Null Vadim KIBARDIN (né en 1974)
Chaise "Off White Miracle XXL"

Papier aquarell…

Description

Vadim KIBARDIN (né en 1974) Chaise "Off White Miracle XXL" Papier aquarelle, carton recyclé Pièce unique Date de création : 2023 Dim.: 82 x 90 x 76 cm Localisation : Paris

61

Vadim KIBARDIN (né en 1974) Chaise "Off White Miracle XXL" Papier aquarelle, carton recyclé Pièce unique Date de création : 2023 Dim.: 82 x 90 x 76 cm Localisation : Paris

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Estim. 4 000 - 6 000 EUR

ENRICO DESENZANI & C. AN IORA-ENGRAVED 12-BORE SIDELOCK EJECTOR, serial no. 0011, for 1974, 28 3/8in. (72cm) nitro Boehler-steel chopperlump barrels with raised matt rib, left barrel engraved 'ENRICO DESENZANI & C. ARMI DE LUSSO BRESCIA', 2 3/4in. chambers, bored approx. 1/2 and full choke, manual safety (fixed in 'off' position), removable striker discs, articulated front trigger, left ejector tripping, rolled-edge triggerguard, the action, lockplates and furniture profusely engraved with fine acanthus scrollwork, interspersed with floral and ribbon motifs, the triggerplate signed 'F. IORA. inc.', bright finish, 14 1/2in. figured stock with diamond grip, slightly cast on, the fore-end finely inset in gold with the Desenzani crest, weight 7lb. 4oz., in its red velvet lined lightweight leather case. S2 - Sold as a Section 2 Firearm under the 1968 Firearms Act

Estim. 1 000 - 2 000 EUR

Group of sixteen sterling silver plates with 24kt yellow gold inlay. Issued by the White House Historical Association from the Franklin Mint, numbers 1 through 16 in the Presidential plate series. All with all original packaging and certificates of authenticities except where noted. All serial number 568, marked on the back and COA. Including the following: George Washington, no. 1 in the series. No certificate of authenticity or white packaging. 6.14 ozt. John Adams, no. 2 in the series. No white packaging. Certified October 27, 1972; 7.10 ozt. Thomas Jefferson, no. 3 in the series. Certified December 20, 1972; 6.38 ozt. James Madison, no. 4 in the series. Certified March 5, 1973; 6.75 ozt. James Monroe, no. 5 in the series. Certified May 7, 1973; 6.35 ozt. John Quincy Adams, no. 6 in the series. Certified June 18, 1973; 5.87 ozt. Andrew Jackson, no. 7 in the series. Certified August 31, 1973; 5.75 ozt. Martin Van Buren, no. 8 in the series. Certified November 5, 1973; 5.83 ozt. William H. Harrison, no. 9 in the series. Certified January 11, 1974; 5.85 ozt. John Tyler, no. 10 in the series. Certified March 4, 1974; 5.88 ozt. James K. Polk, no. 11 in the series. Certified May 3, 1974; 5.79 ozt. Zachary Taylor, no. 12 in the series. Certified June 17, 1974; 5.78 ozt. Millard Fillmore, no. 13 in the series. Certified August 30, 1974; 5.5 ozt. Franklin Pierce, no. 14 in the series. Certified October 21, 1974; 5.98 ozt. James Buchanan, no. 15 in the series. Certified December 16, 1974; 5.53 ozt. Abraham Lincoln, no. 16 in the series. Certified March 3, 1975; 5.34 ozt. (Each) Plates; diameter: 8 in. Blue boxes; height: 10 1/2 in x width: 10 1/2 in x depth: 2 in. Gross weight of sterling: 95.82 Troy oz. (Please see listing for individual plate weights)

