Null Jules LELEU (1883 - 1961) ATELIERS JEAN PROUVE (commonly attributed to)
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Jules LELEU (1883 - 1961) ATELIERS JEAN PROUVE (commonly attributed to) Chair known as the "Martel de Janville", model created circa 1934-1936, in folded, welded and red-lacquered sheet metal with a slightly enveloping hollowed-out back on a corner base with straight, hollow legs. Seat covered with a removable cushion in cream fabric (back slightly split, wear, traces of damp and small stains). Height 81 cm - Length 44 cm - Depth 44 cm History: designed to furnish the Geoffroy Martel de Janville sanatorium on the Plateau d'Assy in 1936. A similar model is preserved in the collections of the Musée des Années 30 (Boulogne-Billancourt) under inventory number 97.8.4. Jean Prouvé biographer Peter Sulzer attributes the Martel de Janville armchair to workshops other than those of Jean Prouvé. Bibliography: Emmanuel Bréon Michèle Lefrançois, Le Musée des Années 30, Somogy, Paris, 2002, model referenced and reproduced on p. 110. Françoise Siriex, Leleu décorateurs ensembliers, Éditions Monelle Hayot, Saint-Rémy-en-l'Eau, Paris, 2007, similar model reproduced on p. 178. Collective work, Leleu 50 ans de mobilier et de décoration 1920-1970, Somogy, Paris, 2007, model referenced and reproduced pp. 96-97.

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Jules LELEU (1883 - 1961) ATELIERS JEAN PROUVE (commonly attributed to) Chair known as the "Martel de Janville", model created circa 1934-1936, in folded, welded and red-lacquered sheet metal with a slightly enveloping hollowed-out back on a corner base with straight, hollow legs. Seat covered with a removable cushion in cream fabric (back slightly split, wear, traces of damp and small stains). Height 81 cm - Length 44 cm - Depth 44 cm History: designed to furnish the Geoffroy Martel de Janville sanatorium on the Plateau d'Assy in 1936. A similar model is preserved in the collections of the Musée des Années 30 (Boulogne-Billancourt) under inventory number 97.8.4. Jean Prouvé biographer Peter Sulzer attributes the Martel de Janville armchair to workshops other than those of Jean Prouvé. Bibliography: Emmanuel Bréon Michèle Lefrançois, Le Musée des Années 30, Somogy, Paris, 2002, model referenced and reproduced on p. 110. Françoise Siriex, Leleu décorateurs ensembliers, Éditions Monelle Hayot, Saint-Rémy-en-l'Eau, Paris, 2007, similar model reproduced on p. 178. Collective work, Leleu 50 ans de mobilier et de décoration 1920-1970, Somogy, Paris, 2007, model referenced and reproduced pp. 96-97.

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MAGNIFICENT LOUIS XVI COMMODE, ESTAMPILLEE by jean-François LELEU (1729-1807) Louis XVI period chest of drawers in blond Cuban mahogany. Rectangular quadrangular shape with tripartite front and central projection The rounded fluted uprights with internal recesses set back from the profile of the front and sides rest on a round fluted foot on the smooth side with dovetail mounting. It opens with three drawers, the 1st modified upper drawer with a tilting front revealing interior drawers. The lower drawers are wider and have no crossbar. The entire design is highlighted by sharp-edged moldings, giving this chest its distinctive personality. The whole piece is topped with Aleppo marble, whose molded, projecting contours match those of the tripartite front. With key H : 90 cm W : 126 cm D : 58 cm In its original condition, with mending in the top drawer Jean-François Leleu was an excellent cabinetmaker who apprenticed in Jean-François Oeben's workshop. His style represents late Louis XV and neoclassical Louis XVI, with more severe, monumental forms. These include structures with fluted pilasters at the corners and friezes of ivy tracery. This commode is typical of Jean-François Leleu's work of the 1780s. It is probably in his mahogany work that Leleu's genius for proportion and line is most evident. He was an early adopter of mahogany, the fashion for which was launched in the 1760s, "notably by Madame de Pompadour, who at the time of her death in 1764 owned seventeen mahogany commodes", and spread in the 1770s.