Null Berthe SAVIGNY (1882-1958)
The first steps
Rare and important polychrome en…

Description

Berthe SAVIGNY (1882-1958) The first steps Rare and important polychrome enameled stoneware group Manufacture HB Quimper, circa 1930 Signed on the terrace Berthe Savigny underglaze and on the reverse HB Quimper B. Savigny and g The child's head is broken and reattached, small crack on the edge of the reverse. Height 16.5 cm x Base 19 cm x 22.5 cm Bibliography Catherine Savigny-Trognée and Bernard-Jules Verlingue, Berthe Savigny, ed. AAMFQ, 2000. Similar model reproduced on page 50.

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Berthe SAVIGNY (1882-1958) The first steps Rare and important polychrome enameled stoneware group Manufacture HB Quimper, circa 1930 Signed on the terrace Berthe Savigny underglaze and on the reverse HB Quimper B. Savigny and g The child's head is broken and reattached, small crack on the edge of the reverse. Height 16.5 cm x Base 19 cm x 22.5 cm Bibliography Catherine Savigny-Trognée and Bernard-Jules Verlingue, Berthe Savigny, ed. AAMFQ, 2000. Similar model reproduced on page 50.

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Estim. 50 - 80 EUR

SAVIGNY Berthe (1882-1958) "Baby with outstretched arm White glazed earthenware subject. Signed with "HB Henriot/ Quimper/ France" and "F.1067" marks under the base. Height Height : 11 cm Sister of painter Pierre de Belay, Berthe Savigny was, like him, a self-taught artist. Both painter and sculptor, she came into contact with the Grande Maison earthenware factory before 1926. Eighteen subjects were born of this collaboration, mainly in earthenware, polychrome or white, but also in stoneware. The Susse foundry in Paris also published some of his terracotta works. A veritable ode to childhood, Berthe Savigny's modelling is always imbued with freshness, tenderness and great sensitivity. Bibliography: Philippe Théallet & Bernard-Jules Verlingue, "Encyclopédie des Céramiques de Quimper", Editions de la Reinette, Tome V, page 351 for a variant of our model.

Estim. 50 - 80 EUR

SAVIGNY Berthe (1882-1958) "Baby with outstretched arm White glazed earthenware subject. Signed with "HB Henriot/ Quimper/ France" and "F.1067" marks under the base. Height Height : 11 cm Sister of painter Pierre de Belay, Berthe Savigny was, like him, a self-taught artist. Both painter and sculptor, she came into contact with the Grande Maison earthenware factory before 1926. Eighteen subjects were born of this collaboration, mainly in earthenware, polychrome or white, but also in stoneware. The Susse foundry in Paris also published some of his terracotta works. A veritable ode to childhood, Berthe Savigny's modelling is always imbued with freshness, tenderness and great sensitivity. Bibliography: Philippe Théallet & Bernard-Jules Verlingue, "Encyclopédie des Céramiques de Quimper", Editions de la Reinette, Tome V, page 351 for a variant of our model.

Estim. 50 - 80 EUR

SAVIGNY Berthe (1882-1958) "Baby with book and cookie". Polychrome glazed earthenware subject. Signed with "HB Henriot/ Quimper/ France" and "F.1066 SB" marks under the base. Height Height : 12.5 cm Sister of painter Pierre de Belay, Berthe Savigny was, like him, a self-taught artist. Both painter and sculptor, she came into contact with the Grande Maison earthenware factory before 1926. Eighteen subjects were born of this collaboration, mainly in earthenware, polychrome or white, but also in stoneware. The Susse foundry in Paris also published some of his terracotta works. A veritable ode to childhood, Berthe Savigny's modelling is always imbued with freshness, tenderness and great sensitivity. Bibliography: Philippe Théallet & Bernard-Jules Verlingue, "Encyclopédie des Céramiques de Quimper", Editions de la Reinette, Tome V, page 351 for a variant of our model.

Estim. 60 - 90 EUR

SAVIGNY Berthe (1882-1958) - HB QUIMPER "Baby Polychrome glazed earthenware subject, signed with "Quimper" and "S.F" marks inside (Wear under the base). Height Height : 10 cm Sister of painter Pierre de Belay, Berthe Savigny was, like him, a self-taught artist. Both painter and sculptor, she came into contact with the Grande Maison earthenware factory before 1926. Eighteen subjects were born of this collaboration, mainly in earthenware, polychrome or white, but also in stoneware. The Susse foundry in Paris also published some of his terracotta works. A veritable ode to childhood, Berthe Savigny's modelling is always imbued with freshness, tenderness and great sensitivity. Bibliography: Philippe Théallet & Bernard-Jules Verlingue, "Encyclopédie des Céramiques de Quimper", Editions de la Reinette, Tome V, pages 350 and 351 for more on this subject.

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