Null Tito AGNOLI (1931-2012)
Lit de repos

Osier
Édition Bonacina
Date de créati…

Description

Tito AGNOLI (1931-2012) Lit de repos Osier Édition Bonacina Date de création : vers 1960 Dim.: 80 x 210 x 90 cm Localisation : Paris

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Tito AGNOLI (1931-2012) Lit de repos Osier Édition Bonacina Date de création : vers 1960 Dim.: 80 x 210 x 90 cm Localisation : Paris

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Estim. 150 - 180 EUR

CRISTÓBAL MARTÍN ABDUL WAHID (Madrid, 1956). Ashtray "Frog in pond", 1983. Patinated bronze, copy 2/99. Signed, dated and numbered. Measurements: 7 x 12 x 10 cm. Self-taught sculptor, Cristobal Martin is linked to Moriarty Gallery since its inception, in fact he has made several solo exhibitions and many editions of Arco with them. In 89-90 he was in Rome with the Scholarship of the Academy, where he took the opportunity to learn marble carving in the workshops of Pietrasanta in Tuscany. The following Banesto Foundation Grant was the occasion for a symbolic proposal. His work has always focused on a poetic-symbolic interpretation of nature, trying to reveal the underlying mystery behind the forms.

Estim. 20 - 40 EUR

Set of 10 studies on Balzac: Barbéris, Balzac, a realistic mythology. 1971. P Louis, Les types sociaux chez Balzac et Zola. 1925. Abraham, Créatures chez Balzac. 1931. Clouard, Balzac, pages sociales et politiques. 1910. Flat, Seconds essais sur Balzac. 1894. Lemer, Balzac sa vie son oeuvre. 1892. Fleichsmann, Napoléon par Balzac. Sd. Honoré de Balzac, Morceaux choisis, introduction et notres de Joachim Merlant, 1927. Lukacs, Balzac and French Realism. 1967. Bellessort, Balzac et son oeuvre. 1936. Good lot, most volumes bound. Lot of 4 studies on Balzac: Wurmser, La comédie inhumaine. 1970. Fine mailing from the author. Important and interesting work. Dictionary of Balzac. 1969. Delattrre, Les opinions littéraires de Balzac. 1961. Citron, Dans Balzac. 1986. Set of 6 studies on Balzac: Le dictionnaire Rastignac. Paris, Valmonde, 1998. Faillie, La femme et le code civil dans la Comédie humaine d'Honoré de Balzac. Photocopied copy bound in half binding with corners (imitation leather). Colloque de Cerisy, Balzac l'invention du Roman. Paris, Belfond, 1982. F Marceau, Balzac et son Monde. Paris, NRF Gallimard, 1970. Saint Paulien, Napoléon Balzac et l'Empire de la Comédie humaine. Paris, Albin Michel, 1979. Gagneux, Le musée imaginaire de Balzac. Paris, Beaux-Arts éditions, 2012. Publisher's boards. Lot of 12 studies on Balzac: Bertault, Balzac l'homme et l'oeuvre. Paris, Boivin, 1946. Envoi au vicaire général Pierre Gounin. Alert de Bersaucourt, Etudes et recherches. Paris, Mercure de France, 1913. Half-chagrin with corners. Guichardet, Le père Goriot by Honoré de Balzac. Folio. Verdoot, Ce sacré Balzac ou une histoire d'amour. Paris, Panthéon, 1999. P-L Rey, La comédie humaine - Balzac. Paris, Hatier, 1979. Lovenjoul, Autour de Honoré de Balzac. Slatkine, 1973. Proust, Le Balzac de monsieur de Guermantes. Ides et Calendes, 1950. Francesco Fiorentino, Introduzione a Balzac. Laterza, 1989. Roland Barthes, S/Z. Éditions du Seuil, 1970. Frederick Wedmore, Balzac. London, Walter Scott, 1890. Bertaut, Balzac's Le père Goriot. Sfelt, 1947. Henry James, Tre saggi su Balzac. Il melangolo, 1988. Honoré de Balzac - A Paris. Editions complexe, 1993. Set of 8 studies on Balzac: Aurée d'Esneval, Balzac et la provinciale à Paris. Nouvelles éditions latines, 1976. Le Breton, Balzac. Boivin & Cie, sd. A-M Baron, Balzac ou l'auguste mensonge. Nathan, 1998. Bertault, Balzac et la religion. Slatkine, 1980. Colloque Balzac - Europe. January-February 1965. Traces of readings (underlining in bic and stabilo). Guyon, La pensée politique et sociale de Balzac. A. Colin, 1947. Guyon, La Création littéraire chez Balzac. A. Colin, 1951. Berthier, La vie quotidienne dans la Comédie humaine de Balzac. Hachette, 1998.

