Null Charlotte PERRIAND (1903­-1999)
Tabouret "Berger" Haut

Frêne
Edition­ Step…
Description

Charlotte PERRIAND (1903­-1999) Tabouret "Berger" Haut Frêne Edition­ Steph Simon Date de création : vers 1955 Localisation : Paris H: 40 cm - Ø: 33 cm

107 

Charlotte PERRIAND (1903­-1999) Tabouret "Berger" Haut Frêne Edition­ Steph Simon Date de création : vers 1955 Localisation : Paris H: 40 cm - Ø: 33 cm

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HELMUT NEWTON (Germany, 1920- California, 2004). "Shoe, Monte Carlo, 1983. Gelatin silver. Later print. Signed, titled, dated in pencil and copyright credit stamp on verso. No edition number. Provenance: McCord Collection, New York. Measurements: 36 x 24.6 cm (image); 40 x 31 cm (paper). An ankle subtly cocked and shod in a high heeled shoe occupies the entire photographic plane in this iconic image by Helmut Newton. As a place associated with glamour and luxury, Monte Carlo provides a perfect backdrop for Newton's exploration of fashion and eroticism. The fetishism of high heels and female ankles are explored by the artist in different contexts. In all of them, through daring and carefully crafted compositions, he redefines the parameters of fashion photography and eroticism, the role of women and power relations. Provocation, anti-voyeurism and female empowerment are often attributes of her photos. Newton was born in Berlin, attended the Heinrich-von-Treitschke-Realgymnasium and the American School in Berlin. Interested in photography from the age of 12 when he bought his first camera, he worked for German photographer Yva (Elsie Neuländer Simon) from 1936.The increasingly oppressive restrictions imposed on Jews by the Nuremberg laws caused his father to lose control of the factory; he was briefly interned in a concentration camp on Kristallnacht, , which eventually forced the family to leave Germany. Newton's parents fled to Argentina. Finally, arriving in Singapore, he found he could remain there, first briefly as a photographer for the Straits Times and then as a portrait photographer. Newton was interned by British authorities while in Singapore and was sent to Australia aboard the Queen Mary, arriving in Sydney on September 27, 1940. He was released from internment in 1942 and worked briefly as a fruit picker in northern Victoria. In April 1942, he enlisted in the Australian Army and worked as a truck driver. After the war in 1945, he became a British subject and changed his name to Newton in 1946. That same year, Newton set up a studio on Flinders Lane in Melbourne and worked in fashion, theater and industrial photography during the postwar period. He shared his first joint exhibition in May 1953 with Wolfgang Sievers,The 'New Visions in Photography' exhibition was shown at the Federal Hotel in Collins Street and was probably the first glimpse of New Objectivity photography in Australia. Newton became associated with Henry Talbot, a German Jew who had also interned at Tatura, and his association with the studio continued even after 1957, when he left Australia for London. The studio was renamed 'Helmut Newton and Henry Talbot'. Newton's growing reputation as a fashion photographer was rewarded when he secured a commission to illustrate fashions in a special Australian supplement for Vogue magazine, published in January 1956. He won a 12-month contract with British Vogue and left for London in February 1957, leaving Talbot to manage the business. Newton left the magazine before the end of his contract and went to Paris, where he worked for French and German magazines. He returned to Melbourne in March 1959 to work with Australian Vogue. Newton and his wife finally settled in Paris in 1961. His images appeared in magazines such as the French edition of Vogue and Harper's Bazaar. He established a particular style marked by erotic and stylized scenes, often with fetishistic subtexts. In 1980 he created the "Big Nudes" series. His "Nude and Clothed" portfolio followed, and in 1992 "Domestic Nudes," which marked the pinnacle of his erotic-urban style, all of these series supported the dexterity of his technical skills. Newton also worked on more fantastical portraits and studies. He did a series of illustrations for Playboy, including illustrations of Nastassja Kinski and Kristine DeBell.

