Null Denyse Denisselle (1920-2019)
The Apothecary / The Pharmacy Diorama miniatu…
Description

Denyse Denisselle (1920-2019) The Apothecary / The Pharmacy Diorama miniatures Mixed media H. 34.5 cm W. 60 cm D. 26 cm Condition report: Electricity untested Opens "Every child is an artist. The problem is to remain an artist when you grow up." (Pablo Picasso) At the age of 60, in the 1980s, Denyse Denisselle discovered a consuming passion for miniatures. She sometimes spent sleepless nights, absorbed in the meticulousness of her creations. Returning to her childhood, she immersed herself with delight in reproducing stores and scenes of life brought back to life in boxes measuring from 40 to 80 centimetres. "I try to reproduce a world I loved. And I make my own little cinema." In this quest for nostalgia, Denyse Denisselle transformed her two Paris apartments into veritable museums, filled with dioramas. Her specialty: miniature cakes. She used plaster, which she let rest in her kitchen like real pie dough. "I once caught children licking them," she said, amused by the realism of her creations. Most of her dioramas are even equipped with electrical connections to bring them to life. By recreating scenes from the past with such precision, Denyse Denisselle offers a window on a bygone world. Her miniatures are more than just objects; they are living narratives and, above all, testimonials to her passion and talent. The art of the miniature, capturing the essence of complex subjects in small formats, has a long history. In China, for example, Hao Mang miniature sculpture has been practiced for 3,000 years. This singular art, like Denyse Denisselle's work, draws on imagination and dreams, offering the viewer a unique and poetic perspective, like Alice plunged into Wonderland. Today, miniature art occupies an important place in popular culture, supported by exhibitions and societies such as the World Federation of Miniaturists and the Royal Miniature Society. Galleries such as the Seaside Art Gallery and the Snowgoose Gallery organize annual exhibitions. Dioramas, presentation and staging devices born in the 19th century, also illustrate the evolution of miniature art. Initially large paintings animated by light effects, they evolved into detailed three-dimensional scenes, often used for educational and artistic purposes. With the rise of social networking, miniature art has found new vitality. The hashtag #MiniatureArt brings together artists and enthusiasts from all over the world, transforming platforms into virtual galleries. Exhibitions like "Small is beautiful" highlight the wonder of these creations by renowned artists such as Christopher Boffoli, Pablo Delgado, Ronan-Jim Sevellec, Julia Cissel, Slinkachu, Isaac Cordal, Joshua Smith, Petros Chrisostomou, Gaspard Mitz and Lorraine Loots, combining humor and technical precision. (MLD)

160 

Denyse Denisselle (1920-2019) The Apothecary / The Pharmacy Diorama miniatures Mixed media H. 34.5 cm W. 60 cm D. 26 cm Condition report: Electricity untested Opens "Every child is an artist. The problem is to remain an artist when you grow up." (Pablo Picasso) At the age of 60, in the 1980s, Denyse Denisselle discovered a consuming passion for miniatures. She sometimes spent sleepless nights, absorbed in the meticulousness of her creations. Returning to her childhood, she immersed herself with delight in reproducing stores and scenes of life brought back to life in boxes measuring from 40 to 80 centimetres. "I try to reproduce a world I loved. And I make my own little cinema." In this quest for nostalgia, Denyse Denisselle transformed her two Paris apartments into veritable museums, filled with dioramas. Her specialty: miniature cakes. She used plaster, which she let rest in her kitchen like real pie dough. "I once caught children licking them," she said, amused by the realism of her creations. Most of her dioramas are even equipped with electrical connections to bring them to life. By recreating scenes from the past with such precision, Denyse Denisselle offers a window on a bygone world. Her miniatures are more than just objects; they are living narratives and, above all, testimonials to her passion and talent. The art of the miniature, capturing the essence of complex subjects in small formats, has a long history. In China, for example, Hao Mang miniature sculpture has been practiced for 3,000 years. This singular art, like Denyse Denisselle's work, draws on imagination and dreams, offering the viewer a unique and poetic perspective, like Alice plunged into Wonderland. Today, miniature art occupies an important place in popular culture, supported by exhibitions and societies such as the World Federation of Miniaturists and the Royal Miniature Society. Galleries such as the Seaside Art Gallery and the Snowgoose Gallery organize annual exhibitions. Dioramas, presentation and staging devices born in the 19th century, also illustrate the evolution of miniature art. Initially large paintings animated by light effects, they evolved into detailed three-dimensional scenes, often used for educational and artistic purposes. With the rise of social networking, miniature art has found new vitality. The hashtag #MiniatureArt brings together artists and enthusiasts from all over the world, transforming platforms into virtual galleries. Exhibitions like "Small is beautiful" highlight the wonder of these creations by renowned artists such as Christopher Boffoli, Pablo Delgado, Ronan-Jim Sevellec, Julia Cissel, Slinkachu, Isaac Cordal, Joshua Smith, Petros Chrisostomou, Gaspard Mitz and Lorraine Loots, combining humor and technical precision. (MLD)

Auction is over for this lot. See the results

You may also like

[Chemistry] [Pharmacy] GEOFFROY (Etienne-François): Tractatus de materia medica, sive de medicamentorum simplicium. Historia, virtute, delectu & usu. Parisiis, Joannis Desaint & Caroli Saillant, 1741, 3 volumes. 12 by 19.5 cm. (4)-197-(3)-318-(6) pages + 1 folding plate; (4)-794-(6) pages and (4)-836 pages. Contemporary full calf, 5-rib spine, ornate bindings, red title-pieces. Minor old and well-executed restorations, very good condition of binding. Paper sometimes slightly foxed. 1) De fossilibus ; 2) De vegetabilibus exoticis ; 3) De vegetabilibus indigenis. First edition. Conlon 41: 497; European Americana 741: 93; Muller, Biblio. des Kaffee 91. "Previously 1st published, London, 1736, as Geoffroy's "A treatise of the fossil vegetable, and animal substances that are made use of in physick", which purports to be based upon a ms. of the author's lectures. American plants include balsam of Peru, cacao, ipecacuanha, Jamaica pepper, Virginian snakeroot, etc." (European Americana). "Etienne-François Geoffroy, a native of Paris, was a master apothecary and doctor of medicine in Paris. Geoffroy proposed a classification of chemical substances according to their greater or lesser "disposition to unite" with a reference substance. The idea that some substances could unite more easily than others was not new, but Geoffroy took credit for bringing together all available information in a large general table, later called the affinity table. The controversy between him and Louis LEMERY, one of his colleagues at the Académie, bears witness to the new way of practicing science, with everyone putting forward a conjecture that they tried to corroborate with experiments, and proposing new experiments to refute the opposing conjecture. This new art of scientific debate was to provide a solid foundation for the emerging science of chemistry.