Null Lino Tagliapietra Nascita: 1934
L. Tagliapietra, EOS, Murano 1995 ca A blow…

Description

Lino Tagliapietra Nascita: 1934 L. Tagliapietra, EOS, Murano 1995 ca A blown glass calla-shaped vase height cm 46.5

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Lino Tagliapietra Nascita: 1934 L. Tagliapietra, EOS, Murano 1995 ca A blown glass calla-shaped vase height cm 46.5

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Estim. 20 - 40 EUR

Lot of 12 volumes: Serval, Autour d'un roman de Balzac: les Chouans. Paris, conard, 1921. Congrès de Nantes 1969 - Stendhal et Balzac - la province dans le roman. Nantes, 1972. Conference proceedings. Congrès de Nantes 1971 - Stendhal et Balzac - la province dans le roman. Nantes, 1978. Conference proceedings. Catalog des ouvrages de H de Balzac conservés au département des imprimés. 1901. La femme et l'amour. Paris, Plon, 1947. Baron, Balzac cinéaste. Klincksieck, 1990. Takayama, Les oeuvres romanesques avortées de Balzac. Tokyo, Keoi Institute, 1966. Genealogie des personnages de la Comédie humaine. Paris Musées. Very interesting set reproducing the characters' coats of arms. Balzac, les nouvelles en BD. Ed. Petit à petit 2008. Revue d'histoire littéraire de la France. Armand Collin, 1961, no. 1. Article "Balzac et la caricature". Guichardet, Balzac archéologue de Paris. Sedes, 1986. Tours dans l'oeuvre de Balzac. Published by the city of Tours, 1999. Sophie de Korwin-Piotrowska, Balzac in Poland. Photocopy of the 1933 edition. Set of 3 Génesis magazines with articles on Balzac. Editions Jean-Michel Place. Numbers 4 of 1994, 11 of 1997 and 13 of 1999. Very good condition. Batch of 16 studies on Balzac's work, photocopied, A4 format, hardback (the dates given are obviously those of the originals): Lucette Finas, La toise et le vertige (on Balzac's Fausse maîtresse). 1986 edition. Alphonse Boulé, Une préface de la comédie humaine. Hennuyer, 1973. Marcel Bouteron, Balzac et les frères de la Consolation. Firmin Didot, 1940. Marcel Bouteron, Balzac et le Faiseur. Booklet. Fréquence des mots dans le chef d'oeuvre inconnu de Balzac. Cedric-CNAM. Albert de Bersaucourt, Balzac et sa revue parisienne. Mercure de France, 1913. M-Bénédicte Diethelm, de l'Héritière de Birague à un début dans la vie: esquisse de la route. Typescript of an article. Georges Ascoli, Balzac romancier. 1939. Lovenjoul, Les avatars d'une oeuvre de Balzac. Revue retrospective, 1892. Raffaelel de Cesare, Balzac ed Eugénie Grandet - ricerche sulla genesi dell'opera. Milano, Giovani di Silvestri, 1953. Jules Janin, un grand homme de province à Paris par M de Balzac. Revue de Paris, article published in 1839. Charles Gould, The present state of Balzac studies. French studies, article from October 1958. WH Helm, Aspects of Balzac. London, Eveleigh Nash, 1905. Bernanrd Guyon, Balzac et le feuilleton des journaux politiques. Gambier, 1935. Henri Prior, Balzac à Turin. Offprint from the Revue de Paris, 1924. Marthe Spitzer, Les juifs de Balzac. French Institute of the University of Budapest, 1939. Interesting set of documents. Set of 8 volumes: Bertaut, Le père Goriot de Balzac. Amiens, Malfère, 1928 (2 copies). Büchsenschütz, Balzac im Spiegel seines Briefwechsels. Marburg 1934. Mornet, Balzac - Eugénie Grandet. Paris, Larousse [extract from Histoire des Grandes oeuvres du XIXe]. Ulrike Lange, Der Selbstmord in Honoré de Balzacs Comédie Humaiune. Bonn, 1995. Revue des sciences humaines, numéro Balzac, fascicule 57-58, 1950. M Serval, Autour de Balzac - César Birotteau. Paris, Colin, 1931. Paris Romantique - Panorama des grands boulevards. Paris, Hervas, 1989.

Starting price 20 EUR

Magis Marco (1934-1995): Oil on canvas, still life with flowers and fruit, signed lower right, size: 80 x 90 cm

Estim. 3 800 - 4 200 EUR

Olympic Games/ Summer, 1934-1988-1992/ Original poster: "Badminton, A True Sport". On this fabulous lithograph signed by the great Maurice Lauro (1878-1934) in the late 1920s, the battle for Badminton's recognition is intense. At the time, Badminton enthusiasts were cunningly and artistically trying to fill the double gap left and opened by lawn tennis. Indeed, lawn-tennis disappeared from the Olympic program after the Paris Games, and this self-proclaimed "sporting" creation was an attempt to seize power - bad could well take over, couldn't it? The problem was that, in 1927, the Musketeers filled the gap by conquering and defending the Davis Cup. The opportunity for succession became less obvious, and the two disciplines remained in the Olympic shadows until the 1980s. Tennis demonstrated in 1984, and badminton in 1988, at home in Seoul. Neither would pass up the opportunity. With this iconic work, Lauro is the keystone of this long adventure for recognition, which had already borne fruit in 1934, the year of the artist's death, with the emergence of an International Federation for the discipline! This graphic construction is so accurate that we can reasonably assume that the artist must have been a practitioner, and that this cry from the heart: "Badminton is a real sport", was indeed his, and certainly not the fruit of chance or a commission, he could not have gone so far and "played" so accurately. In short, if badminton has been able to survive, develop and spread throughout the world, with now a staggering 400 million shuttlecock enthusiasts, it's because of its beauty and sporting dimension, of which Lauro is the dazzling interpreter here. As you know, this commando operation culminated in 1988 in Seoul, where the discipline is king, as it is throughout Asia. Only as a demonstration, it passed through the Olympic gates in Barcelona in 1992. Since then, it has not become indispensable, but essential to the Olympic program. And while Asia remains the driving force, Europe, with Spain and Denmark, is not giving its tongue to the dragon, as France's discreet but talented representative at the 1996 Games, Etienne Thobois, will tell us. All the more so as the French are now also flying aces, and have become at least as competitive as their tennis cousins. Please smile, Mr. Lauro, and for real...Lithograph, canvas, 64x44. Exceptionally fresh. Maurice Lauro (1878-1934) Badminton" poster Size: 64 x 44 cm Restoration. In this lithograph, the artist has managed to capture the lively soul of a sport that sometimes borders on dance. He had started out as a press cartoonist, making a name for himself before the Great War in "Le Rire", as well as "Le Journal", "Le Pêle-Mêle" and "l'Almanach Vermot" (1906-1919), his longest collaboration. Then came the Roaring Twenties, and his transition to fashion and posters was a success. His posters for Trouville, La Baule and Nice (Palais de la Méditerranée) were born, as was his work for Champigneules beer and Automoto bicycles. He died in 1934, the year the International Badminton Federation was founded. One specialist speculates that this 1925 image was intended for Dieppe, one of the sport's first strongholds from 1908. Badminton has been an Olympic sport since 1992.

Estim. 500 - 700 EUR

TAGLIAPIETRA & BERLIOSO TAGLIAPIETRA & BERLIOSO Table lamp-sculpture for GB Milano. Colorless blown glass and lattimo. Cm 42x34x30. 1970s.

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