Null Tanabe CHIKUUNSAI II (1910-2000)
Panier

Bambou laqué, fil d'Akebi
Ère Tais…

Description

Tanabe CHIKUUNSAI II (1910-2000) Panier Bambou laqué, fil d'Akebi Ère Taisho (1912-1926) Date de création : vers 1917 Dim.: 25.4 x 10,6 cm Localisation : Paris

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Tanabe CHIKUUNSAI II (1910-2000) Panier Bambou laqué, fil d'Akebi Ère Taisho (1912-1926) Date de création : vers 1917 Dim.: 25.4 x 10,6 cm Localisation : Paris

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Estim. 600 - 900 EUR

BULGARI Sterling silver basket Of circular form, set with a Follis of CONSTANTINE II, CAESAR, 317-337 A. D.Sterling silver, hallmarked "BULGARI - 925 - 1973 - not redable mark". Item condition grading: **** good. The basket is in a good state of preservation with the normal wear and defects commensurate with its age and use over time.

Estim. 400 - 800 EUR

TAKASAKI SHUHO I: A KODAJI LACQUER NATSUME (TEA CADDY) TAKASAKI SHUHO I: A KODAJI LACQUER NATSUME (TEA CADDY) By Takasaki Shuho I (born 1923), signed Shuho Japan, Showa period (1926-1989) Of typical form with a flush-fitting cover, lacquered in vibrant green, gold, and red maki-e, decorated with various kamon. Signed to the base SHUHO. HEIGHT 7.3 cm Condition: Excellent condition with only very minor wear. With a fitted tomobako box inscribed in Japanese Kodaiji, natsume, Shuho saku, with the seal Shuho [A tea caddy, decorated in the Kodaiji makie style, by Shuho, with the seal Shuho] and a matching tomonuno cloth embroidered with the seal Shuho. Takasaki Shuho I (born Taisho 15, 1923), was a Wajima lacquerware artist from the Ishikawa Prefecture. His original name was Takasaki Kazui, and he was the son of Senba who also produced Wajima lacquerware. Takasaki Shuho I's son succeeded as Takasaki Shuho II (born Showa 22, 1947).

Estim. 1 500 - 3 000 EUR

A LARGE PAIR OF LACQUERED HIBACHI (BRAZIER) WITH KIKU BLOSSOMS A LARGE PAIR OF LACQUERED HIBACHI (BRAZIER) WITH KIKU BLOSSOMS Japan, Meiji (1868-1912) to Taisho period (1912-1926) The red lacquer ground of each further layered in yellow, green, and white lacquer and carved with overlapping kiku (chrysanthemum) blossoms. The hollowed interior with a bronze liner. DIAMETER 44 cm Condition: Excellent condition, the interiors with traces of use. The hibachi (lit. fire bowl) is a traditional Japanese heating device. It is a brazier which is either round, cylindrical, or box-shaped, open-topped container, made from or lined with a heatproof material and designed to hold burning charcoal. It is believed hibachi date back to the Heian period. It is filled with incombustible ash, and charcoal sits in the center of the ash. To handle the charcoal, a pair of metal chopsticks called hibashi (lit. ‘fire chopsticks’) is used in a way similar to Western fire irons or tongs. Hibachi were used for heating, not for cooking. It heats by radiation, and is too weak to warm a whole room, often disappointing foreigners who expected such power. Sometimes, people placed a tetsubin (iron kettle) over the hibachi to boil water for tea. Later, by the 1900s, some cooking was also done over the hibachi. Auction comparison: Compare a related pair of lacquered bamboo and rattan hibachi (braziers), Chikufusai, Taisho-Showa period, circa 1912-1930, 33 cm, sold at Bonhams, Fine Japanese Works of Art, New York, 22 March 2011, lot 3339 ( sold for USD 4,880).

Estim. 1 500 - 3 000 EUR

ISSEI: A SUPERB INLAID BRONZE AND SHIBUICHI OKIMONO OF DAIKOKU AND RAT ISSEI: A SUPERB INLAID BRONZE AND SHIBUICHI OKIMONO OF DAIKOKU AND RAT Attributed to Hasegawa Issei, signed Issei saku Japan, late 19 th to early 20th century, Meiji period (1868-1912) Finely modeled as Daikoku leaning over his oversized treasure bag tied with a cord, dressed in flowing robes and a cap, the magic mallet suspended from his belt, the hems and details inlaid in gold and shakudo hirazogan, the base with a mark reading ISSEI saku [made by Issei] in gilt in an oval reserve. The figure accompanied by a small rat perched on its hind legs and raising its head and front paws. HEIGHT 11.3 cm WEIGHT 702 g (excl. stand) Condition: Very good condition with minor wear, light surface scratches, and minuscule nicks. One of the tassels lost. With a lacquered presentation stand. The wood storage box inscribed to the interior of the cover ‘Osaka Shobido Hoshokuten sei’ [made by the Shobido Jewelry Shop] and with a seal. With a small, lacquered storage box for the rat. Hasegawa Issei worked in Tokyo during the Meiji and Taisho eras and was known for his silver okimono. He is also recorded in the 1900 Paris Exposition exhibiting silver vases, incense-burners, and groups of birds.

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