Null DRIES VAN NOTEN
DRESS
CREPE, VISCOSE, ACETATE
WINE BAND
PORTFOLIO EFFECT
T.…

Description

DRIES VAN NOTEN DRESS CREPE, VISCOSE, ACETATE WINE BAND PORTFOLIO EFFECT T. 40

129

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DRIES VAN NOTEN DRESS CREPE, VISCOSE, ACETATE WINE BAND PORTFOLIO EFFECT T. 40

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Villevert House GIN 1495 A limited-edition batch featuring the two variants of Gin 1495: Verbãtim, the original 1495 recipe, and Interpretãtio, its modern interpretation. Each stage of production took place at Maison Villevert. Box of 2 x 20 cl bottles 100 boxes have been donated to museums and charity sales. Gin 1495 is a tribute to our history and the many to our region's many skills! It's a tribute to the first gin recipe listed in Eric de Lage Landen's encyclopedia Jenever in de Lage Landen by Eric van Schoonenberghe, Edition Stichting Kunstboek, page 57. It is referenced as coming from a kitchen manuscript of a wealthy Dutch merchant, from the collection of Sir Hans Sloan, which was entrusted in 1753 to the British Library in London under folio 345. It expressly mentions that the recipe the recipe could be made with Hamburg beer but that it would be much better with wine distilled from the Charentes region... Maison Villevert, famous for its creations such as G'Vine Gin, the only French gin made grape and vine flower, has applied all its expertise to this historic gin. In 2014, Jean-Sébastien Robicquet, President and Founder of Maison Villevert, contacted the British Library Library in London, digitized the folio, translated the recipe the recipe and then brought together eminent experts Dave Wondrich, Gary Regan, Dave Broom and Philip Duff to work on this document. Their journey, from the British Library to the Jenever Museum in ended at Maison Villevert, where they set about interpreted and recreated the product with him. product. Then, together, they projected themselves a century to imagine how the recipe would have evolved evolved during the Renaissance, creating two unique unique expressions: Verbãtim, the original, medieval recipe with spices from the Silk Road, including nutmeg nutmeg and cloves. Interpretãtio, its more modern expression in which citrus fruits from the New World aromatic bouquets. "We love the idea of rebirth, of creating the future of creating the future by understanding the past. past, and that's what's at the heart of our products. products." Jean-Sébastien Robicquet, President Founder of Maison Villevert Tasting notes Verbãtim Nose: bold, warm spices, cloves, pepper and sage Palate: enveloping, generous, luscious Finish: sincere, fluid, shifting, spicy lavender spicy lavender Interpretãtio Nose: frank aromas of juniper, citrus essence and powerful spices Palate: opulent and robust, yet harmonious and silky Finish: structured, muscular, ends with a moderate moderate spice note

Estim. 130 - 195 EUR

Prof. Ivo Hauptmann, Portrait of a lady Woman with blonde hair and green dress looking at the viewer, watercolour over graphite, signed and dated "Ivo Hauptmann 1968" below the depiction on the right, stamped "Ivo Hauptmann Nachlaß" on the reverse, somewhat wavy due to the material, sheet dimensions approx. 46.5 x 38.5 cm. Artist info: German painter and graphic artist. Painter and graphic artist (1886 Erkner near Berlin - 1973 Hamburg), eldest son of Gerhart Hauptmann, youth in Dresden, here acquaintance with Otto Mueller, with whom he travelled to Switzerland and the Riviera in 1900, 1903 studies at the Académie Julian in Paris, 1903-04 pupil of Lovis Corinth in Berlin, studied 1904-09 at the Weimar Academy under Hans Olde, here master pupil of Ludwig von Hofmann and friendship with Hans Arp, Henry van der Velde and Edvard Munch, 1907 Travelled to Greece with Gerhart Hauptmann and Ludwig von Hoffmann, 1909-12 Stayed in Paris and studied at the Académie Ranson with Pierre Bonnard, Maurice Denis and Paul Signac, where he became friends with Rainer Maria Rilke and Auguste Rodin, 1911-14 member of the "Société Indépendants", 1912 married Erica von Scheel, 1913-19 worked in Hamburg-Dockenhuden and was a pupil of Arthur Illies at the Kunstgewerbeschule, 1914 co-founder of the Freie Sezession Berlin, 1915-18 military service in the First World War, 1919-25 freelance artist. World War I, 1919-25 freelance in Dresden-Loschwitz, 1925 moved to Hamburg-Altona, here as authorised signatory employee of the Otto Blumenfeld shipping company, from 1914 member of the Dresdner Künstlerbund and the Dresdner Künstlerverein and 1928-33 member of the Hamburg Secession, after 1933 defamed as "degenerate", 1936 with Max Pechstein in Leba, until 1938 regular stays with his father in the "Wiesenstein" house in Agnetendorf in the Riesengebirge, at Haus Seedorn in Kloster on Hiddensee, in Rapallo and Ascona, after 1945 re-founded the Hamburg Secession and became its chairman for a time, 1950 founding member of the Hamburg Academy of Fine Arts and from 1965 its honorary president, 1955-65 lecturer at the Hamburg University of Fine Arts (HBK), 1961 Federal Cross of Merit, 1973 professorship awarded by the Hamburg Senate, source: Thieme-Becker, Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", Dressler, Rump and Wikipedia.

