculpture, and today we can find works by his hand in public places all over Spain, as well as in the Mateo Hernández Museum in Béjar and other public and private collections.

Estim. 1 300 - 1 500 EUR

Eladio de Mora is one of the great representatives of Spanish contemporary art, Eladio de Mora discovered his artistic vocation as a child. Fundamentally self-taught artist, he develops a work that could be placed halfway between pop and expressionism. His creations are characterized by simplified features and pure colors, and are made in materials such as plastic, polyester and some resins. Under the almost childish appearance of his works, sometimes critical meanings are hidden; he confesses to seek in his works the balance between rigor and smile. Some of his best known pieces are his series of bears, ducks, divers and meninas. In fact, his sculptures are usually grouped in families, so that the repetition intensifies the impact. Also, most of his sculptures are placed outdoors, since Mora seeks above all a direct relationship with the public. He began to make himself known through group exhibitions at the beginning of the 21st century, and in 2002 he held his first solo exhibitions, both in Spain (Azteca and Séller galleries in Madrid, Espacio Líquido in Gijón) and abroad (Heyd gallery in Hildritzhausen, Germany). Since then his presence will be constant in the art scene; he will continue to exhibit individually, and also taking part in art fairs and group shows. In recent years he has shown his work in personal exhibitions held in prominent Spanish and foreign art galleries and centers, among them the Jorge Ontiveros Gallery in Madrid, the Drissien Gallery in Munich, the Florencio de la Fuente Museum in Valencia, the Contemporary Art Museum in Malaga, the Juan Ismael Art Center in Madrid, the Juan Ismael Art Center in Madrid, the Juan Ismael Art Center in Madrid, the Drissien Gallery in Munich, and the Florencio de la Fuente Museum in Valencia, the Centro de Arte Juan Ismael in Fuerteventura, the Espacio para el Arte Caja Madrid, the Hotel Urban and the Centro de Arte Moderno also in Madrid, the IVAM in Valencia, the Museo MACAY in Mexico, the gallery Los Oficios and the Museo de Bellas Artes in Havana, the Museo Arterra in Vienna and the Fundación Antonio Pérez in Cuenca. He has also participated in important group exhibitions in Spain, Mexico, Italy, Portugal and Germany. It is also worth mentioning Mora's important work as a designer of trophies, among them the "Women Together" in New York, the "Master Senior Comunidad de Madrid" or the "Protagonistas del motor de El Mundo". Throughout his career he has received the "Getafe Ciudad de las Artes" (Madrid, 2005) and "Aura" (Toledo, 2007) awards, and has created monuments and installations in Madrid, Logroño, Havana, Vienna, Gijón, Málaga and Valencia, among other cities. Mora is currently represented at the IVAM in Valencia, the Arterra Museum in Vienna, the Museum of Contemporary Art Domus Artium in Salamanca, the Museum of Glass Art in Alcorcón, the Museum of Fine Arts in Havana, the Museum of Graphic Work of San Clemente in Cuenca, the Antonio Pérez Foundation, the Antonio Saura Foundation and Coca-Cola, the Coca-Cola Foundation, Antonio Saura and Coca-Cola Foundations, the Provincial Councils of Cuenca and Guadalajara, several municipalities of Madrid and Toledo, the Ministry of Culture and Tourism of the Community of Madrid, and the Contemporary Art Collection of "El Mundo", among many other public and private collections.

Estim. 1 000 - 1 200 EUR

"dEmo"; ELADIO DE MORA (1960, Toledo). "Blue bear in the living room". Photograph. It has slight damage to the frame. Measurements: 74 x 93 cm; 98 x 117 cm (frame). Eladio de Mora is one of the great representatives of Spanish contemporary art, Eladio de Mora discovered his artistic vocation as a child. Fundamentally self-taught artist, he develops a work that could be placed halfway between pop and expressionism. His creations are characterized by simplified features and pure colors, and are made in materials such as plastic, polyester and some resins. Under the almost childish appearance of his works, sometimes critical meanings are hidden; he confesses to seek in his works the balance between rigor and smile. Some of his best known pieces are his series of bears, ducks, divers and meninas. In fact, his sculptures are usually grouped in families, so that the repetition intensifies the impact. Also, most of his sculptures are placed outdoors, since Mora seeks above all a direct relationship with the public. He began to make himself known through group exhibitions at the beginning of the 21st century, and in 2002 he held his first solo exhibitions, both in Spain (Azteca and Séller galleries in Madrid, Espacio Líquido in Gijón) and abroad (Heyd gallery in Hildritzhausen, Germany). Since then his presence will be constant in the art scene; he will continue to exhibit individually, and also taking part in art fairs and group shows. In recent years he has shown his work in personal exhibitions held in prominent Spanish and foreign art galleries and centers, among them the Jorge Ontiveros Gallery in Madrid, the Drissien Gallery in Munich, the Florencio de la Fuente Museum in Valencia, the Contemporary Art Museum in Malaga, the Juan Ismael Art Center in Madrid, the Juan Ismael Art Center in Madrid, the Juan Ismael Art Center in Madrid, the Drissien Gallery in Munich, and the Florencio de la Fuente Museum in Valencia, the Centro de Arte Juan Ismael in Fuerteventura, the Espacio para el Arte Caja Madrid, the Hotel Urban and the Centro de Arte Moderno also in Madrid, the IVAM in Valencia, the Museo MACAY in Mexico, the gallery Los Oficios and the Museo de Bellas Artes in Havana, the Museo Arterra in Vienna and the Fundación Antonio Pérez in Cuenca. He has also participated in important group exhibitions in Spain, Mexico, Italy, Portugal and Germany. It is also worth mentioning Mora's important work as a designer of trophies, among them the "Women Together" in New York, the "Master Senior Comunidad de Madrid" or the "Protagonistas del motor de El Mundo". Throughout his career he has received the "Getafe Ciudad de las Artes" (Madrid, 2005) and "Aura" (Toledo, 2007) awards, and has created monuments and installations in Madrid, Logroño, Havana, Vienna, Gijón, Málaga and Valencia, among other cities. Mora is currently represented at the IVAM in Valencia, the Arterra Museum in Vienna, the Museum of Contemporary Art Domus Artium in Salamanca, the Museum of Glass Art in Alcorcón, the Museum of Fine Arts in Havana, the Museum of Graphic Work of San Clemente in Cuenca, the Antonio Pérez Foundation, the Antonio Saura Foundation and Coca-Cola, the Coca-Cola Foundation, Antonio Saura and Coca-Cola Foundations, the Provincial Councils of Cuenca and Guadalajara, several municipalities of Madrid and Toledo, the Ministry of Culture and Tourism of the Community of Madrid, and the Contemporary Art Collection of "El Mundo", among many other public and private collections. Slight damage to the frame.

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