Null Antonio Da Ros 1936-2018
A. Da Ros, Vetreria Gino Cenedese, Murano 1960 ca …

Description

Antonio Da Ros 1936-2018 A. Da Ros, Vetreria Gino Cenedese, Murano 1960 ca An asymmetrical blown glass vase height cm 29

112

Antonio Da Ros 1936-2018 A. Da Ros, Vetreria Gino Cenedese, Murano 1960 ca An asymmetrical blown glass vase height cm 29

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Estim. 260 - 390 EUR

Nymphenburg pair of putti with "Bavarian coat of arms" as cymbal beaters and drummers, from a series, designed by Franz Anton Bustelli and Bustelli's successors around 1750 and after 1763, remoulded by August Göhring in 1922 and 1936, pressed marks from 1905, embossed model numbers 348a and 803a, further number 3 and scribe number 27 and brush numbers 387/29 68 and 44, naturalistic moulding with polychrome onglaze painting and gold decoration, each on a high pedestal. incised number 27 and one brushmark 387/29 68 and 44, naturalistic moulding with polychrome overglaze painting and gold staffage, each on a tall pedestal with heraldic cartouche in relief to the front and three painted flower bouquets, standing putto with drapery and instrument, good condition, h 16.5 and 19 cm.

Estim. 16 000 - 18 000 EUR

ANTONIO LÓPEZ GARCÍA (Tomelloso, Ciudad Real, 1936). "Carmen recién nacida", 2012. Steel. Copy 1/10. Enclosed certificate of authenticity issued by the author. It has a wooden and methacrylate box with a small tear. Signed and numbered. Measures. 5,5 x 7,5 x 4,5 cm; 27 x 21 x 21 x 21 cm (box). This 2012 steel piece is based on the model created by Antonio López in 1999 in which he paid homage to his newborn granddaughter. Carmen, the little girl's name, became a constant in his work, as her face allowed him to sculpt the values of childhood, the softness of forms and innocence reflected in rounded, yet gentle and delicate features. This piece is closely related to the work known as "Night" or "Carmen asleep", which is paired with the sculpture "Day" or "Carmen awake", both located in Madrid's Atocha station. A painter and sculptor, Antonio López began his artistic training in his native land, where he took classes with the master painter Antonio López Torres. It was thanks to his artistic facility, his talent and the support of his uncle, which led him to begin his studies in Madrid, at the San Fernando Academy. In order to gain admission, he attended courses at the School of Arts and Crafts in the afternoons. This preparation helped him to gain admission to the academy at the age of 14. During his time as a student he made friends with other artists of his generation such as Enrique Gran, Amalia Avia and Lucio Muñoz, what has come to be known as the Madrid School. In 1955, after finishing his studies at the School of Fine Arts, he left for Italy, where he travelled thanks to a scholarship. After finishing his studies, in 1957, he made his individual debut in Madrid at the Ateneo, with an exhibition he had prepared in his native Tomelloso. A year later, thanks to a competition held by the Fundación Rodríguez Acosta, he travelled to Greece with a grant. After his return to Madrid in the 1960s, his presence in galleries was reiterated, thanks to the contacts generated through his exhibition at the Biosca Gallery. Antonio López's work generated great interest in different parts of Europe, the United States, China and Korea. In 1993 the Reina Sofía Museum in Madrid dedicated an anthological exhibition to him. His work is characterised by the use of a realist language, showing a great interest in portraiture, although it also includes subjects such as landscape. He is a member of the San Fernando Academy, and his awards include the Prince of Asturias Prize for the Arts and the Velázquez Prize for Plastic Arts. In 2008 the Museum of Fine Arts in Boston devoted a monographic exhibition to him, as will the Thyssen-Bornemisza and the Bilbao Museum of Fine Arts in 2011. He is represented at the Museum of Fine Arts in Boston, the ARTIUM in Vitoria, the Museo Nacional Centro de Arte Reina Sofía in Madrid, the Fundación Juan March and the Museo de Bellas Artes in Bilbao, among others.