Estim. 8 000 - 8 500 EUR

LEWIS MORLEY (Hong Kong, 1925-Sidney, 2013). "Christine Keeler," 1963. Gelatin silver. Signed, titled and dated in ink (in the margin). Provenance: Bennett Private Collection, New York. Measurements: 31.5 x 25 cm (image); 36 x 28.9 cm (paper). After cabaret performer and dancer Christine Keeler had an affair with a minister in Harold Macmillan's government, which brought the Conservative Party into disrepute in what became known as the Profumo affair, she was called to do a photo shoot at Lewis Morley's studio. The events took place because a film production company intended to make a movie about the scandal and needed some publicity photographs. Although Keeler had initially agreed to be photographed nude, when she arrived at the studio she was reluctant to do so. For this reason, Lewis Morley began the photo shoot by capturing the model with her clothes on, but the film company's representatives insisted that she pose nude. The photographer, sensing Keeler's discomfort, had the others present leave and, turning his back to her while Keeler undressed, suggested that she pose on the studio chair placed upside down. Lewis Morley began his career with assignments for magazines such as Tatler and was a successful theater photographer for over 100 West End productions. His publicity photographs for Beyond The Fringe magazine (1961) included a study of the cast Peter Cook, Dudley Moore, Alan Bennett and Jonathan Miller, which was used for the cover of the show's best-selling LP. In 1971 he moved to Sydney, where he worked on magazines such as Belle and with interior designers and stylists such as Babette Hayes and Charmaine Solomon. In 1989 he collaborated with photography curator Terence Pepper in staging his first museum retrospective at the National Portrait Gallery in London and subsequently donated all the images printed for the exhibition as part of a larger archive of his work. His first autobiography, Black and White Lies, was published in 1992. In 2003, a film about his life was released and an exhibition entitled Myself and Eye was held at the National Portrait Gallery in Canberra. In 2006, the Art Gallery of New South Wales presented a comprehensive exhibition showcasing 50 years of his work. Entitled Lewis Morley: 50 Years of Photography, the exhibition included 150 of his works spanning fashion, theater and reportage, many of which had never been seen before. After his death his archive was subsequently donated to the National Media Museum in Bradford, England.

Estim. 300 - 400 EUR

AI WEIWEI (Beijing, 1957). "Nude woman". Photograph on Fuji paper. Open edition. Signed in the lower right area. Measurements: 12,5 x 18 cm. Ai Weiwei is an activist and contemporary artist. Ai collaborated with Swiss architects Herzog & de Meuron as an artistic advisor on the Beijing National Stadium for the 2008 Olympic Games. As an activist, he has consistently criticized the Chinese government for its stance on democracy and human rights. He has also investigated government corruption and cover-ups in China, particularly the case of the collapse of schools in Sichuan after the 2008 earthquake. On April 3, 2011, he was detained at Beijing International Airport, held for 81 days without official charges, and officials alluded all to "economic crimes." In 1978, Ai enrolled at the Beijing Film Academy and studied animation. In 1978, he was one of the founders of the avant-garde group "Stars" with avant garde influences, along with Ma Desheng, Wang Keping, Huang Rui, Li Shuang, Zhong Acheng and Qu Leilei. The group disbanded in 1983, however Ai participated regularly in exhibitions held by the group, such as The Stars: Ten Years in 1989 (Hanart Gallery, Hong Kong and Taipei) and a retrospective exhibition in Beijing in 2007: Origin Point (now Beijing Museum of Art). In 2014, Ai Weiwei made an installation called Illumination set in a former prison hospital, intended to look and feel like a horror movie. For this work, In 1993, Ai returned to China after his father became ill. He helped establish the experimental artists' group "Beijing East Village" and co-published a series of three books on this new generation with Chinese curator Feng Boyi: Black Cover Book (1994), White Cover Book (1995) and Gray Cover Book (1999). In 1999 he moved to Caochangdi, northeast of Beijing, and built a studio house, his first architectural project. Due to his interest in architecture, he founded FALSA Design Studio in 2003. In 2000, he co-curated the art exhibition "Fuck Off" with curator Feng Boyi in Shanghai, China.

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