Estim. 130 - 195 EUR

Prof. Ivo Hauptmann, Portrait of a young lady a young woman looking at the viewer with a pinned-up hairstyle and blue dress in an interior, graphite and watercolour on laid paper, signed and dated "Ivo Hauptmann 1967" in pencil lower right, powerful sheet of bright colours, stamped "Ivo Hauptmann Nachlaß" on the reverse, somewhat wavy due to the material, sheet dimensions approx. 47 x 38.5 cm. Artist info: German painter and graphic artist. Painter and graphic artist (1886 Erkner near Berlin - 1973 Hamburg), eldest son of Gerhart Hauptmann, youth in Dresden, here acquaintance with Otto Mueller, with whom he travelled to Switzerland and the Riviera in 1900, 1903 studies at the Académie Julian in Paris, 1903-04 pupil of Lovis Corinth in Berlin, studied 1904-09 at the Weimar Academy under Hans Olde, here master pupil of Ludwig von Hofmann and friendship with Hans Arp, Henry van der Velde and Edvard Munch, 1907 Travelled to Greece with Gerhart Hauptmann and Ludwig von Hoffmann, 1909-12 Stayed in Paris and studied at the Académie Ranson with Pierre Bonnard, Maurice Denis and Paul Signac, where he became friends with Rainer Maria Rilke and Auguste Rodin, 1911-14 member of the "Société Indépendants", 1912 married Erica von Scheel, 1913-19 worked in Hamburg-Dockenhuden and was a pupil of Arthur Illies at the Kunstgewerbeschule, 1914 co-founder of the Freie Sezession Berlin, 1915-18 military service in the First World War, 1919-25 freelance artist. 1919-25 freelance in Dresden-Loschwitz, 1925 moved to Hamburg-Altona, here as an authorised signatory employee of the Otto Blumenfeld shipping company, from 1914 member of the Dresdner Künstlerbund and the Dresdner Künstlerverein and 1928-33 member of the Hamburg Secession, after 1933 defamed as "degenerate", 1936 with Max Pechstein in Leba, until 1938 regular stays with his father in the "Wiesenstein" house in Agnetendorf in the Riesengebirge, at Haus Seedorn in Kloster on Hiddensee, in Rapallo and Ascona, after 1945 re-founded the Hamburg Secession and became its chairman for a time, 1950 founding member of the Hamburg Academy of Fine Arts and from 1965 its honorary president, 1955-65 lecturer at the Hamburg University of Fine Arts (HBK), 1961 Federal Cross of Merit, 1973 title of professor by the Hamburg Senate, source: Thieme-Becker, Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", Dressler, Rump and Wikipedia.

Estim. 2 800 - 4 200 EUR

Baroque still life after Martinus Nellius The 17th century brought the Netherlands unexpected economic and cultural prosperity. Thanks to favourable conditions, the 17th century brought the Netherlands an unprecedented economic and cultural boom - it went down in history as the so-called "Golden Age of the Netherlands", a prosperous economy brought the young republic widespread prosperity and abundance, and artistic production in particular took on unprecedented proportions, with over 300 painters and graphic artists working in Antwerp at one point alongside 78 butchers and 169 bakers, The new self-image of the wealthy Protestant bourgeoisie demanded new pictorial themes that were able to represent the wealth and lifestyle of this broad class, resulting in magnificent table still lifes that displayed valuable tableware, exotic animals and fruit alongside an abundance of fine foods, among other subjects, Today's famous masters such as Frans Snyders, Willem Kalf, Abraham van Beijeren, Cornelis de Heem and Willem Claeszoon Heda competed for the public's favour; the present motif probably originates from the circle of Martinus Nellius (1621-1716), who artfully layered his arrangements in front of the viewer's eyes against a dark background; next to the central - almost obligatory - forest glass roaster with a berry stem, there is a lobster, oysters, grapes, a bowl of cherries, figs, pomegranates, peaches and skilfully peeled lemons. Some of the objects depicted can also be found in Nellius's secured works, for example the bowl of cherries with other fillings can be found in various paintings by the artist, but the most characteristic feature is the lemon peel hanging out of the wine glass, which the painter usually depicts as here or with an attached lemon in the centre. placed in the Roman with an attached lemon, effective baroque still life painting, oil on coarse canvas, 17th century, indistinctly monogrammed probably "F. v. E. SA. f." lower left on the table edge, old owner's label of the von Nell family "H. v. N. Perl." on the stretcher verso, craquelure, old relining and restoration, somewhat in need of restoration, provenance according to previous owner: Palais von Nell in Perl/Saarland, framed in old moulding in second use, rebate dimensions approx. 90 x 81.5 cm.

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