Estim. 12 000 - 13 000 EUR

ANTONI CLAVÉ I SANMARTÍ (Barcelona, 1913 - Saint Tropez, France, 2005). "Red and black composition", circa 1962. Oil and gouache on lithographed paper mounted on canvas. Attached is a certificate issued by the Antoni Clavé Archives. The work is registered in the Antoni Clavé Archives, Paris. No : 62TMPMT18. Signed in the lower right corner. Size: 57 x 77 cm; 67 x 87 cm (frame). On a dark background the intensity of the red stands out, reaching a contrast of colours, which brings vivacity to the composition and awakens the spectator's gaze. Through the play between red and black, a resource often used by Antoni Clave, the artist deploys a whole set of elements, apparently random, which come together to form a baroque composition. Antoni Clavé is one of the most important figures in Spanish contemporary art. Trained at the San Jordi School of Fine Arts in Barcelona, Clavé initially devoted himself to advertising graphics, illustration and the decorative arts. In 1936 he took an active part in the Civil War, joining the Republican ranks, which led him to go into exile in France at the end of the war. That same year, 1939, he exhibited the drawings he had made on the battlefields. He settled in Paris, where he met Vuillard, Bonnard and Picasso. From this period onwards, Clavé began to develop a work marked by a different, less classical style. During this period his figures gradually lost their precision and form, giving way to the lines and a personal range of colours and textures that were to become the main features of his works from that time onwards. He already enjoyed great international prestige at the time when he began to be recognised in Spain, after his exhibition at the Sala Gaspar in Barcelona in 1956. In the 1960s he paid homage to El Greco, and his painting at this time reveals the influences of that master, as well as those of the Baroque painters. The theme of the knight with his hand on his chest takes on special relevance, a reference that will be repeated in Clavé's future works. This period is characterised by the definitive transition to abstraction. In the 1970s Clavé's work continued to evolve, using various techniques such as collage and inventing new ones such as "papier froissé", the result of a chance use of aerosol on crumpled paper. In 1978, the Musée National d'Art Moderne in Paris, now the Centre Georges Pompidou, devoted a retrospective to him that made him one of the most prestigious artists of his generation. His latest works are characterised by the recreation of textures within abstraction, with a profuse use of papier froissé. He was awarded prizes at the Hallimark in New York in 1948, at the Venice Biennale in 1954 and at the Tokyo International Biennale in 1957. In 1984 the Spanish state recognised his artistic value with the exhibition of more than one hundred of his works in the Spanish pavilion at the Venice Biennale. That same year he was awarded the Gold Medal of the Generalitat de Catalunya. Clavé's work can be found, among many others, in the Bilbao Fine Arts Museum, the Tate Gallery, the Modern Art Museum in Paris and Tokyo, the British Museum and the Reina Sofía Museum in Madrid.

Starting price 50 EUR

Miscellaneous - French personalities - Paul BOCUSE (1926-2018), five signed cards, two of which are dedicated to Gérard Leman; one photomontage card dedicated to Gérard Leman and signed; one greeting card with printed signature; one photograph dedicated to Gérard Leman and signed - Yves SAINT-LAURENT (1936-2008), three photographs with printed signature - Sonia RYKIEL (1930-2016), a photomontage card signed by Nathalie Rykiel and Sonia Rykiel - Hubert de GIVENCHY (1927-2018), a signed photograph - L'ABBÉ PIERRE (1912-2007), a photomontage card with printed signature; two cards with printed mailing and signature; a printed greeting letter - Eric TABARLY (1931-1998), an autograph card signed; a typescript letter from his secretary - Maurice HERZOG (1919-2012), two photomontage cards dedicated to Gérard Leman; three photographs dedicated to Gérard Leman; a business card addressed to Gérard Leman; three typescript letters addressed to Gérard Leman;

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