Estim. 10 000 - 20 000 EUR

Richard MacDonald (American, b. 1946). Large bronze sculpture titled "Red Dress, Half Life," from the "Joie de Vivre" series depicting a half life-size ballerina perched delicately on the tip of her toes. A radiant smile lights up her face and she seems to spin gracefully as the fabric of her dress swishes around her. Signed and dated 2001 along the base. From an edition of 90. With a wooden plinth. Provenance: The collection of Clint & Mary Ann Jurgens, Minnesota. Walt and Vi Jurgens, Clint’s parents, began supporting Sullivan Hills, a Lutheran summer camp near their farm in Gurley, Nebraska, 50 years ago. The camp generously welcomes all children of the area with financial help and love. We are directing the proceeds of this sale to the administrators of the camp, Nebraska Lutheran Outdoor Ministries. Find out more at www.nlom.org. Lot Essay: Richard MacDonald's sculptures celebrate the beauty and physicality of the human form. He was classically trained at Art Center College in Pasanda, California. Following the great sculptural masters such as Auguste Rodin and Gian Lorenzo Bernini, he adds a contemporary element to his figural creations. His ability to focus on how the body can be manipulated has led to his work with Cirque du Soleil, MGM, and the Olympic Games. His process involves making a clay "sketch" or maquette of his work. These quarter-size models are the basis for his half life to life-size works. He then utilizes the famously painstaking Lost Wax method in which his work will become first a wax model and then a bronze sculpture. (Including base) Height: 60 in x width: 30 in x depth: 22 1/2 in. Weight (without wooden base): 198 lbs 6 oz.

Starting price 80 EUR

N. BITTNER (1786) after DE PIAN (1784), Joseph and his brothers, theatre set, around 1818, Etching Norbert Bittner (1786 - 1851 ) after Antonio de Pian (1784 Venice - 1851 Vienna): Joseph and his brothers, theatre backdrop with exotic landscape and bed under palm trees, c. 1818, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "N. Bittner f. N. 68 / de Pian invt.". At the lower part inscribed: "Joseph und seine Brüder". Date: c. 1818 Description: The work shows a carefully engraved scene in the tradition of landscape depiction. In the foreground is a figure resting in the middle of a pastoral scene. In the background is a panoramic view with architectural elements, framed by lush flora. A richly decorated textile curtain adorns the right-hand side and adds to the impression of a theatrical setting. The scene exudes a mood of serenity and is characterised by fine lines and rich detail. Source: Norbert Bittner (1786 -1851 ) Theaterdecorationen nach den Original Skitzen des k.k. Hof Theater Mahlers Anton de Pian, gestochen und verlegt von Norbert Bittner, um, 1818, No. 68 | Theater, Landscape, Architecture Keywords: Engraving; Landscape; Figure; Rest; Panorama; Architecture; Flora; Curtain; Decoration; Theatricality; Serenity; Richness of detail; Lines; Calm; Pastoral; Scene; Nature; Cultural elements; Panoramic view; Reference to tradition, 19th century, Romanticism, Architecture, Austria, Vienna, Size: Paper: 17,5 cm x 21,8 cm (6,9 x 8,6 in), Plate: 13,2 cm x 15,5 cm (5,2 x 6,1 in)

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