Null TIVOLI Sérafino de (1826-1892): Italian landscape with ruins. Ink wash sign…

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TIVOLI Sérafino de (1826-1892): Italian landscape with ruins. Ink wash signed and dated July 1849, 14 x 26

524

TIVOLI Sérafino de (1826-1892): Italian landscape with ruins. Ink wash signed and dated July 1849, 14 x 26

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Estim. 800 - 1 200 EUR

PHILIPP PETER ROOS SAID ROSE FROM TIVOLI (1657 - 1706) Circle of. Pair of landscapes with herds. oil on canvas. Cm 38x63. . Frame present

Starting price 300 EUR

A. DIES (1755-1822), Cascades at Tivoli, 1799, Etching Albert Christoph Dies (1755 Hannover - 1822 Vienna): Cascades near Tivoli Aniene waterfall near Tivoli in the Campagna Romana, 1799, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "A. C. Dies f.". At the lower part inscribed in the printing plate: "Cascatella di Tivoli". lower left dated: "Romae 1792". Date: 1799 Description: The artwork depicts an idyllic natural scene with a cascading waterfall in the centre, surrounded by lush vegetation and steep cliffs, masterfully captured in detailed etchings. Probably a later print for the French-language edition of the "Malerisch radirte Prospekte von Italien". Source: Collection de vues pittoresques de l'Italie : dessinées d'après nature, et gravées a l'eau forte a Rome, par trois peintres allemands / A.-C. Dies, Charles Reinhart, Jaques Méchau, 1799 | print suite, Landscape, Architecture Keywords: Tivoli; Campagna Romana; artwork; natural scenery; waterfall; vegetation; rocks; etching; detail; idyll; cascade; trees; bushes; landscape; steepness; sky; clouds; engravings; Tivoli, 18th century, Romanticism, Landscape, Italy, Size: Paper: 42,0 cm x 31,0 cm (16,5 x 12,2 in), Plate: 37,2 cm x 27,9 cm (14,6 x 11 in), Depiction: 33,6 cm x 24,8 cm (13,2 x 9,8 in)

Starting price 300 EUR

A. DIES (1755-1822), Waterfalls near Tivoli, 1799, Etching Albert Christoph Dies (1755 Hannover - 1822 Vienna): Waterfalls near Tivoli Cascade of the Aniene near Tivoli in the Campagna Romana, 1799, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "A. C. Dies pinx et incid.". At the lower part inscribed in the printing plate: "Cascatella di Tivoli". lower left dated: "Romae 1792". Date: 1799 Description: This detailed etching depicts an idyllic landscape scene below Tivoli, characterised by lush vegetation and a lively rural scene. In the foreground, a scene flanked by trees with people and a mule can be recognised, while in the middle ground a waterfall emerges between wooded hills and a diffuse sky with cloud formations forms the background in the distance. Probably a later print for the French-language edition of the "Malerisch radirte Prospekte von Italien". Source: Collection de vues pittoresques de l'Italie : dessinées d'après nature, et gravées a l'eau forte a Rome, par trois peintres allemands / A.-C. Dies, Charles Reinhart, Jaques Méchau, 1799 | print suite, Landscape, Architecture Keywords: Etching; landscape; idyll; vegetation; rural; figures; horse; waterfall; trees; hills; sky; clouds; nature; art; scenery; richness of detail; light and shadow; perspective; composition; Tivoli;, 18th century, Romanticism, Landscape, Italy, Size: Paper: 31,1 cm x 42,0 cm (12,2 x 16,5 in), Plate: 27,7 cm x 37,2 cm (10,9 x 14,6 in), Depiction: 24,9 cm x 35,7 cm (9,8 x 14,1 in)

Starting price 1400 EUR

G. WALLIS (1761-1847), Tivoli with the Temple of Vesta, around 1800, Pencil George Augustus Wallis (1761 Merton (London) - 1847 Florence): View of Tivoli with the Temple of Vesta, c. 1800, Pencil Technique: Pencil on Paper Inscription: Verso numbered: "Tivoli 2". Date: c. 1800 Description: George Augustus Wallis, during his lifetime a highly celebrated painter of classicism and today unjustly forgotten in art history, shows in this view of Tivoli precisely the break between classicism and romanticism. Whereas previously the emphasis had been on documenting the monumentality and elegance of antiquity in his paintings, in the Romantic period nature increasingly took centre stage. Wallis illustrates this process in his sheet when he allows Tivoli to grow almost imperceptibly out of the tree-covered hills, so that it does not catch the eye at first glance. Nature and the view of the landscape form the centre of interest and displace antiquity in favour of a new self-image. | Watermark: Crown Provenance: From the estate of the artist. Verso: another pencil drawing: rock formation in the mountains Keywords: Tivoli, temple, Vesta, southern landscape, houses, Italy, deciduous forest, trees, slope, hill, 19th century, Romanticism, Landscape, Italy, Size: Paper: 27,9 cm x 40,7 cm (11 x 16 in)

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