HELMUT NEWTON (Germany, 1920- California, 2004). "Sylvia Examining Her High Heeled Shoes in My Studio," Paris, 1981. Gelatin silver. Signed, titled, dated and annotated in pencil. Provenance: Maurizio Siniscaldo Gallery, Naples, Italy. Measurements: 54,6 x 40 cm (image). "Sylvia examining her high heels in my studio" is a photograph that reflects many of the themes that define Helmut Newton's way of working: the carefully crafted composition (with the light of a street lamp filtering in from the darkness of the urban night contrasts with the clarity of the nude and the window frame), the fetish element of the stiletto-heeled shoes that Sylvia holds without mannerism.... Newton often explores themes of power, control and fetishism in her work. In this image, the woman's introspective countenance (oblivious to the gaze of male desire) and the naturalness of her posture empower her, rather than reducing her to the stereotypical female object. In doing so, Newton redefines the parameters of erotic and fashion photography: provocation, anti-voyeurism and female empowerment are his attributes. His women do not appear languid as odalisques but defiant, unabashed and without admitting easy voyeurism. In photographs such as this one, she explores the boundaries between the intimate and the public, while carefully planning her compositions to maximize visual impact. Newton was born in Berlin, attended the Heinrich-von-Treitschke-Realgymnasium and the American School in Berlin. Interested in photography from the age of 12 when he bought his first camera, he worked for German photographer Yva (Elsie Neuländer Simon) from 1936.The increasingly oppressive restrictions imposed on Jews by the Nuremberg laws caused his father to lose control of the factory; he was briefly interned in a concentration camp on Kristallnacht, , which eventually forced the family to leave Germany. Newton's parents fled to Argentina. Finally, arriving in Singapore, he found he could remain there, first briefly as a photographer for the Straits Times and then as a portrait photographer. Newton was interned by British authorities while in Singapore and was sent to Australia aboard the Queen Mary, arriving in Sydney on September 27, 1940. He was released from internment in 1942 and worked briefly as a fruit picker in northern Victoria. In April 1942, he enlisted in the Australian Army and worked as a truck driver. After the war in 1945, he became a British subject and changed his name to Newton in 1946. That same year, Newton set up a studio on Flinders Lane in Melbourne and worked in fashion, theater and industrial photography during the postwar period. He shared his first joint exhibition in May 1953 with Wolfgang Sievers,The 'New Visions in Photography' exhibition was shown at the Federal Hotel in Collins Street and was probably the first glimpse of New Objectivity photography in Australia. Newton became associated with Henry Talbot, a German Jew who had also interned at Tatura, and his association with the studio continued even after 1957, when he left Australia for London. The studio was renamed 'Helmut Newton and Henry Talbot'. Newton's growing reputation as a fashion photographer was rewarded when he secured a commission to illustrate fashions in a special Australian supplement for Vogue magazine, published in January 1956. He won a 12-month contract with British Vogue and left for London in February 1957, leaving Talbot to manage the business. Newton left the magazine before the end of his contract and went to Paris, where he worked for French and German magazines. He returned to Melbourne in March 1959 to work with Australian Vogue. Newton and his wife finally settled in Paris in 1961. His images appeared in magazines such as the French edition of Vogue and Harper's Bazaar. He established a particular style marked by erotic and stylized scenes, often with fetishistic subtexts. In 1980 he created the "Big Nudes" series. His "Nude and Clothed" portfolio followed, and in 1992 "Domestic Nudes," which marked the pinnacle of his erotic-urban style, all of these series supported the dexterity of his technical skills. Newton also worked on more fantastical portraits and studies. He did a series of illustrations for Playboy, including illustrations of Nastassja Kinski and Kristine DeBell.

Lot de médailles comprenant : - une médaille en bronze gravée par G. SIMON figurant sur l'avers le portrait de Jacques Lemoine avec la titulature JACQUES LEMOINE 1895 1968 et sur le revers une carte de la France coupée en quatre par deux fl^ches avec SO en bas à gauche entourée de la titulature ACTA SACRA LIBERA VERBA (Diam. : 6,7 cm) - une médaille en bronze gravée par P. TURIN figurant sur l'avers le profil de Carl XIV tourné vers la droite avec la titulature sur le pourtour CARL XIV JOHAN SVERIGES OCH NORGES KONUNG 1763-1844 et sur le revers une vue de maison avec la titulature LA MAISON NATALE DE BERNADOTTE A PAU (Diam. : 6,8 cm) - une médaille en bronze gravée par R. BÉNARD D'après David d'Angers figurant sur l'avers le profil de Goethe tourné vers la droite avec la titulature GOETHE 1749-1832 et sur le revers GOETHE ETUDIANT STRASBOURG / AVRIL 1770 AOUT 1771 entourant un médaillon de l'Universite de Strasbourg (Diam. : 6,7 cm) - une médaille avec sur l'avers la titulature EDUCATION ABROAD PROGRAM 1962-1982 et sur le revers THE UNIVERSITY OF CALIFORNIA 1868 (Diam. : 7 cm) - une médaille en bronze gravée par MARIUS PLAMONDON figurant sur l'avers un blason avec la titulature DEA.FAVENTE.HAVD.PLVRIBVS.IMPAR et sur le revers UNIVERSITAS STVDIORVM LAVALLENSES / MDCLXIII / IN SEMINE PROMISSA / MDCCCLII / JVRIDICE ERECTA / MCMLII / OMNIVM CONSENSV GLORIFICATA (Diam. : 6,5 cm) - une médaille en bronze gravée par A. BINQUET figurant sur l'avers une scène religieuse avec inscription latine sur le pourtour et au revers deux femmes agenouillées arosant un olivier avec un cartouche nommé JEAN LOISEAU 30 MARS 1946 (Diam. : 8 cm) - une médaille en bronze gravée par J.H. COEFFIN figurant sur l'avers Anne de Bretagne en son centre et sur le revers un moine avec les dates 1461-1961 (Diam. : 6,7 cm) - une médaille en bronze gravée par RIVET figurant la Gaulle casquée tournée vers la droite avec la titulature PATRIA et sur le revers un médaillon avec épigraphe SALLE D'ARMES, nommé et adresse. (Diam. : 4 cm) - une médaille gravée par RIVET figurant sur l'avers une élégante avec la titulature CINQUANTENAIRE DE L'ASSOCIATION Cle DES TISSUS ET MATIERES TEXTILES 1848-1898 et sur le revers une branche flanquée de la liste des noms président le BANQUET DU 3 MARS 1898 (5,3 x 3 cm) On y joint trois médailles en bronze, la première figurant une femme ailée tenant un couronne de laurier, la seconde figurant le travail des champs et la dernière du Comité de la Haute Garonne; un jeton de présence de forme octogonale de la chambre de commerce d'Annonay 1869 ; une médaille en métal de Colbert édition Connaissances actuelles; un bijou en bronze et son cordon de l'Ordre de la bouteille dive et une empreinte moderne.