Null Atelier El-Kharraz, Nabeul, Tunisia, 20th century, round, domed, polychrome…

Description

Atelier El-Kharraz, Nabeul, Tunisia, 20th century, round, domed, polychrome earthenware bonbonnière, debossed underneath (slight glaze skip, small firing defects on the rims / 10x19 cm)

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Atelier El-Kharraz, Nabeul, Tunisia, 20th century, round, domed, polychrome earthenware bonbonnière, debossed underneath (slight glaze skip, small firing defects on the rims / 10x19 cm)

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Estim. 150 - 250 EUR

Chemla et fils, bonbonnière and cup decorated with "peacock eye" ocelli, Tunisia, first half of the 20th century Earthenware with polychrome painted decoration of brown ocelli on a plain colored background, green for the bonbonnière, yellow for the cup. The circular bonbonnière with lid, the hemispherical cup with ring handle. Both pieces inscribed "Awlad Chemla (Chemla & Fils), Tunis" with a fleur-de-lys on the inside of the bonbonnière and its lid, and on the inside of the cup. Candy box: D. 17.5 cm, H. 7 cm; cup: D. 9.5 cm; H. 4.2 cm Chips on the rim of the bonbonnière and on the projection of its lid, small chip on the lip of the cup. The "fleurette", which can be likened to a pansy, is said to be the mark of Gabrielle dite Gabo, related to Jacob Chemla's wife. Bibliography : LOVICONI, Alain et Dalila, Faïences des Tunisie, Edisud, Aix en Provence: 1994, p. 109. Tunisian Pottery Covered Box and a Mug with Peacock Eye Pattern, first half of the 20th century

Estim. 300 - 400 EUR

Pair of camel vases, Tunisia, Nabeul, Ben Sedrine factory, circa 1920-40 Tall vases on concave bases, the baluster body surmounted by a cylindrical neck flanked by two straight handles. In earthenware with polychrome painted decoration in different registers, a frieze of dromedaries running on the curved shoulder framed by friezes of flowers on a yellow background, then alternating checkerboards and cartouches arranged vertically. The foot and handles are turquoise, and the name of Nabeul is inscribed twice in Arabic on each body, between the dromedary legs. Ben Sedrine stamp under each base. Height: 65.5 cm Minor chips, a firing accident on the body of one, lid missing. The "jmal" / "dromedary" style was initiated in Nabeul by Elise Tissier, who took her inspiration from the stylized dromedaries frequently depicted on women's carpets in southern Tunisia. This style of decoration then spread to various workshops and became particularly fashionable in the first half of the 20th century. A Pair of Tunisian Pottery Vases with Camels, Nabeul, Ben Sedrin Factory, c. 1920-40

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Pair of chianti ewers and lamp-mounted vase in the Tissier style, Tunisia, Nabeul, 20th century Two spindle-shaped ewers on convex pedestals, the lip pinched and the handle angular, the vase baluster-shaped. In polychrome earthenware, the ewers predominantly blue, the vase predominantly green, each piece featuring a decor in several registers containing plant and geometric motifs as well as a medallion inscribed in Arabic "Nabeul". Height: 40 cm; 39.5 and 32.5 cm (without mount) Slight chips, electrical mounting on the vase filled with gravel or sand. A Pair of Tall Pottery Ewers Chianti and a Vase, Tunisia, Nabeul, 20th century

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Pair of vases with floral decoration, Tunisia, Nabeul, La'jîlî workshop, 20th century Vases on convex pedestals, with a baluster body topped by a cylindrical flared neck flanked by two arched handles. Earthenware decorated with polychrome coulures forming registers of floral mandorles alternating with geometric friezes. Located in Nabeul and signed "Atelier de La'jîlî" at the base of the body. Height: 42 cm Small chips to the feet, chips and restorations to the lips. A Pair of Pottery Vases, Tunisia, Nabeul, 20th century, signed

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