Null Giuseppe Pietro BAGETTI (1764-1831) Scène de chasse à courre, le bât l'eau,…
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Giuseppe Pietro BAGETTI (1764-1831) Scène de chasse à courre, le bât l'eau, gouache and watercolor in original frame, 16 x 21 cm à vue.

149 

Giuseppe Pietro BAGETTI (1764-1831) Scène de chasse à courre, le bât l'eau, gouache and watercolor in original frame, 16 x 21 cm à vue.

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BAGETTI (Joseph-Pierre). Views of Napoleon's battlefields in Italy in 1796, 1797 and 1800. Drawn on the spot by M. Bagetti, captain engineer-geographer. Gravé et terminées au Dépôt de la Guerre, sous la direction de M. le Lieutenant-Général Pelet. Paris, 1835. In-plano (68.5 x 52 cm), [4] ff. and 68 large double-page plates, engraved by Perdoux, Desaulx, Cardano, Misbach, Schroeder, Lameau, Fortier, etc., after drawings by Bagetti; all mounted on green half-maroquin tabs, smooth spine (imitation binding). Spotting and foxing to some plates, trace of folding to title page. RARISSIVE SET OF MILITARY VIEWS of the Italian campaigns, depicting the cities, towns and battlefields that were the scene of operations in the two Italian campaigns led by Bonaparte. Complete with plate 40bis, announced in the table, depicting the town of Bignasco. It does not appear in the copies in public repositories, all of which list 67 plates. The Piedmontese landscape painter and engineer-geographer Giuseppe Pietro Bagetti (1764-1831) had two successive careers. The first, in the service of Victor-Amédée III, King of Sardinia, his natural sovereign, who had early noticed his talent, enabled him to accompany, from 1793, the Piedmontese troops stationed in the County of Nice and then sent to Toulon when this port was occupied by the English. On his return, he was appointed to teach military topography at the Ecole du Génie in Turin. It was in this capacity that he took part, albeit from a distance, in the first Italian campaign and the French conquest of Piedmont. His second career began at the end of fructidor an VIII [September 1800], when, at the suggestion of generals Dupont and Oudinot, he joined the Cabinet historique et topographique. Assigned to the Army of Italy in Year IX as Captain Engineer-Geographer, under the command of General Brune, he had to execute, from life and under the direction of Joseph-François-Marie Martinelli, known as de Martinel, a series of watercolors relating to the military actions of the two Italian campaigns under Bonaparte. Bagetti worked in this way for eight years, completing around 80 commissioned paintings, not just of Bonaparte's Italian period (he had, for example, followed the Emperor to Austerlitz, Russia, and also executed views there). Long after the end of the Empire and Bagetti's return to Turin (1815), 67 views of Italian battlefields were published under the order of Lieutenant-General Pelet, and they form the exceptional collection presented here, which seems to have had a relatively small print run. Three copies in the CCF (BnF, Sainte-Geneviève, Lyon).